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Absence, Communion, Anarchy : Temporal Experience and the Objects of Pittsburgh'S Erroll Garner
Absence, Communion, Anarchy : Temporal Experience and the Objects of Pittsburgh'S Erroll G...
Absence, Communion, Anarchy : Temporal Experience and the Objects of Pittsburgh'S Erroll Garner

상세정보

자료유형  
 학위논문 서양
최종처리일시  
20250211152948
ISBN  
9798346377191
DDC  
780
저자명  
Monteverde, Irene Isabella.
서명/저자  
Absence, Communion, Anarchy : Temporal Experience and the Objects of PittsburghS Erroll Garner
발행사항  
[Sl] : University of Pittsburgh, 2024
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2024
형태사항  
220 p
주기사항  
Source: Dissertations Abstracts International, Volume: 86-05, Section: A.
주기사항  
Advisor: Johnson, Aaron.
학위논문주기  
Thesis (Ph.D.)--University of Pittsburgh, 2024.
초록/해제  
요약This is a dissertation about Erroll Garner (1921-1977) in time. The Pittsburgh-born, African American jazz pianist was known for his sense of rhythm, the component of music that is responsible for time. The thing about time is that it moves differently for everyone in every moment. However, our objective world - the objects that surround us - can ground our subjective experiences and connect us to each other. This project focuses on four objects that were shaped by Garner: the city in which he grew up, the titles to his music compositions, his solo piano introductions in music performance, and his visual art "sketches" housed at the Erroll Garner archive at the University of Pittsburgh. It considers Garner's production or transformation of the objects to be representative of four fundamental activities expounded by Hannah Arendt in The Human Condition (1958), which are, respectively, speech/action, work, labor, and thought. Garner absorbed the object world around him and, in turn, created new objects that continue to affect us today in the way we feel through our existence. The aim of this dissertation is to suggest ways of approaching Garner's objects in time. Pittsburgh is explored as a polyrhythmic object wherein space is bracketed so that memories can move unencumbered by direction or speed; borrowing from Black Quantum Futurism, three Pittsburgh jazz elders guide the method for finding Garner in the layered present. The titles to his compositions are analyzed as metonyms, words that stand-in for Garner; Ishmael Reed's mystery novel, Mumbo Jumbo(1972), in which Henry Louis Gates, Jr. noticed an aesthetic play in the text, presents us with the double-time absence of language. Listening to Garner's piano introductions invites a suspended or freed sense of time, a notion embedded in the philosophies of Fred Moten, Alexander Weheliye, and Fumi Okiji; these sonic objects are largely responsible for the 'happiness' quality that Garner's music conjured. Finally, his "sketches" are emblematic of the continuities and discontinuities of the object world; as objects with anarchic potential, they stop us in time to reveal Garner's presence.
일반주제명  
Bands
일반주제명  
Musical notation
일반주제명  
Happiness
일반주제명  
Writing
일반주제명  
Sketches
일반주제명  
Audiences
일반주제명  
Musicians & conductors
일반주제명  
Verbal communication
일반주제명  
Politics
일반주제명  
Handwriting
일반주제명  
Rhythm
일반주제명  
Grammy awards
일반주제명  
Jazz
일반주제명  
Musical performances
일반주제명  
Bassists
일반주제명  
Art
일반주제명  
Eurocentrism
일반주제명  
Improvisation
일반주제명  
Philosophy
일반주제명  
Literacy
일반주제명  
Communication
일반주제명  
Fine arts
일반주제명  
Music
일반주제명  
Performing arts
일반주제명  
Political science
일반주제명  
Literature
기타저자  
University of Pittsburgh.
기본자료저록  
Dissertations Abstracts International. 86-05A.
전자적 위치 및 접속  
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MARC

