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"Love in the Trenches": Intimacy and Identification at the Museum of Broken Relationships
"Love in the Trenches": Intimacy and Identification at the Museum of Broken Relationships
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211151103
- ISBN
- 9798382717593
- DDC
- 384
- 서명/저자
- Love in the Trenches: Intimacy and Identification at the Museum of Broken Relationships
- 발행사항
- [Sl] : The University of North Carolina at Chapel Hill, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 192 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 85-11, Section: A.
- 주기사항
- Advisor: Silva, Kumarini.
- 학위논문주기
- Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2024.
- 초록/해제
- 요약"Love in the Trenches" is a qualitative study that focuses on the Museum of Broken Relationships (MBR), located in Zagreb, Croatia and its 2023 travelling exhibition at the Herron School of Art and Design at Indiana University-Purdue University Indianapolis (IUPUI). In it, I make two critical interventions. The first is an epistemological intervention that calls for an expanded view of what constitutes sites "worthy" of study in the field rhetoric, especially one that takes into account feminist ethics and politics of knowledge production. Second, expanding on Kenneth Burke's concept of identification, I introduce the term "refracted identification" as a theoretical framework for engaging public sites that center intimacy through objects and their stories as simultaneously personal and universal. I define refracted identification as an emotional identification forged through the experience of a compound object and story together, finding the compound object-story requires a more complex framework of analysis to encompass the symbolic, material, and affective dimensions of its rhetorical force. Through a close reading of the museum and its objects at the MBR, and by contextualizing the analysis within the history of war that frames MBR in Zagreb and the academic context of MBR Indianapolis, I demonstrate how the MBR's practice of displaying sentimental objects contributed by anonymous individuals alongside their unedited stories as object labels creates the conditions for refracted identification by visitors to the museum.
- 일반주제명
- Communication
- 일반주제명
- Museum studies
- 일반주제명
- Rhetoric
- 키워드
- Affect
- 키워드
- Intimacy
- 키워드
- Museums
- 기타저자
- The University of North Carolina at Chapel Hill Communication Studies
- 기본자료저록
- Dissertations Abstracts International. 85-11A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■00520250211151103
■006m o d
■007cr#unu||||||||
■020 ▼a9798382717593
■035 ▼a(MiAaPQ)AAI31143227
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a384
■1001 ▼aHammond, Mary Eileen.
■24510▼a"Love in the Trenches": Intimacy and Identification at the Museum of Broken Relationships
■260 ▼a[Sl]▼bThe University of North Carolina at Chapel Hill▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a192 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 85-11, Section: A.
■500 ▼aAdvisor: Silva, Kumarini.
■5021 ▼aThesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2024.
■520 ▼a"Love in the Trenches" is a qualitative study that focuses on the Museum of Broken Relationships (MBR), located in Zagreb, Croatia and its 2023 travelling exhibition at the Herron School of Art and Design at Indiana University-Purdue University Indianapolis (IUPUI). In it, I make two critical interventions. The first is an epistemological intervention that calls for an expanded view of what constitutes sites "worthy" of study in the field rhetoric, especially one that takes into account feminist ethics and politics of knowledge production. Second, expanding on Kenneth Burke's concept of identification, I introduce the term "refracted identification" as a theoretical framework for engaging public sites that center intimacy through objects and their stories as simultaneously personal and universal. I define refracted identification as an emotional identification forged through the experience of a compound object and story together, finding the compound object-story requires a more complex framework of analysis to encompass the symbolic, material, and affective dimensions of its rhetorical force. Through a close reading of the museum and its objects at the MBR, and by contextualizing the analysis within the history of war that frames MBR in Zagreb and the academic context of MBR Indianapolis, I demonstrate how the MBR's practice of displaying sentimental objects contributed by anonymous individuals alongside their unedited stories as object labels creates the conditions for refracted identification by visitors to the museum.
■590 ▼aSchool code: 0153.
■650 4▼aCommunication
■650 4▼aMuseum studies
■650 4▼aRhetoric
■653 ▼aAffect
■653 ▼aIntimacy
■653 ▼aMuseum of Broken Relationships
■653 ▼aMuseums
■653 ▼aRefracted identification
■690 ▼a0459
■690 ▼a0730
■690 ▼a0681
■71020▼aThe University of North Carolina at Chapel Hill▼bCommunication Studies.
■7730 ▼tDissertations Abstracts International▼g85-11A.
■790 ▼a0153
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17160705▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
