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Racial Tasting: On the Performance of Sugar and the Alchemy of Sweetness- [electronic resource]
Racial Tasting: On the Performance of Sugar and the Alchemy of Sweetness - [electronic res...
Racial Tasting: On the Performance of Sugar and the Alchemy of Sweetness- [electronic resource]

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자료유형  
 학위논문파일 국외
최종처리일시  
20240214101922
ISBN  
9798380603973
DDC  
101
저자명  
Lewis-Cappellari, Sarah Margarita.
서명/저자  
Racial Tasting: On the Performance of Sugar and the Alchemy of Sweetness - [electronic resource]
발행사항  
[S.l.]: : University of California, Los Angeles., 2023
발행사항  
Ann Arbor : : ProQuest Dissertations & Theses,, 2023
형태사항  
1 online resource(204 p.)
주기사항  
Source: Dissertations Abstracts International, Volume: 85-04, Section: A.
주기사항  
Advisor: Metzger, Sean Aaron.
학위논문주기  
Thesis (Ph.D.)--University of California, Los Angeles, 2023.
사용제한주기  
This item must not be sold to any third party vendors.
초록/해제  
요약Paying close sensorial attention to what sugar performs in cultural productions (from the 20th, 21st century) and site-specific landscapes (in the Greater Caribbean), this dissertation questions how the taste of and for sugar is (re)produced by and (re)produces racializing acts of "sweet" consumption, i.e., acts of racial tasting. Drawing from theories surrounding the performance of materiality, phenomenology, Black Feminist and Caribbean studies, the study specifically addresses how those enslaved/indentured to make sugar taste sweet become the visual markers by which a racial hierarchy is grounded, naturalized, 'tasted,' and consumed. In this study, I propose that designations such as race are not only predetermined, sensed, or felt by the visual or auditory but that they are also experienced and habituated orally by tasting-an internalized haptic experience that manifests on the tongue and, as I argue, incorporates both the physiological/gustatory and the rhetorical/aesthetic. By questioning sugar's perceived 'sweetness,' I critically address how gustatory and aesthetic orientations have cultivated and naturalized the pleasurable consumption of racializing practices while also conceptualizing how unconsidered faculties of taste have the potential of broadening aesthetic perceptions.
일반주제명  
Aesthetics.
일반주제명  
Theater.
일반주제명  
Performing arts education.
키워드  
Gustatory
키워드  
Perception
키워드  
Race
기타저자  
University of California, Los Angeles Theater and Performance Studies 09A2
기본자료저록  
Dissertations Abstracts International. 85-04A.
기본자료저록  
Dissertation Abstract International
전자적 위치 및 접속  
로그인 후 원문을 볼 수 있습니다.

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■040    ▼aMiAaPQ▼cMiAaPQ
■0820  ▼a101
■1001  ▼aLewis-Cappellari,  Sarah  Margarita.
■24510▼aRacial  Tasting:  On  the  Performance  of  Sugar  and  the  Alchemy  of  Sweetness▼h[electronic  resource]
■260    ▼a[S.l.]:▼bUniversity  of  California,  Los  Angeles.  ▼c2023
■260  1▼aAnn  Arbor  :▼bProQuest  Dissertations  &  Theses,  ▼c2023
■300    ▼a1  online  resource(204  p.)
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  85-04,  Section:  A.
■500    ▼aAdvisor:  Metzger,  Sean  Aaron.
■5021  ▼aThesis  (Ph.D.)--University  of  California,  Los  Angeles,  2023.
■506    ▼aThis  item  must  not  be  sold  to  any  third  party  vendors.
■520    ▼aPaying  close  sensorial  attention  to  what  sugar  performs  in  cultural  productions  (from  the  20th,  21st  century)  and  site-specific  landscapes  (in  the  Greater  Caribbean),  this  dissertation  questions  how  the  taste  of  and  for  sugar  is  (re)produced  by  and  (re)produces  racializing  acts  of  "sweet"  consumption,  i.e.,  acts  of  racial  tasting.  Drawing  from  theories  surrounding  the  performance  of  materiality,  phenomenology,  Black  Feminist  and  Caribbean  studies,  the  study  specifically  addresses  how  those  enslaved/indentured  to  make  sugar  taste  sweet  become  the  visual  markers  by  which  a  racial  hierarchy  is  grounded,  naturalized,  'tasted,'  and  consumed.  In  this  study,  I  propose  that  designations  such  as  race  are  not  only  predetermined,  sensed,  or  felt  by  the  visual  or  auditory  but  that  they  are  also  experienced  and  habituated  orally  by  tasting-an  internalized  haptic  experience  that  manifests  on  the  tongue  and,  as  I  argue,  incorporates  both  the  physiological/gustatory  and  the  rhetorical/aesthetic.  By  questioning  sugar's  perceived  'sweetness,'  I  critically  address  how  gustatory  and  aesthetic  orientations  have  cultivated  and  naturalized  the  pleasurable  consumption  of  racializing  practices  while  also  conceptualizing  how  unconsidered  faculties  of  taste  have  the  potential  of  broadening  aesthetic  perceptions.
■590    ▼aSchool  code:  0031.
■650  4▼aAesthetics.
■650  4▼aTheater.
■650  4▼aPerforming  arts  education.
■653    ▼aGustatory
■653    ▼aPerception
■653    ▼aRace
■690    ▼a0650
■690    ▼a0465
■690    ▼a0457
■71020▼aUniversity  of  California,  Los  Angeles▼bTheater  and  Performance  Studies  09A2.
■7730  ▼tDissertations  Abstracts  International▼g85-04A.
■773    ▼tDissertation  Abstract  International
■790    ▼a0031
■791    ▼aPh.D.
■792    ▼a2023
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T16935350▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.
■980    ▼a202402▼f2024

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