Toward a Musical Grammar: Text-Tune Relationships and Reductive Transformations in Ligeti's Sonate pour Viola
Toward a Musical Grammar: Text-Tune Relationships and Reductive Transformations in Ligeti's Sonate pour Viola
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211151049
- ISBN
- 9798382767956
- DDC
- 780
- 저자명
- Allen, Blake.
- 서명/저자
- Toward a Musical Grammar: Text-Tune Relationships and Reductive Transformations in Ligetis Sonate pour Viola
- 발행사항
- [Sl] : New York University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 345 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 85-11, Section: A.
- 주기사항
- Advisor: Mavromatis, Panayotis.
- 학위논문주기
- Thesis (Ph.D.)--New York University, 2024.
- 초록/해제
- 요약Sonate pour Viola (1991-1994), written by Austrian-Hungarian composer Gyorgy Ligeti (1923-2006), is an illustrious work written for the viola in the latter half of the 20th Century. The six-movement work is seemingly an enigmatic collection of essays presenting many musical ideas concurrently such as an emulation of Old Rumanian folklore heritage and the implementation of modern mathematics through a fractal lens. This dissertation sets forth an intention to identify unifying themes and compositional processes that connect all the movements together through implementing one analytical treatment. By using reductive analysis to isolate the smallest, replicable cells of each movement, the process of how Ligeti achieves musical metamorphosis unlocks an immense development of the simultaneous ascending and descending lines at both the micro and macro levels throughout all six movements. Inspired by Tabea Zimmermann's live, premiere performance of the the C-string passages in Mark Koptyman's Cantus V and influenced heavily by the Lento (Parlando) passage in the first movement of Bela Bartok's Concerto for Viola and Orchestra, Ligeti's six movement Sonata for Solo Viola collectively follows the parlando-rubato then tempo giusto format, highlighting characteristics of the hora lunga, doina, bocet, lament, colinda, peasant flute tuning, and even Baroque dances. These discoveries help gain an understanding of Ligeti's inspirations while also providing a guideline for applying the methodology to other 20th and 21st Century pieces influenced by modern mathematics. In addition, the findings have implications for performance practice.
- 일반주제명
- Music
- 일반주제명
- Musical composition
- 일반주제명
- Music theory
- 일반주제명
- Musical performances
- 키워드
- Analysis
- 키워드
- Ligeti, Gyorgy
- 키워드
- Viola
- 기타저자
- New York University Music and Performing Arts Professions
- 기본자료저록
- Dissertations Abstracts International. 85-11A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
008250123s2024 us c eng d■001000017160616
■00520250211151049
■006m o d
■007cr#unu||||||||
■020 ▼a9798382767956
■035 ▼a(MiAaPQ)AAI31141207
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a780
■1001 ▼aAllen, Blake.
■24510▼aToward a Musical Grammar: Text-Tune Relationships and Reductive Transformations in Ligeti's Sonate pour Viola
■260 ▼a[Sl]▼bNew York University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a345 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 85-11, Section: A.
■500 ▼aAdvisor: Mavromatis, Panayotis.
■5021 ▼aThesis (Ph.D.)--New York University, 2024.
■520 ▼aSonate pour Viola (1991-1994), written by Austrian-Hungarian composer Gyorgy Ligeti (1923-2006), is an illustrious work written for the viola in the latter half of the 20th Century. The six-movement work is seemingly an enigmatic collection of essays presenting many musical ideas concurrently such as an emulation of Old Rumanian folklore heritage and the implementation of modern mathematics through a fractal lens. This dissertation sets forth an intention to identify unifying themes and compositional processes that connect all the movements together through implementing one analytical treatment. By using reductive analysis to isolate the smallest, replicable cells of each movement, the process of how Ligeti achieves musical metamorphosis unlocks an immense development of the simultaneous ascending and descending lines at both the micro and macro levels throughout all six movements. Inspired by Tabea Zimmermann's live, premiere performance of the the C-string passages in Mark Koptyman's Cantus V and influenced heavily by the Lento (Parlando) passage in the first movement of Bela Bartok's Concerto for Viola and Orchestra, Ligeti's six movement Sonata for Solo Viola collectively follows the parlando-rubato then tempo giusto format, highlighting characteristics of the hora lunga, doina, bocet, lament, colinda, peasant flute tuning, and even Baroque dances. These discoveries help gain an understanding of Ligeti's inspirations while also providing a guideline for applying the methodology to other 20th and 21st Century pieces influenced by modern mathematics. In addition, the findings have implications for performance practice.
■590 ▼aSchool code: 0146.
■650 4▼aMusic
■650 4▼aMusical composition
■650 4▼aMusic theory
■650 4▼aMusical performances
■653 ▼aAnalysis
■653 ▼aContemporary works
■653 ▼aLigeti, Gyorgy
■653 ▼aReductive analysis
■653 ▼aViola
■690 ▼a0413
■690 ▼a0214
■690 ▼a0221
■690 ▼a0943
■71020▼aNew York University▼bMusic and Performing Arts Professions.
■7730 ▼tDissertations Abstracts International▼g85-11A.
■790 ▼a0146
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17160616▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
