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Our Voices Matter and We Are Golden 我们是金的: A Music Educator's Reckoning With Homeplace in the Music Classroom
Our Voices Matter and We Are Golden 我们是金的: A Music Educator's Reckoning With Homeplace...
Our Voices Matter and We Are Golden 我们是金的: A Music Educator's Reckoning With Homeplace in the Music Classroom

Detailed Information

자료유형  
 학위논문 서양
최종처리일시  
20250211151518
ISBN  
9798382774824
DDC  
780.7
저자명  
Tsui, Alice Ann.
서명/저자  
Our Voices Matter and We Are Golden 我们是金的: A Music Educators Reckoning With Homeplace in the Music Classroom
발행사항  
[Sl] : Boston University, 2024
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2024
형태사항  
270 p
주기사항  
Source: Dissertations Abstracts International, Volume: 85-11, Section: A.
주기사항  
Advisor: Vu, Kinh T.
학위논문주기  
Thesis (D.M.A.)--Boston University, 2024.
초록/해제  
요약"Our Voices Matter" is my own reckoning as a music educator with homeplace in my music classroom using autoethnography as a method. My research is guided by the question "What is homeplace - for myself, my students, and for us together?" Data were collected through personal recollection, journal writing, vignettes, written interviews, public videos of student performances, blog posts, and news articles over a span of ten years of teaching at New Bridges Elementary in Brooklyn, NY. Data were analyzed through bell hooks' definition of homeplace and Bettina Love's usage of homeplace. I reckoned with the extent to which I experienced homeplace, perceived homeplace for my students, and actualized a homeplace that is welcoming of both my students and myself.Findings showed that my understanding of homeplace shifted over my ten years of teaching through the interactions with my students, and societal and cultural reckonings that inevitably affected the shared classroom space with my students. My use of language, content I taught, and personal voice were affected by pivotal experiences throughout my teaching career and personal life that started separately but ultimately intersected in my music classroom. The Black Lives Matter and Stop Asian Hate movements collectively played active roles in the lived experiences of my students and me. The influences and intersections of these two movements in my elementary classroom led to multiple reckonings through unapologetic freedom dreaming where my students and I visioned futures that prioritize our racial identities, whole selves, and joy through music making, creating, and coexistence in shared space. In this study, I illuminate the complexities of my personal teaching practice and experience as a music educator that is inclusive of but also goes beyond music for music's sake. The findings of my study may spark new understandings for educators about the ways that one's positionalities and lived experiences affect the music classroom space. The findings may also be useful for those teachers grappling with the critical movements in our society which affect both our students and ourselves and require discussion and reckoning within the classroom. Although the findings are not meant to be extrapolated to any reader's own classroom or students, this study reflects the emotional and mental shifts that have occurred in my teaching and being and as such may ignite personal reflection and shifts for the reader.
일반주제명  
Music education
일반주제명  
Asian American studies
일반주제명  
Black studies
키워드  
Black Lives Matter
키워드  
Community
키워드  
Freedom dreaming
키워드  
Homeplace
키워드  
Stop Asian Hate
기타저자  
Boston University Music Education CFA
기본자료저록  
Dissertations Abstracts International. 85-11A.
전자적 위치 및 접속  
로그인 후 원문을 볼 수 있습니다.

MARC

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■24510▼aOur  Voices  Matter  and  We  Are  Golden  我们是金的:  A  Music  Educator's  Reckoning  With  Homeplace  in  the  Music  Classroom
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■500    ▼aAdvisor:  Vu,  Kinh  T.
■5021  ▼aThesis  (D.M.A.)--Boston  University,  2024.
■520    ▼a"Our  Voices  Matter"  is  my  own  reckoning  as  a  music  educator  with  homeplace  in  my  music  classroom  using  autoethnography  as  a  method.  My  research  is  guided  by  the  question  "What  is  homeplace  -  for  myself,  my  students,  and  for  us  together?"  Data  were  collected  through  personal  recollection,  journal  writing,  vignettes,  written  interviews,  public  videos  of  student  performances,  blog  posts,  and  news  articles  over  a  span  of  ten  years  of  teaching  at  New  Bridges  Elementary  in  Brooklyn,  NY.  Data  were  analyzed  through  bell  hooks'  definition  of  homeplace  and  Bettina  Love's  usage  of  homeplace.  I  reckoned  with  the  extent  to  which  I  experienced  homeplace,  perceived  homeplace  for  my  students,  and  actualized  a  homeplace  that  is  welcoming  of  both  my  students  and  myself.Findings  showed  that  my  understanding  of  homeplace  shifted  over  my  ten  years  of  teaching  through  the  interactions  with  my  students,  and  societal  and  cultural  reckonings  that  inevitably  affected  the  shared  classroom  space  with  my  students.  My  use  of  language,  content  I  taught,  and  personal  voice  were  affected  by  pivotal  experiences  throughout  my  teaching  career  and  personal  life  that  started  separately  but  ultimately  intersected  in  my  music  classroom.  The  Black  Lives  Matter  and  Stop  Asian  Hate  movements  collectively  played  active  roles  in  the  lived  experiences  of  my  students  and  me.  The  influences  and  intersections  of  these  two  movements  in  my  elementary  classroom  led  to  multiple  reckonings  through  unapologetic  freedom  dreaming  where  my  students  and  I  visioned  futures  that  prioritize  our  racial  identities,  whole  selves,  and  joy  through  music  making,  creating,  and  coexistence  in  shared  space.  In  this  study,  I  illuminate  the  complexities  of  my  personal  teaching  practice  and  experience  as  a  music  educator  that  is  inclusive  of  but  also  goes  beyond  music  for  music's  sake.  The  findings  of  my  study  may  spark  new  understandings  for  educators  about  the  ways  that  one's  positionalities  and  lived  experiences  affect  the  music  classroom  space.  The  findings  may  also  be  useful  for  those  teachers  grappling  with  the  critical  movements  in  our  society  which  affect  both  our  students  and  ourselves  and  require  discussion  and  reckoning  within  the  classroom.  Although  the  findings  are  not  meant  to  be  extrapolated  to  any  reader's  own  classroom  or  students,  this  study  reflects  the  emotional  and  mental  shifts  that  have  occurred  in  my  teaching  and  being  and  as  such  may  ignite  personal  reflection  and  shifts  for  the  reader.
■590    ▼aSchool  code:  0017.
■650  4▼aMusic  education
■650  4▼aAsian  American  studies
■650  4▼aBlack  studies
■653    ▼aBlack  Lives  Matter
■653    ▼aCommunity
■653    ▼aFreedom  dreaming
■653    ▼aHomeplace
■653    ▼aStop  Asian  Hate
■690    ▼a0522
■690    ▼a0343
■690    ▼a0325
■71020▼aBoston  University▼bMusic  Education  CFA.
■7730  ▼tDissertations  Abstracts  International▼g85-11A.
■790    ▼a0017
■791    ▼aD.M.A.
■792    ▼a2024
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17162054▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

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