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Writing and Righting Rooms in Nineteenth-Century British Literature- [electronic resource]
Writing and Righting Rooms in Nineteenth-Century British Literature - [electronic resource...
Writing and Righting Rooms in Nineteenth-Century British Literature- [electronic resource]

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자료유형  
 학위논문파일 국외
최종처리일시  
20240214101531
ISBN  
9798380134132
DDC  
820
저자명  
Robinson, Michele.
서명/저자  
Writing and Righting Rooms in Nineteenth-Century British Literature - [electronic resource]
발행사항  
[S.l.]: : The University of North Carolina at Chapel Hill., 2023
발행사항  
Ann Arbor : : ProQuest Dissertations & Theses,, 2023
형태사항  
1 online resource(205 p.)
주기사항  
Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
주기사항  
Advisor: Stern, Kimberly.
학위논문주기  
Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2023.
사용제한주기  
This item must not be sold to any third party vendors.
초록/해제  
요약Examining the lives and work of three popular nineteenth-century authors, this project accounts for the ways individuals wrote about interactions in domestic space in ways that expose inconsistencies in dominant ideas about domestic space and that challenge or endorse how this framework undergirded patriarchal power relations. Though nineteenth-century authors write as if there was universal adherence to an accepted system of domestic etiquette, historical accounts show that there were discrepancies in how people behaved in their houses that were sometimes deliberate and sometimes not. Literature written during this time similarly reflects disparate ideas about domestic space that sometimes correspond with and sometimes challenge ideology laid out in domestic manuals. Elizabeth Barrett Browning's life as an invalid meant that she was forced to combine various activities in a single room at some points during her life, which would not have been allowed had she been healthy. In poems like "The House of Clouds," "The Lost Bower," "Hector in the Garden," and "The Deserted Garden," EBB expands past perceived limits on spaces in which women find themselves confined, and Aurora Leigh (1856) shows Aurora finding ways to reach beyond limits society wishes to place on her by inhabiting rooms in ways that challenge the patriarchy.Pushing back against women's arguments against firm boundaries for female spaces, Anthony Trollope legitimizes domestic ideology by showing the negative consequences ofivwomen leaving feminine spaces in his Barchester Towers series focusing on The Warden (1855), Barchester Towers (1857), and The Last Chronicle of Barset (1867). Similarly his Autobiography (1883) recasts writing as masculine work, and reveals anxieties about female authors. Margaret Oliphant's Autobiography (1899) rails against being limited to female spaces and their correlated duties. Her Chronicles of Carlingford series, particularly "The Rector," Salem Chapel (1863), The Perpetual Curate (1864), Miss Marjoribanks (1866), and Phoebe Junior (1876), elucidates the artificial nature of domestic practices and shows how they create a hierarchal system that men use to remain in power in ways that do not benefit the community.
일반주제명  
English literature.
일반주제명  
Womens studies.
일반주제명  
British & Irish literature.
키워드  
Daily life
키워드  
Everyday
키워드  
House
키워드  
Place
키워드  
Rooms
키워드  
Space
기타저자  
The University of North Carolina at Chapel Hill English and Comparative Literature
기본자료저록  
Dissertations Abstracts International. 85-02A.
기본자료저록  
Dissertation Abstract International
전자적 위치 및 접속  
로그인 후 원문을 볼 수 있습니다.

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■1001  ▼aRobinson,  Michele.
■24510▼aWriting  and  Righting  Rooms  in  Nineteenth-Century  British  Literature▼h[electronic  resource]
■260    ▼a[S.l.]:▼bThe  University  of  North  Carolina  at  Chapel  Hill.  ▼c2023
■260  1▼aAnn  Arbor  :▼bProQuest  Dissertations  &  Theses,  ▼c2023
■300    ▼a1  online  resource(205  p.)
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  85-02,  Section:  A.
■500    ▼aAdvisor:  Stern,  Kimberly.
■5021  ▼aThesis  (Ph.D.)--The  University  of  North  Carolina  at  Chapel  Hill,  2023.
■506    ▼aThis  item  must  not  be  sold  to  any  third  party  vendors.
■520    ▼aExamining  the  lives  and  work  of  three  popular  nineteenth-century  authors,  this  project  accounts  for  the  ways  individuals  wrote  about  interactions  in  domestic  space  in  ways  that  expose  inconsistencies  in  dominant  ideas  about  domestic  space  and  that  challenge  or  endorse  how  this  framework  undergirded  patriarchal  power  relations.  Though  nineteenth-century  authors  write  as  if  there  was  universal  adherence  to  an  accepted  system  of  domestic  etiquette,  historical  accounts  show  that  there  were  discrepancies  in  how  people  behaved  in  their  houses  that  were  sometimes  deliberate  and  sometimes  not.  Literature  written  during  this  time  similarly  reflects  disparate  ideas  about  domestic  space  that  sometimes  correspond  with  and  sometimes  challenge  ideology  laid  out  in  domestic  manuals.  Elizabeth  Barrett  Browning's  life  as  an  invalid  meant  that  she  was  forced  to  combine  various  activities  in  a  single  room  at  some  points  during  her  life,  which  would  not  have  been  allowed  had  she  been  healthy.  In  poems  like  "The  House  of  Clouds,"  "The  Lost  Bower,"  "Hector  in  the  Garden,"  and  "The  Deserted  Garden,"  EBB  expands  past  perceived  limits  on  spaces  in  which  women  find  themselves  confined,  and  Aurora  Leigh  (1856)  shows  Aurora  finding  ways  to  reach  beyond  limits  society  wishes  to  place  on  her  by  inhabiting  rooms  in  ways  that  challenge  the  patriarchy.Pushing  back  against  women's  arguments  against  firm  boundaries  for  female  spaces,  Anthony  Trollope  legitimizes  domestic  ideology  by  showing  the  negative  consequences  ofivwomen  leaving  feminine  spaces  in  his  Barchester  Towers  series  focusing  on  The  Warden  (1855),  Barchester  Towers  (1857),  and  The  Last  Chronicle  of  Barset  (1867).  Similarly  his  Autobiography  (1883)  recasts  writing  as  masculine  work,  and  reveals  anxieties  about  female  authors.  Margaret  Oliphant's  Autobiography  (1899)  rails  against  being  limited  to  female  spaces  and  their  correlated  duties.  Her  Chronicles  of  Carlingford  series,  particularly  "The  Rector,"  Salem  Chapel  (1863),  The  Perpetual  Curate  (1864),  Miss  Marjoribanks  (1866),  and  Phoebe  Junior  (1876),  elucidates  the  artificial  nature  of  domestic  practices  and  shows  how  they  create  a  hierarchal  system  that  men  use  to  remain  in  power  in  ways  that  do  not  benefit  the  community.
■590    ▼aSchool  code:  0153.
■650  4▼aEnglish  literature.
■650  4▼aWomens  studies.
■650  4▼aBritish  &  Irish  literature.
■653    ▼aDaily  life
■653    ▼aEveryday
■653    ▼aHouse
■653    ▼aPlace
■653    ▼aRooms
■653    ▼aSpace
■690    ▼a0593
■690    ▼a0729
■690    ▼a0453
■71020▼aThe  University  of  North  Carolina  at  Chapel  Hill▼bEnglish  and  Comparative  Literature.
■7730  ▼tDissertations  Abstracts  International▼g85-02A.
■773    ▼tDissertation  Abstract  International
■790    ▼a0153
■791    ▼aPh.D.
■792    ▼a2023
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T16934121▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.
■980    ▼a202402▼f2024

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