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■1001  ▼aMonteverde,  Irene  Isabella.
■24510▼aAbsence,  Communion,  Anarchy  :  Temporal  Experience  and  the  Objects  of  Pittsburgh'S  Erroll  Garner
■260    ▼a[Sl]▼bUniversity  of  Pittsburgh▼c2024
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2024
■300    ▼a220  p
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  86-05,  Section:  A.
■500    ▼aAdvisor:  Johnson,  Aaron.
■5021  ▼aThesis  (Ph.D.)--University  of  Pittsburgh,  2024.
■520    ▼aThis  is  a  dissertation  about  Erroll  Garner  (1921-1977)  in  time.  The  Pittsburgh-born,  African  American  jazz  pianist  was  known  for  his  sense  of  rhythm,  the  component  of  music  that  is  responsible  for  time.  The  thing  about  time  is  that  it  moves  differently  for  everyone  in  every  moment.  However,  our  objective  world  -  the  objects  that  surround  us  -  can  ground  our  subjective  experiences  and  connect  us  to  each  other.  This  project  focuses  on  four  objects  that  were  shaped  by  Garner:  the  city  in  which  he  grew  up,  the  titles  to  his  music  compositions,  his  solo  piano  introductions  in  music  performance,  and  his  visual  art  "sketches"  housed  at  the  Erroll  Garner  archive  at  the  University  of  Pittsburgh.  It  considers  Garner's  production  or  transformation  of  the  objects  to  be  representative  of  four  fundamental  activities  expounded  by  Hannah  Arendt  in  The  Human  Condition  (1958),  which  are,  respectively,  speech/action,  work,  labor,  and  thought.  Garner  absorbed  the  object  world  around  him  and,  in  turn,  created  new  objects  that  continue  to  affect  us  today  in  the  way  we  feel  through  our  existence.  The  aim  of  this  dissertation  is  to  suggest  ways  of  approaching  Garner's  objects  in  time.  Pittsburgh  is  explored  as  a  polyrhythmic  object  wherein  space  is  bracketed  so  that  memories  can  move  unencumbered  by  direction  or  speed;  borrowing  from  Black  Quantum  Futurism,  three  Pittsburgh  jazz  elders  guide  the  method  for  finding  Garner  in  the  layered  present.  The  titles  to  his  compositions  are  analyzed  as  metonyms,  words  that  stand-in  for  Garner;  Ishmael  Reed's  mystery  novel,  Mumbo  Jumbo(1972),  in  which  Henry  Louis  Gates,  Jr.  noticed  an  aesthetic  play  in  the  text,  presents  us  with  the  double-time  absence  of  language.  Listening  to  Garner's  piano  introductions  invites  a  suspended  or  freed  sense  of  time,  a  notion  embedded  in  the  philosophies  of  Fred  Moten,  Alexander  Weheliye,  and  Fumi  Okiji;  these  sonic  objects  are  largely  responsible  for  the  'happiness'  quality  that  Garner's  music  conjured.  Finally,  his  "sketches"  are  emblematic  of  the  continuities  and  discontinuities  of  the  object  world;  as  objects  with  anarchic  potential,  they  stop  us  in  time  to  reveal  Garner's  presence.
■590    ▼aSchool  code:  0178.
■650  4▼aBands
■650  4▼aMusical  notation
■650  4▼aHappiness
■650  4▼aWriting
■650  4▼aSketches
■650  4▼aAudiences
■650  4▼aMusicians  &  conductors
■650  4▼aVerbal  communication
■650  4▼aPolitics
■650  4▼aHandwriting
■650  4▼aRhythm
■650  4▼aGrammy  awards
■650  4▼aJazz
■650  4▼aMusical  performances
■650  4▼aBassists
■650  4▼aArt
■650  4▼aEurocentrism
■650  4▼aImprovisation
■650  4▼aPhilosophy
■650  4▼aLiteracy
■650  4▼aCommunication
■650  4▼aFine  arts
■650  4▼aMusic
■650  4▼aPerforming  arts
■650  4▼aPolitical  science
■650  4▼aLiterature
■690    ▼a0422
■690    ▼a0943
■690    ▼a0459
■690    ▼a0357
■690    ▼a0413
■690    ▼a0641
■690    ▼a0615
■690    ▼a0401
■71020▼aUniversity  of  Pittsburgh.
■7730  ▼tDissertations  Abstracts  International▼g86-05A.
■790    ▼a0178
■791    ▼aPh.D.
■792    ▼a2024
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17164325▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

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