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The Tradition of the Salon Music Transcription: Meredith Willson's "Till There Was You" in the Style of the Transcriptions of Kreisler and Heifetz
The Tradition of the Salon Music Transcription: Meredith Willson's "Till There Was You" in the Style of the Transcriptions of Kreisler and Heifetz
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211153023
- ISBN
- 9798342713849
- DDC
- 780
- 저자명
- Evans, Megan.
- 서명/저자
- The Tradition of the Salon Music Transcription: Meredith Willsons Till There Was You in the Style of the Transcriptions of Kreisler and Heifetz
- 발행사항
- [Sl] : Arizona State University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 33 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-05, Section: A.
- 주기사항
- Advisor: McLin, Katherine.
- 학위논문주기
- Thesis (D.M.A.)--Arizona State University, 2024.
- 초록/해제
- 요약The peak popularity of salons occurred in the mid-to-late nineteenth and first half of the twentieth centuries. These gatherings brought talented musicians, poets, authors, and artists together to share their talents and learn from one another. Out of this tradition sprang a new genre of music, the salon piece.Two of the most famous violinists who contributed to this art form were Fritz Kreisler and Jascha Heifetz, who took popular songs at the time such as "Old Folks at Home" and "Summertime," and transformed them into showpieces for violin and piano. By expanding the repertoire and styles in which they played, they greatly enlarged both their audiences and popularity. These transcribed popular songs had widely recognizable melodies, which insured that the pieces would be unforgettable and profitable through record companies and radio. Many of the transcribed pieces were shorter in length, around three to four minutes, which allowed for a complete song or piece on one side of a record. Most of the time, these violinists added embellishments to their transcriptions, such as double stops or virtuosic techniques, providing musical variety and bravado. These shorter, character pieces came to be known as "salon pieces," from their rich origins in the salons. This thesis explores the contributions of Kreisler and Heifetz not only to the violin repertoire, but also to incorporating popular music elements on the concert stage with their original transcriptions. The thesis also demonstrates how the author modeled a transcription of Meredith Willson's song, "Till There Was You," after the techniques used by Kreisler and Heifetz in their transcriptions, continuing a centuries old tradition and hopefully inspiring others to do the same.
- 일반주제명
- Music
- 일반주제명
- Musical composition
- 일반주제명
- European history
- 키워드
- Transcription
- 기타저자
- Arizona State University Music
- 기본자료저록
- Dissertations Abstracts International. 86-05A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■020 ▼a9798342713849
■035 ▼a(MiAaPQ)AAI31632650
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a780
■1001 ▼aEvans, Megan.
■24510▼aThe Tradition of the Salon Music Transcription: Meredith Willson's "Till There Was You" in the Style of the Transcriptions of Kreisler and Heifetz
■260 ▼a[Sl]▼bArizona State University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a33 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-05, Section: A.
■500 ▼aAdvisor: McLin, Katherine.
■5021 ▼aThesis (D.M.A.)--Arizona State University, 2024.
■520 ▼aThe peak popularity of salons occurred in the mid-to-late nineteenth and first half of the twentieth centuries. These gatherings brought talented musicians, poets, authors, and artists together to share their talents and learn from one another. Out of this tradition sprang a new genre of music, the salon piece.Two of the most famous violinists who contributed to this art form were Fritz Kreisler and Jascha Heifetz, who took popular songs at the time such as "Old Folks at Home" and "Summertime," and transformed them into showpieces for violin and piano. By expanding the repertoire and styles in which they played, they greatly enlarged both their audiences and popularity. These transcribed popular songs had widely recognizable melodies, which insured that the pieces would be unforgettable and profitable through record companies and radio. Many of the transcribed pieces were shorter in length, around three to four minutes, which allowed for a complete song or piece on one side of a record. Most of the time, these violinists added embellishments to their transcriptions, such as double stops or virtuosic techniques, providing musical variety and bravado. These shorter, character pieces came to be known as "salon pieces," from their rich origins in the salons. This thesis explores the contributions of Kreisler and Heifetz not only to the violin repertoire, but also to incorporating popular music elements on the concert stage with their original transcriptions. The thesis also demonstrates how the author modeled a transcription of Meredith Willson's song, "Till There Was You," after the techniques used by Kreisler and Heifetz in their transcriptions, continuing a centuries old tradition and hopefully inspiring others to do the same.
■590 ▼aSchool code: 0010.
■650 4▼aMusic
■650 4▼aMusical composition
■650 4▼aEuropean history
■653 ▼aTranscription
■653 ▼aSalon music transcription
■653 ▼aViolin repertoire
■690 ▼a0413
■690 ▼a0214
■690 ▼a0335
■71020▼aArizona State University▼bMusic.
■7730 ▼tDissertations Abstracts International▼g86-05A.
■790 ▼a0010
■791 ▼aD.M.A.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17164614▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
