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Bingeing Difference: Netflix, Advocacy, & Disability
Bingeing Difference: Netflix, Advocacy, & Disability
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211152006
- ISBN
- 9798382822532
- DDC
- 362
- 서명/저자
- Bingeing Difference: Netflix, Advocacy, & Disability
- 발행사항
- [Sl] : University of California, Los Angeles, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 212 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 85-12, Section: A.
- 주기사항
- Advisor: Mann, Denise R.
- 학위논문주기
- Thesis (Ph.D.)--University of California, Los Angeles, 2024.
- 초록/해제
- 요약This dissertation is a production study of disability representation in televisual entertainment from 2015-2024 at Netflix. The current digital ecosystem provides a forum for niche topics due to enhanced competition between platforms, more sophisticated utilization of algorithms to precisely target selected audiences, and increased opportunities for creators that are given more authorial control over previously underrepresented storylines. While there is much at stake for those who consume these representations, this project focuses on the characters. This seemingly disparate group of collaborators - including "entities" like the disability advocacy groups, university research organizations, casting agents, disabled creatives, as well as corporate "institutions" like Netflix, Nielsen, and IMDB- play off each other in complex, consequential ways that can only be understood by acknowledging and delineating their mutually constitutive roles in producing the characters that make it to the screen. This project combines production studies and disability media studies frameworks to delineate how these entities and institutions understand themselves and their industrial and social functions. This project tracks emerging practices in disability representation in entertainment media including diversity pipeline programs, cultures of disclosure, authentic casting practices, and utilizing diversity as a branding strategy, while also tracing the axiomatic notions of normality, neutrality, and naturalness.
- 일반주제명
- Disability studies
- 일반주제명
- Film studies
- 일반주제명
- Web studies
- 키워드
- Netflix
- 키워드
- Neutrality
- 기타저자
- University of California, Los Angeles Film & TV 0010
- 기본자료저록
- Dissertations Abstracts International. 85-12A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■020 ▼a9798382822532
■035 ▼a(MiAaPQ)AAI31330628
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a362
■1001 ▼aGreen, Brittany Judith.
■24510▼aBingeing Difference: Netflix, Advocacy, & Disability
■260 ▼a[Sl]▼bUniversity of California, Los Angeles▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a212 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 85-12, Section: A.
■500 ▼aAdvisor: Mann, Denise R.
■5021 ▼aThesis (Ph.D.)--University of California, Los Angeles, 2024.
■520 ▼aThis dissertation is a production study of disability representation in televisual entertainment from 2015-2024 at Netflix. The current digital ecosystem provides a forum for niche topics due to enhanced competition between platforms, more sophisticated utilization of algorithms to precisely target selected audiences, and increased opportunities for creators that are given more authorial control over previously underrepresented storylines. While there is much at stake for those who consume these representations, this project focuses on the characters. This seemingly disparate group of collaborators - including "entities" like the disability advocacy groups, university research organizations, casting agents, disabled creatives, as well as corporate "institutions" like Netflix, Nielsen, and IMDB- play off each other in complex, consequential ways that can only be understood by acknowledging and delineating their mutually constitutive roles in producing the characters that make it to the screen. This project combines production studies and disability media studies frameworks to delineate how these entities and institutions understand themselves and their industrial and social functions. This project tracks emerging practices in disability representation in entertainment media including diversity pipeline programs, cultures of disclosure, authentic casting practices, and utilizing diversity as a branding strategy, while also tracing the axiomatic notions of normality, neutrality, and naturalness.
■590 ▼aSchool code: 0031.
■650 4▼aDisability studies
■650 4▼aFilm studies
■650 4▼aWeb studies
■653 ▼aDisability media studies
■653 ▼aNetflix
■653 ▼aProduction studies
■653 ▼aTelevision studies
■653 ▼aNeutrality
■690 ▼a0201
■690 ▼a0900
■690 ▼a0646
■71020▼aUniversity of California, Los Angeles▼bFilm & TV 0010.
■7730 ▼tDissertations Abstracts International▼g85-12A.
■790 ▼a0031
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17162389▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
