LetUsSurvive: Sex Working and Trading Community Relationality and Resilience through Art, Media, and Cultural Production- [electronic resource]
LetUsSurvive: Sex Working and Trading Community Relationality and Resilience through Art, Media, and Cultural Production- [electronic resource]
상세정보
- 자료유형
- 학위논문파일 국외
- 최종처리일시
- 20240214101913
- ISBN
- 9798380616898
- DDC
- 709
- 서명/저자
- LetUsSurvive: Sex Working and Trading Community Relationality and Resilience through Art, Media, and Cultural Production - [electronic resource]
- 발행사항
- [S.l.]: : University of California, Los Angeles., 2023
- 발행사항
- Ann Arbor : : ProQuest Dissertations & Theses,, 2023
- 형태사항
- 1 online resource(193 p.)
- 주기사항
- Source: Dissertations Abstracts International, Volume: 85-04, Section: A.
- 주기사항
- Advisor: Norberg, Kathryn.
- 학위논문주기
- Thesis (Ph.D.)--University of California, Los Angeles, 2023.
- 사용제한주기
- This item must not be sold to any third party vendors.
- 초록/해제
- 요약This project examines the significance of art produced by and within sex working/trading communities, focusing on art from in the San Francisco Bay Area, Seattle, and New York City. By examining the visual and performative art, artist practices, art shows, and festivals that fund, curate, and celebrate sex worker art, this dissertation explores how sex worker cultural production functions as activism among those in sex working/trading communities, not only in its ability to disrupt harmful/incomplete narratives of the sex industry for non-sex working publics, but also its ability to cultivate relationality among sex working/trading subjects as a political project of survival, resilience, and community building. The project begins with a genealogy of the historical connection of erotic labor and art, the development of "sex worker art" as a category of artistic production emergent in the 1970s and 1980s, and its subsequent proliferation as a vital arm of contemporary transnational sex worker rights movements. Working with film short Lucid Noon, Sunset Blush, off-Broadway musical, TRINKETS and But I Am Here New York City street-mural and digital zine, I demonstrate the visual and thematic representations of relationality and community formation in significant cases of cultural production of sex working and trading communities. I contextualize these depictions of relationality among sex working and trading communities as both situated knowledges of sex working and trading communities, as well as situated imaginaries of utopian world-building. I then examine how sex worker cultural production cultivates relationality and community formation in praxis amongst sex working and trading artists, organizers, and attendees, considering in-person events, exhibitions, and festival spaces. I consider sex worker community formation through art and content sharing across digital platforms during the global COVID- 19 crisis, and heightened surveillance and policing of sex workers online post-FOSTA-SESTA, foregrounding the nature of sex worker's art and presence in digital space as ephemeral performance art.
- 일반주제명
- Art history.
- 일반주제명
- Performing arts.
- 일반주제명
- Film studies.
- 일반주제명
- Gender studies.
- 키워드
- Art
- 키워드
- Relationality
- 키워드
- Sex worker art
- 키워드
- Social movements
- 기타저자
- University of California, Los Angeles Gender Studies 006L
- 기본자료저록
- Dissertations Abstracts International. 85-04A.
- 기본자료저록
- Dissertation Abstract International
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■00520240214101913
■006m o d
■007cr#unu||||||||
■020 ▼a9798380616898
■035 ▼a(MiAaPQ)AAI30687295
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a709
■1001 ▼aDayton, Elizabeth Carey Williams.
■24510▼aLetUsSurvive: Sex Working and Trading Community Relationality and Resilience through Art, Media, and Cultural Production▼h[electronic resource]
■260 ▼a[S.l.]:▼bUniversity of California, Los Angeles. ▼c2023
■260 1▼aAnn Arbor :▼bProQuest Dissertations & Theses, ▼c2023
■300 ▼a1 online resource(193 p.)
■500 ▼aSource: Dissertations Abstracts International, Volume: 85-04, Section: A.
■500 ▼aAdvisor: Norberg, Kathryn.
■5021 ▼aThesis (Ph.D.)--University of California, Los Angeles, 2023.
■506 ▼aThis item must not be sold to any third party vendors.
■520 ▼aThis project examines the significance of art produced by and within sex working/trading communities, focusing on art from in the San Francisco Bay Area, Seattle, and New York City. By examining the visual and performative art, artist practices, art shows, and festivals that fund, curate, and celebrate sex worker art, this dissertation explores how sex worker cultural production functions as activism among those in sex working/trading communities, not only in its ability to disrupt harmful/incomplete narratives of the sex industry for non-sex working publics, but also its ability to cultivate relationality among sex working/trading subjects as a political project of survival, resilience, and community building. The project begins with a genealogy of the historical connection of erotic labor and art, the development of "sex worker art" as a category of artistic production emergent in the 1970s and 1980s, and its subsequent proliferation as a vital arm of contemporary transnational sex worker rights movements. Working with film short Lucid Noon, Sunset Blush, off-Broadway musical, TRINKETS and But I Am Here New York City street-mural and digital zine, I demonstrate the visual and thematic representations of relationality and community formation in significant cases of cultural production of sex working and trading communities. I contextualize these depictions of relationality among sex working and trading communities as both situated knowledges of sex working and trading communities, as well as situated imaginaries of utopian world-building. I then examine how sex worker cultural production cultivates relationality and community formation in praxis amongst sex working and trading artists, organizers, and attendees, considering in-person events, exhibitions, and festival spaces. I consider sex worker community formation through art and content sharing across digital platforms during the global COVID- 19 crisis, and heightened surveillance and policing of sex workers online post-FOSTA-SESTA, foregrounding the nature of sex worker's art and presence in digital space as ephemeral performance art.
■590 ▼aSchool code: 0031.
■650 4▼aArt history.
■650 4▼aPerforming arts.
■650 4▼aFilm studies.
■650 4▼aGender studies.
■653 ▼aArt
■653 ▼aCultural production
■653 ▼aRelationality
■653 ▼aSex worker art
■653 ▼aSocial movements
■690 ▼a0377
■690 ▼a0641
■690 ▼a0900
■690 ▼a0733
■71020▼aUniversity of California, Los Angeles▼bGender Studies 006L.
■7730 ▼tDissertations Abstracts International▼g85-04A.
■773 ▼tDissertation Abstract International
■790 ▼a0031
■791 ▼aPh.D.
■792 ▼a2023
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T16935281▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
■980 ▼a202402▼f2024
