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The Compositional Language of Gabriela Ortiz (B. 1964) in Codigos Secretos (2004) for Flute and Electroacoustic Sounds
The Compositional Language of Gabriela Ortiz (B. 1964) in Codigos Secretos (2004) for Flute and Electroacoustic Sounds
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211152741
- ISBN
- 9798383203668
- DDC
- 780
- 저자명
- Vallejo, Maria.
- 서명/저자
- The Compositional Language of Gabriela Ortiz (B. 1964) in Codigos Secretos (2004) for Flute and Electroacoustic Sounds
- 발행사항
- [Sl] : University of North Texas, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 73 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-01, Section: A.
- 주기사항
- Advisor: Clardy, Mary Karen.
- 학위논문주기
- Thesis (D.M.A.)--University of North Texas, 2024.
- 초록/해제
- 요약This dissertation provides a performance guide of Codigos Secretos for flute and electroacoustic sounds (2004) written by Gabriela Ortiz and commissioned by Mexican flutist Alejandro Escuer. Ortiz's compositional language reflects the influence of her teachers in Mexico and London, and the exposure to the evolving musical landscape during her formative years. Her decision to explore the electroacoustic realm stemmed from her fascination with the unlimited possibilities offered by working with a variety of acoustic sources and technological equipment that allowed her to experiment with different musical ideas, compositional processes and unique soundscapes. Codigos Secretos presents various challenges due to the absence of a preface or guide and several elements that may be unfamiliar to flutists, making it challenging or inaccessible to understand and perform the piece. The performance guide includes detailed explanations of the flute and computer scores, addresses discrepancies between different versions of the piece, and provides guidance on improvisatory sections and the execution of extended techniques. These elements enhance the performer's understanding of the piece and facilitate effective engagement and synchronization with the computer, enabling an artistic performance. The purpose of this dissertation is to inform performers and researchers about Gabriela Ortiz's compositional language, raise awareness about the diversity of Mexican music, and bring Ortiz's compositions to a broader audience, making her works more accessible.
- 일반주제명
- Music
- 일반주제명
- Fine arts
- 일반주제명
- Musical performances
- 키워드
- Flute
- 키워드
- Electroacoustic
- 키워드
- Ortiz
- 키워드
- Codigos Secretos
- 기타저자
- University of North Texas Division of Instrumental Studies
- 기본자료저록
- Dissertations Abstracts International. 86-01A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■00520250211152741
■006m o d
■007cr#unu||||||||
■020 ▼a9798383203668
■035 ▼a(MiAaPQ)AAI31520118
■035 ▼a(MiAaPQ)0158vireo3813VallejoVallejo
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a780
■1001 ▼aVallejo, Maria.
■24510▼aThe Compositional Language of Gabriela Ortiz (B. 1964) in Codigos Secretos (2004) for Flute and Electroacoustic Sounds
■260 ▼a[Sl]▼bUniversity of North Texas▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a73 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-01, Section: A.
■500 ▼aAdvisor: Clardy, Mary Karen.
■5021 ▼aThesis (D.M.A.)--University of North Texas, 2024.
■520 ▼aThis dissertation provides a performance guide of Codigos Secretos for flute and electroacoustic sounds (2004) written by Gabriela Ortiz and commissioned by Mexican flutist Alejandro Escuer. Ortiz's compositional language reflects the influence of her teachers in Mexico and London, and the exposure to the evolving musical landscape during her formative years. Her decision to explore the electroacoustic realm stemmed from her fascination with the unlimited possibilities offered by working with a variety of acoustic sources and technological equipment that allowed her to experiment with different musical ideas, compositional processes and unique soundscapes. Codigos Secretos presents various challenges due to the absence of a preface or guide and several elements that may be unfamiliar to flutists, making it challenging or inaccessible to understand and perform the piece. The performance guide includes detailed explanations of the flute and computer scores, addresses discrepancies between different versions of the piece, and provides guidance on improvisatory sections and the execution of extended techniques. These elements enhance the performer's understanding of the piece and facilitate effective engagement and synchronization with the computer, enabling an artistic performance. The purpose of this dissertation is to inform performers and researchers about Gabriela Ortiz's compositional language, raise awareness about the diversity of Mexican music, and bring Ortiz's compositions to a broader audience, making her works more accessible.
■590 ▼aSchool code: 0158.
■650 4▼aMusic
■650 4▼aFine arts
■650 4▼aMusical performances
■653 ▼aFlute
■653 ▼aElectroacoustic
■653 ▼aOrtiz
■653 ▼aCodigos Secretos
■653 ▼aPerformance guide
■690 ▼a0413
■690 ▼a0357
■690 ▼a0943
■71020▼aUniversity of North Texas▼bDivision of Instrumental Studies.
■7730 ▼tDissertations Abstracts International▼g86-01A.
■790 ▼a0158
■791 ▼aD.M.A.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17163691▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
