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Building Bandung: Colonialism, Ethnic Identities and Architectural Practices in Indonesia
Building Bandung: Colonialism, Ethnic Identities and Architectural Practices in Indonesia
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211152732
- ISBN
- 9798384455042
- DDC
- 959
- 저자명
- Priyani, Rina.
- 서명/저자
- Building Bandung: Colonialism, Ethnic Identities and Architectural Practices in Indonesia
- 발행사항
- [Sl] : University of California, Berkeley, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 91 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-03, Section: A.
- 주기사항
- Advisor: Crysler, C. Greig.
- 학위논문주기
- Thesis (Ph.D.)--University of California, Berkeley, 2024.
- 초록/해제
- 요약The city of Bandung in West Java, Indonesia became a symbol of the Non-Aligned Movement when it hosted the first Asian-African conference in 1955, known as the Bandung Conference. This study traces the efforts of Indonesian intellectuals and visionaries of the postcolonial world who have been reinventing the city of Bandung, rupturing it from its colonial origin. This research foregrounds class, ethnicity, and race in Bandung's postcolonial trajectory through urban transformation beginning in 1870 when Dutch colonial sovereignty was declared, and ending before the 1965 anti-communist massacres in early post-Independence Indonesia. I explore three key periods of colonial and post-Independence rules: late Dutch colonialism (1870-1942), Japanese occupation (1942-1945), and the early, post-Independence Indonesia period (1945-1965). This study focuses on three themes as follows: first, the establishment of a colonial city expressive of the elite society initiated by the Netherlands East Indies government, Dutch private planters, and local aristocrats of West Java in the nineteenth century; second, the role of ethnic Chinese Indonesian builders and their family enterprises in shaping the local urban landscape of the early twentieth century; and third, the construction of the social club and theater and subsequent appropriation of the theater, renamed the Independence Building, as a conference venue in 1955, to announce the emergence of Afro-Asian solidarity and expunge elitist colonial legacies from the city center. Through family memoirs, individual and institutional archives and oral history, I argue that social practices of architectural preservation and city planning legitimized a new regime of non-aligned power through built construction and the calculated erasure of unwanted memories embedded in palimpsests of Bandung's city fabric.
- 일반주제명
- Southeast Asian studies
- 일반주제명
- Urban planning
- 일반주제명
- Asian history
- 키워드
- Bandung
- 키워드
- Indonesia
- 키워드
- Colonialism
- 기타저자
- University of California, Berkeley Architecture
- 기본자료저록
- Dissertations Abstracts International. 86-03A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■00520250211152732
■006m o d
■007cr#unu||||||||
■020 ▼a9798384455042
■035 ▼a(MiAaPQ)AAI31491010
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a959
■1001 ▼aPriyani, Rina.
■24510▼aBuilding Bandung: Colonialism, Ethnic Identities and Architectural Practices in Indonesia
■260 ▼a[Sl]▼bUniversity of California, Berkeley▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a91 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-03, Section: A.
■500 ▼aAdvisor: Crysler, C. Greig.
■5021 ▼aThesis (Ph.D.)--University of California, Berkeley, 2024.
■520 ▼aThe city of Bandung in West Java, Indonesia became a symbol of the Non-Aligned Movement when it hosted the first Asian-African conference in 1955, known as the Bandung Conference. This study traces the efforts of Indonesian intellectuals and visionaries of the postcolonial world who have been reinventing the city of Bandung, rupturing it from its colonial origin. This research foregrounds class, ethnicity, and race in Bandung's postcolonial trajectory through urban transformation beginning in 1870 when Dutch colonial sovereignty was declared, and ending before the 1965 anti-communist massacres in early post-Independence Indonesia. I explore three key periods of colonial and post-Independence rules: late Dutch colonialism (1870-1942), Japanese occupation (1942-1945), and the early, post-Independence Indonesia period (1945-1965). This study focuses on three themes as follows: first, the establishment of a colonial city expressive of the elite society initiated by the Netherlands East Indies government, Dutch private planters, and local aristocrats of West Java in the nineteenth century; second, the role of ethnic Chinese Indonesian builders and their family enterprises in shaping the local urban landscape of the early twentieth century; and third, the construction of the social club and theater and subsequent appropriation of the theater, renamed the Independence Building, as a conference venue in 1955, to announce the emergence of Afro-Asian solidarity and expunge elitist colonial legacies from the city center. Through family memoirs, individual and institutional archives and oral history, I argue that social practices of architectural preservation and city planning legitimized a new regime of non-aligned power through built construction and the calculated erasure of unwanted memories embedded in palimpsests of Bandung's city fabric.
■590 ▼aSchool code: 0028.
■650 4▼aSoutheast Asian studies
■650 4▼aUrban planning
■650 4▼aAsian history
■653 ▼aArchitectural history
■653 ▼aBandung
■653 ▼aBandung conference
■653 ▼aIndonesia
■653 ▼aColonialism
■690 ▼a0729
■690 ▼a0222
■690 ▼a0999
■690 ▼a0332
■71020▼aUniversity of California, Berkeley▼bArchitecture.
■7730 ▼tDissertations Abstracts International▼g86-03A.
■790 ▼a0028
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17163623▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
