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Ernest Bloch's Cello Suite No. 1: A Contextualization, Analysis, and Double Bass Arrangement
Ernest Bloch's Cello Suite No. 1: A Contextualization, Analysis, and Double Bass Arrangement
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211153029
- ISBN
- 9798346737247
- DDC
- 780
- 저자명
- Pardi, Evan.
- 서명/저자
- Ernest Blochs Cello Suite No. 1: A Contextualization, Analysis, and Double Bass Arrangement
- 발행사항
- [Sl] : Arizona State University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 102 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-05, Section: A.
- 주기사항
- Advisor: Rotaru, Catalin.
- 학위논문주기
- Thesis (D.M.A.)--Arizona State University, 2024.
- 초록/해제
- 요약The International Ernest Bloch Society often calls Ernest Bloch "The Fourth 'B' Composer," adding to the current group of -Bach, Beethoven, and Brahms. Double bass players often look to these "B" composers for works for our instrument. Most notably Bach's Cello Suites have become standard repertoire for nearly every bass player and are often required on auditions throughout the world. Bass players frequently take solo cello works and perform them on the double bass. This arrangement of Bloch's Cello Suite No. 1 gives the double bass community a 20th-century example of a solo cello suite to add to our growing canon of works. This document will provide context for the influences on Bloch as he wrote this solo suite near the end of his life. The paper will first assess events in Bloch's professional and personal life from his time in Switzerland, his teaching appointment at the University of California, and finally, his last quiet years memorizing Bach on the beaches of Oregon's rugged, primordial coastline. The paper will consider an original primary source document never seen from Bloch's personal papers. where the composer wrote out a work by Bach that suggests a keen interest in Bach at the time of the suite's genesis. The paper will analyze the entire work and includes a color-coded guide to all the motives. Finally, the double bass arrangement is provided with a detailed description of alterations from the original published cello version. All edited measures are listed with notes provided that detail the reasons for the edits. The double bass edition also provides suggested fingerings.
- 일반주제명
- Music
- 일반주제명
- Music history
- 일반주제명
- Music theory
- 키워드
- Bloch
- 키워드
- Double bass
- 키워드
- Ernest Bloch
- 키워드
- Nelsova, Zara
- 기타저자
- Arizona State University Music
- 기본자료저록
- Dissertations Abstracts International. 86-05A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■020 ▼a9798346737247
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■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a780
■1001 ▼aPardi, Evan.
■24510▼aErnest Bloch's Cello Suite No. 1: A Contextualization, Analysis, and Double Bass Arrangement
■260 ▼a[Sl]▼bArizona State University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a102 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-05, Section: A.
■500 ▼aAdvisor: Rotaru, Catalin.
■5021 ▼aThesis (D.M.A.)--Arizona State University, 2024.
■520 ▼aThe International Ernest Bloch Society often calls Ernest Bloch "The Fourth 'B' Composer," adding to the current group of -Bach, Beethoven, and Brahms. Double bass players often look to these "B" composers for works for our instrument. Most notably Bach's Cello Suites have become standard repertoire for nearly every bass player and are often required on auditions throughout the world. Bass players frequently take solo cello works and perform them on the double bass. This arrangement of Bloch's Cello Suite No. 1 gives the double bass community a 20th-century example of a solo cello suite to add to our growing canon of works. This document will provide context for the influences on Bloch as he wrote this solo suite near the end of his life. The paper will first assess events in Bloch's professional and personal life from his time in Switzerland, his teaching appointment at the University of California, and finally, his last quiet years memorizing Bach on the beaches of Oregon's rugged, primordial coastline. The paper will consider an original primary source document never seen from Bloch's personal papers. where the composer wrote out a work by Bach that suggests a keen interest in Bach at the time of the suite's genesis. The paper will analyze the entire work and includes a color-coded guide to all the motives. Finally, the double bass arrangement is provided with a detailed description of alterations from the original published cello version. All edited measures are listed with notes provided that detail the reasons for the edits. The double bass edition also provides suggested fingerings.
■590 ▼aSchool code: 0010.
■650 4▼aMusic
■650 4▼aMusic history
■650 4▼aMusic theory
■653 ▼aBloch
■653 ▼aDouble bass
■653 ▼aErnest Bloch
■653 ▼aNelsova, Zara
■690 ▼a0413
■690 ▼a0208
■690 ▼a0221
■71020▼aArizona State University▼bMusic.
■7730 ▼tDissertations Abstracts International▼g86-05A.
■790 ▼a0010
■791 ▼aD.M.A.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17164671▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
