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Border Productions of Loss: Naturalized Violence and Sensorial Solidarities From the Paso del Norte
Border Productions of Loss: Naturalized Violence and Sensorial Solidarities From the Paso del Norte
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211153022
- ISBN
- 9798346858423
- DDC
- 300
- 서명/저자
- Border Productions of Loss: Naturalized Violence and Sensorial Solidarities From the Paso del Norte
- 발행사항
- [Sl] : Northwestern University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 257 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-06, Section: A.
- 주기사항
- Advisor: Rivera-Servera, Ramon.
- 학위논문주기
- Thesis (Ph.D.)--Northwestern University, 2024.
- 초록/해제
- 요약Border Productions of Loss develops an analytical framework for understanding the sensorial hierarchies shaped by the US-Mexico border, emphasizing the environmental, political, and social manifestations of loss. This dissertation traces the historical and material development of the Paso del Norte, exploring queer borderland performances that register and challenge overlapping histories of desperation, grief, and exhaustion. Positioning my work along the routes of Performance Studies, Border Studies, and "new" materialism, I locate aesthetic encounters between human and ecological bodies who are both subjected to forms of loss in the creation and maintenance of the border across the Paso del Norte. In doing so, I identify sensorial solidarities and intersubjective coalitions that develop alternative ways of moving through and toward loss.The first chapter investigates the 1964 channelization of the Rio Grande/Rio Bravo as a metaphor for the bureaucratic management of migrant death and environmental decline. The second chapter analyzes the 1965 rise of maquiladoras and the industrialization of Ciudad Juarez, linking these developments to a border sensorium that naturalizes disposability and grief. The final chapter focuses on the lingering toxic residues from industrial pollution, theorizing exhaustion as both a physical and performative state that generates new possibilities for solidarity and collective action. Ultimately, this dissertation approaches border(land) performances that illuminate and expand the capacities of bodies to navigate loss and vulnerability in the borderlands.
- 일반주제명
- Latin American studies
- 일반주제명
- Aesthetics
- 일반주제명
- Performing arts
- 키워드
- Environmentalism
- 키워드
- Performance
- 키워드
- Sensorium
- 키워드
- US-Mexico border
- 기타저자
- Northwestern University Performance Studies
- 기본자료저록
- Dissertations Abstracts International. 86-06A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■007cr#unu||||||||
■020 ▼a9798346858423
■035 ▼a(MiAaPQ)AAI31632202
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a300
■1001 ▼aGamboa, Eddie, Jr.▼0(orcid)0009-0007-2831-7383
■24510▼aBorder Productions of Loss: Naturalized Violence and Sensorial Solidarities From the Paso del Norte
■260 ▼a[Sl]▼bNorthwestern University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a257 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-06, Section: A.
■500 ▼aAdvisor: Rivera-Servera, Ramon.
■5021 ▼aThesis (Ph.D.)--Northwestern University, 2024.
■520 ▼aBorder Productions of Loss develops an analytical framework for understanding the sensorial hierarchies shaped by the US-Mexico border, emphasizing the environmental, political, and social manifestations of loss. This dissertation traces the historical and material development of the Paso del Norte, exploring queer borderland performances that register and challenge overlapping histories of desperation, grief, and exhaustion. Positioning my work along the routes of Performance Studies, Border Studies, and "new" materialism, I locate aesthetic encounters between human and ecological bodies who are both subjected to forms of loss in the creation and maintenance of the border across the Paso del Norte. In doing so, I identify sensorial solidarities and intersubjective coalitions that develop alternative ways of moving through and toward loss.The first chapter investigates the 1964 channelization of the Rio Grande/Rio Bravo as a metaphor for the bureaucratic management of migrant death and environmental decline. The second chapter analyzes the 1965 rise of maquiladoras and the industrialization of Ciudad Juarez, linking these developments to a border sensorium that naturalizes disposability and grief. The final chapter focuses on the lingering toxic residues from industrial pollution, theorizing exhaustion as both a physical and performative state that generates new possibilities for solidarity and collective action. Ultimately, this dissertation approaches border(land) performances that illuminate and expand the capacities of bodies to navigate loss and vulnerability in the borderlands.
■590 ▼aSchool code: 0163.
■650 4▼aLatin American studies
■650 4▼aAesthetics
■650 4▼aPerforming arts
■653 ▼aEnvironmentalism
■653 ▼aPerformance
■653 ▼aQueer of color critique
■653 ▼aSensorium
■653 ▼aUS-Mexico border
■690 ▼a0550
■690 ▼a0650
■690 ▼a0641
■71020▼aNorthwestern University▼bPerformance Studies.
■7730 ▼tDissertations Abstracts International▼g86-06A.
■790 ▼a0163
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17164605▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
