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The Geopoetics of an Undiscovered Continent: Eurasianism as a Writing Practice
The Geopoetics of an Undiscovered Continent: Eurasianism as a Writing Practice
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211151011
- ISBN
- 9798383481967
- DDC
- 800
- 서명/저자
- The Geopoetics of an Undiscovered Continent: Eurasianism as a Writing Practice
- 발행사항
- [Sl] : Yale University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 218 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-01, Section: A.
- 주기사항
- Advisor: Clark, Katerina;Bozovic, Marijetta.
- 학위논문주기
- Thesis (Ph.D.)--Yale University, 2024.
- 초록/해제
- 요약Drawing on extensive archival research and a comprehensive body of scholarship, this dissertation offers a critical reimagining of early 20th-century Eurasianism through the prism of literature and art. Beginning with the proto-Eurasianist schema introduced by Konstantin Leontiev in the 19th century, I argue that the influence of his deeply aestheticized combination of politics and religious thought is essential to understanding the work of Eurasianism's founders Petr Savitsky and Petr Suvchinsky, the figures around whom the ideology's major split occurred. This dissertation challenges the way Eurasianism has often been understood and portrayed in scholarship, and simultaneously presents an original argument about the explanatory power of applying a synthetic Eurasianist framework to some of the Modernist masterpieces of the early 20th century. Each chapter uses a particular figure as a pivot point for examining trends which collectively make up what I call the Eurasianist literary complex, a heterogenous but unified structure that anticipates and helps to define some of the most important intellectual and artistic trends of the 20th century, including structuralism, geopoetics and ornamental prose. My analysis begins with a comprehensive overview of each thinker's output on literary matters (both published and unpublished), followed by a closer analysis of texts that exemplify their vision of "Eurasianist writing" in practice from authors including Avvakum, Leonid Leonov, Andrei Bely, Aleksei Remizov, Marina Tsvetayeva, and Boris Pilnyak. This dissertation argues that approaches to Russian literature on both sides of the Eurasianist schism and the Soviet border ultimately come together to form a rich and unified tradition.
- 일반주제명
- Literature
- 일반주제명
- Russian history
- 일반주제명
- Modern literature
- 키워드
- 20th century
- 키워드
- Eurasia
- 키워드
- Eurasianism
- 키워드
- Formalism
- 키워드
- Modernism
- 기타저자
- Yale University Slavic Languages and Literatures
- 기본자료저록
- Dissertations Abstracts International. 86-01A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■00520250211151011
■006m o d
■007cr#unu||||||||
■020 ▼a9798383481967
■035 ▼a(MiAaPQ)AAI30995540
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a800
■1001 ▼aStachelski, John.
■24510▼aThe Geopoetics of an Undiscovered Continent: Eurasianism as a Writing Practice
■260 ▼a[Sl]▼bYale University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a218 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-01, Section: A.
■500 ▼aAdvisor: Clark, Katerina;Bozovic, Marijetta.
■5021 ▼aThesis (Ph.D.)--Yale University, 2024.
■520 ▼aDrawing on extensive archival research and a comprehensive body of scholarship, this dissertation offers a critical reimagining of early 20th-century Eurasianism through the prism of literature and art. Beginning with the proto-Eurasianist schema introduced by Konstantin Leontiev in the 19th century, I argue that the influence of his deeply aestheticized combination of politics and religious thought is essential to understanding the work of Eurasianism's founders Petr Savitsky and Petr Suvchinsky, the figures around whom the ideology's major split occurred. This dissertation challenges the way Eurasianism has often been understood and portrayed in scholarship, and simultaneously presents an original argument about the explanatory power of applying a synthetic Eurasianist framework to some of the Modernist masterpieces of the early 20th century. Each chapter uses a particular figure as a pivot point for examining trends which collectively make up what I call the Eurasianist literary complex, a heterogenous but unified structure that anticipates and helps to define some of the most important intellectual and artistic trends of the 20th century, including structuralism, geopoetics and ornamental prose. My analysis begins with a comprehensive overview of each thinker's output on literary matters (both published and unpublished), followed by a closer analysis of texts that exemplify their vision of "Eurasianist writing" in practice from authors including Avvakum, Leonid Leonov, Andrei Bely, Aleksei Remizov, Marina Tsvetayeva, and Boris Pilnyak. This dissertation argues that approaches to Russian literature on both sides of the Eurasianist schism and the Soviet border ultimately come together to form a rich and unified tradition.
■590 ▼aSchool code: 0265.
■650 4▼aLiterature
■650 4▼aRussian history
■650 4▼aModern literature
■653 ▼a20th century
■653 ▼aConservative Studies
■653 ▼aEurasia
■653 ▼aEurasianism
■653 ▼aFormalism
■653 ▼aModernism
■690 ▼a0401
■690 ▼a0724
■690 ▼a0298
■71020▼aYale University▼bSlavic Languages and Literatures.
■7730 ▼tDissertations Abstracts International▼g86-01A.
■790 ▼a0265
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17160400▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
