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Reimagining the Lost Chinese Sound: Ge Gan-Ru's Ancient Music: A Performance Guide and Technical Analysis
Reimagining the Lost Chinese Sound: Ge Gan-Ru's Ancient Music: A Performance Guide and Technical Analysis
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211151055
- ISBN
- 9798382325217
- DDC
- 780
- 저자명
- Wang, Yun.
- 서명/저자
- Reimagining the Lost Chinese Sound: Ge Gan-Rus Ancient Music: A Performance Guide and Technical Analysis
- 발행사항
- [Sl] : Arizona State University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 65 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 85-11, Section: A.
- 주기사항
- Advisor: Breslin, Cathal.
- 학위논문주기
- Thesis (D.M.A.)--Arizona State University, 2024.
- 초록/해제
- 요약Ge Gan-ru (b. 1954) is considered one of the most innovative composers of his time and is referred to in The New Grove Dictionary of Music and Musicians as "China's first avant-garde composer." In 1986, Ge composed Ancient Music, a piece which employs extended piano techniques to express the composer's reimagination of ancient Chinese music.This project explores the life and music of Ge Gan-ru by providing a historical background of Ge's life as a composer during the Chinese Cultural Revolution and the changes after he came to America. In addition, a technical analysis and performance guide of Ancient Music are included, in order to discuss his individual compositional language and how he integrates Chinese musical concepts into a western contemporary compositional system.In this document, I take a close look at Ge Gan-ru's perspectives on Chinese music and the revolutionary reforms he made. Chapter One is a review of sources about Ge's life and study in China and America and a brief introduction to his Ancient Music. Chapter Two discusses why the concept of composer in the context of Western music is missing in Chinese music, as most traditional Chinese works were not created by a single person and therefore do not reflect the individual voice of one composer. This point can also be extended to explain why Chinese society has historically encouraged homogenization, including in music. Chapter Three serves as a performance guide, as well as a musical and technical analysis of Ancient Music. This will involve outlining and comparing the performance of traditional Chinese instruments with the internal piano techniques employed throughout this piece. Chapter Four is a summary of Ge's Ancient Music and his musical contributions.
- 일반주제명
- Music
- 일반주제명
- Musical composition
- 일반주제명
- Music history
- 키워드
- Chinese music
- 키워드
- Ancient Music
- 기타저자
- Arizona State University Music
- 기본자료저록
- Dissertations Abstracts International. 85-11A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■007cr#unu||||||||
■020 ▼a9798382325217
■035 ▼a(MiAaPQ)AAI31142152
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a780
■1001 ▼aWang, Yun.
■24510▼aReimagining the Lost Chinese Sound: Ge Gan-Ru's Ancient Music: A Performance Guide and Technical Analysis
■260 ▼a[Sl]▼bArizona State University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a65 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 85-11, Section: A.
■500 ▼aAdvisor: Breslin, Cathal.
■5021 ▼aThesis (D.M.A.)--Arizona State University, 2024.
■520 ▼aGe Gan-ru (b. 1954) is considered one of the most innovative composers of his time and is referred to in The New Grove Dictionary of Music and Musicians as "China's first avant-garde composer." In 1986, Ge composed Ancient Music, a piece which employs extended piano techniques to express the composer's reimagination of ancient Chinese music.This project explores the life and music of Ge Gan-ru by providing a historical background of Ge's life as a composer during the Chinese Cultural Revolution and the changes after he came to America. In addition, a technical analysis and performance guide of Ancient Music are included, in order to discuss his individual compositional language and how he integrates Chinese musical concepts into a western contemporary compositional system.In this document, I take a close look at Ge Gan-ru's perspectives on Chinese music and the revolutionary reforms he made. Chapter One is a review of sources about Ge's life and study in China and America and a brief introduction to his Ancient Music. Chapter Two discusses why the concept of composer in the context of Western music is missing in Chinese music, as most traditional Chinese works were not created by a single person and therefore do not reflect the individual voice of one composer. This point can also be extended to explain why Chinese society has historically encouraged homogenization, including in music. Chapter Three serves as a performance guide, as well as a musical and technical analysis of Ancient Music. This will involve outlining and comparing the performance of traditional Chinese instruments with the internal piano techniques employed throughout this piece. Chapter Four is a summary of Ge's Ancient Music and his musical contributions.
■590 ▼aSchool code: 0010.
■650 4▼aMusic
■650 4▼aMusical composition
■650 4▼aMusic history
■653 ▼aInnovative composers
■653 ▼aChinese music
■653 ▼aAncient Music
■653 ▼aMusical contributions
■653 ▼aCompositional language
■690 ▼a0413
■690 ▼a0214
■690 ▼a0208
■71020▼aArizona State University▼bMusic.
■7730 ▼tDissertations Abstracts International▼g85-11A.
■790 ▼a0010
■791 ▼aD.M.A.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17160649▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
