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Embodied Refusals: Performance and Transnational Feminist Witnessing in the Face of Gendered Violence- [electronic resource]
Embodied Refusals: Performance and Transnational Feminist Witnessing in the Face of Gendered Violence- [electronic resource]
상세정보
- 자료유형
- 학위논문파일 국외
- 최종처리일시
- 20240214101640
- ISBN
- 9798380147484
- DDC
- 793
- 저자명
- Ross, Danielle.
- 서명/저자
- Embodied Refusals: Performance and Transnational Feminist Witnessing in the Face of Gendered Violence - [electronic resource]
- 발행사항
- [S.l.]: : Northwestern University., 2023
- 발행사항
- Ann Arbor : : ProQuest Dissertations & Theses,, 2023
- 형태사항
- 1 online resource(266 p.)
- 주기사항
- Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
- 주기사항
- Advisor: Manning, Susan.
- 학위논문주기
- Thesis (Ph.D.)--Northwestern University, 2023.
- 사용제한주기
- This item must not be sold to any third party vendors.
- 초록/해제
- 요약This dissertation explores the entanglements of performed refusals and witnessing practices in the face of gendered violences. I analyze how contemporary artists use staged performance to generate new modes for witnessing histories of gendered violence across temporal and national boundaries. In particular, I investigate four performances addressing local histories of gendered violence in unique geopolitical locales: Regina Jose Galindo's (279) Golpes and Presencia, both of which grapple with the epidemic of feminicide in Guatemala, Nigerian-American choreographer Okwui Okpokwasili's Poor People's TV Room, a diasporic choreography inspired by the 1929 Women's War and the 2014 Boko Haram kidnappings of schoolgirls, and Moroccan choreographer Bouchra Ouizguen's Corbeaux, which stages public, vocalized mourning performed by Moroccan elders and younger women who join the cast in each local touring site. I argue that each of these embodied works enact modes of refusal that remix how witnessing occurs on and offstage, and I analyze how their transnational investments contribute to new modes of reckoning with lineages of patriarchal violences.My research sits at the intersections of performance studies, critical dance studies, and Black, Women of Color, and transnational feminisms. I employ a mixed methodological approach to attend to the nuanced data which each case study offers, including analysis of secondary literature and archival evidence, reception and rhetorical analysis, critical ethnography, and choreographic analysis, which I employ in order to attend to performance sites, sound, costuming, and lighting, amongst other embodied and aesthetic elements. Using these methods, I analyze each work's distinct modes of performed refusal, including privacy, withholding, and nonexposure, and I elucidate how each performance reveals the transnational divides and cross-cultural (mis)translations threaded in the projects of both performance and redress. My research traces these acts of refusal as I analyze how their modes of evasion contest expectations of divulgence common in redressive action around gendered violence. Ultimately, I argue for each performance's embodied practices of refusal as generating new analytics for understanding the enduring grasp of gendered violences.
- 일반주제명
- Dance.
- 일반주제명
- Gender studies.
- 키워드
- Embodiment
- 키워드
- Performance
- 키워드
- Redress
- 키워드
- Refusal
- 기타저자
- Northwestern University Performance Studies
- 기본자료저록
- Dissertations Abstracts International. 85-02A.
- 기본자료저록
- Dissertation Abstract International
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■00520240214101640
■006m o d
■007cr#unu||||||||
■020 ▼a9798380147484
■035 ▼a(MiAaPQ)AAI30632336
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a793
■1001 ▼aRoss, Danielle.
■24510▼aEmbodied Refusals: Performance and Transnational Feminist Witnessing in the Face of Gendered Violence▼h[electronic resource]
■260 ▼a[S.l.]:▼bNorthwestern University. ▼c2023
■260 1▼aAnn Arbor :▼bProQuest Dissertations & Theses, ▼c2023
■300 ▼a1 online resource(266 p.)
■500 ▼aSource: Dissertations Abstracts International, Volume: 85-02, Section: A.
■500 ▼aAdvisor: Manning, Susan.
■5021 ▼aThesis (Ph.D.)--Northwestern University, 2023.
■506 ▼aThis item must not be sold to any third party vendors.
■520 ▼aThis dissertation explores the entanglements of performed refusals and witnessing practices in the face of gendered violences. I analyze how contemporary artists use staged performance to generate new modes for witnessing histories of gendered violence across temporal and national boundaries. In particular, I investigate four performances addressing local histories of gendered violence in unique geopolitical locales: Regina Jose Galindo's (279) Golpes and Presencia, both of which grapple with the epidemic of feminicide in Guatemala, Nigerian-American choreographer Okwui Okpokwasili's Poor People's TV Room, a diasporic choreography inspired by the 1929 Women's War and the 2014 Boko Haram kidnappings of schoolgirls, and Moroccan choreographer Bouchra Ouizguen's Corbeaux, which stages public, vocalized mourning performed by Moroccan elders and younger women who join the cast in each local touring site. I argue that each of these embodied works enact modes of refusal that remix how witnessing occurs on and offstage, and I analyze how their transnational investments contribute to new modes of reckoning with lineages of patriarchal violences.My research sits at the intersections of performance studies, critical dance studies, and Black, Women of Color, and transnational feminisms. I employ a mixed methodological approach to attend to the nuanced data which each case study offers, including analysis of secondary literature and archival evidence, reception and rhetorical analysis, critical ethnography, and choreographic analysis, which I employ in order to attend to performance sites, sound, costuming, and lighting, amongst other embodied and aesthetic elements. Using these methods, I analyze each work's distinct modes of performed refusal, including privacy, withholding, and nonexposure, and I elucidate how each performance reveals the transnational divides and cross-cultural (mis)translations threaded in the projects of both performance and redress. My research traces these acts of refusal as I analyze how their modes of evasion contest expectations of divulgence common in redressive action around gendered violence. Ultimately, I argue for each performance's embodied practices of refusal as generating new analytics for understanding the enduring grasp of gendered violences.
■590 ▼aSchool code: 0163.
■650 4▼aDance.
■650 4▼aGender studies.
■650 4▼aAfrican American studies.
■653 ▼aEmbodiment
■653 ▼aGendered violence
■653 ▼aPerformance
■653 ▼aRedress
■653 ▼aRefusal
■653 ▼aTransnational feminisms
■690 ▼a0378
■690 ▼a0733
■690 ▼a0296
■71020▼aNorthwestern University▼bPerformance Studies.
■7730 ▼tDissertations Abstracts International▼g85-02A.
■773 ▼tDissertation Abstract International
■790 ▼a0163
■791 ▼aPh.D.
■792 ▼a2023
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T16934660▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
■980 ▼a202402▼f2024
