Populism, Patriotism, and Propaganda: The Twentieth Century American Brass Fanfare and Its Cultural Significance
Populism, Patriotism, and Propaganda: The Twentieth Century American Brass Fanfare and Its Cultural Significance
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211151018
- ISBN
- 9798382789521
- DDC
- 780
- 서명/저자
- Populism, Patriotism, and Propaganda: The Twentieth Century American Brass Fanfare and Its Cultural Significance
- 발행사항
- [Sl] : The Florida State University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 56 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 85-12, Section: A.
- 주기사항
- Advisor: Moore, Christopher R.
- 학위논문주기
- Thesis (D.M.)--The Florida State University, 2024.
- 초록/해제
- 요약The purpose of this treatise is to survey eight of the Ten Fanfares by Ten Composers for Brass and Percussion commissioned by Maestro Eugene Goossens and the Cincinnati Symphony for performance use throughout the 1942-43 season. Eighteen composers responded with fanfares for different combinations of instruments. Ten feature brass and percussion exclusively. Composers included in this commission consist of prominent figures such as Aaron Copland, Howard Hanson, Virgil Thompson, Paul Creston, among others. This treatise revitalizes the importance of these chamber works as an addition to the brass ensemble repertoire, the larger diaspora of twentieth century American music, and how the underlying connection(s) between musical performance and politics have cultural implications that shape and manifest various outlooks on citizens within a nation. In addition to exploring the historical and cultural context and legacy of these works, this document serves to invite greater discussion within arts organizations about the importance of programming lesser-known works for the sake of greater representation. These fanfares are less than a century old and many of these works have not seen a proper performance since their original premieres in the 1940s. The research and explanations in this treatise intend to bring greater exposure surrounding their purpose and effect in hopes of these fanfares utilized for performance into the twenty-first century.
- 일반주제명
- Music
- 일반주제명
- Music history
- 일반주제명
- History
- 키워드
- Brass
- 키워드
- Chamber music
- 키워드
- Fanfares
- 키워드
- Patriotism
- 키워드
- Populism
- 키워드
- Propaganda
- 기타저자
- The Florida State University Music
- 기본자료저록
- Dissertations Abstracts International. 85-12A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■040 ▼aMiAaPQ▼cMiAaPQ
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■1001 ▼aPerkins, Jeremy J.▼0(orcid)0009-0008-4964-5607
■24510▼aPopulism, Patriotism, and Propaganda: The Twentieth Century American Brass Fanfare and Its Cultural Significance
■260 ▼a[Sl]▼bThe Florida State University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a56 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 85-12, Section: A.
■500 ▼aAdvisor: Moore, Christopher R.
■5021 ▼aThesis (D.M.)--The Florida State University, 2024.
■520 ▼aThe purpose of this treatise is to survey eight of the Ten Fanfares by Ten Composers for Brass and Percussion commissioned by Maestro Eugene Goossens and the Cincinnati Symphony for performance use throughout the 1942-43 season. Eighteen composers responded with fanfares for different combinations of instruments. Ten feature brass and percussion exclusively. Composers included in this commission consist of prominent figures such as Aaron Copland, Howard Hanson, Virgil Thompson, Paul Creston, among others. This treatise revitalizes the importance of these chamber works as an addition to the brass ensemble repertoire, the larger diaspora of twentieth century American music, and how the underlying connection(s) between musical performance and politics have cultural implications that shape and manifest various outlooks on citizens within a nation. In addition to exploring the historical and cultural context and legacy of these works, this document serves to invite greater discussion within arts organizations about the importance of programming lesser-known works for the sake of greater representation. These fanfares are less than a century old and many of these works have not seen a proper performance since their original premieres in the 1940s. The research and explanations in this treatise intend to bring greater exposure surrounding their purpose and effect in hopes of these fanfares utilized for performance into the twenty-first century.
■590 ▼aSchool code: 0071.
■650 4▼aMusic
■650 4▼aMusic history
■650 4▼aHistory
■653 ▼aBrass
■653 ▼aChamber music
■653 ▼aFanfares
■653 ▼aPatriotism
■653 ▼aPopulism
■653 ▼aPropaganda
■690 ▼a0413
■690 ▼a0208
■690 ▼a0578
■71020▼aThe Florida State University▼bMusic.
■7730 ▼tDissertations Abstracts International▼g85-12A.
■790 ▼a0071
■791 ▼aD.M.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17160433▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
