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Derivatives of Ottoman Music, Turkish Makams, in Jazz Modes: Polarities and Commonalities in Cultural Clarinet Improvisation
Derivatives of Ottoman Music, Turkish Makams, in Jazz Modes: Polarities and Commonalities in Cultural Clarinet Improvisation
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211152640
- ISBN
- 9798383611807
- DDC
- 780
- 서명/저자
- Derivatives of Ottoman Music, Turkish Makams, in Jazz Modes: Polarities and Commonalities in Cultural Clarinet Improvisation
- 발행사항
- [Sl] : Arizona State University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 81 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-02, Section: A.
- 주기사항
- Advisor: Spring, Robert;Gardner, Joshua.
- 학위논문주기
- Thesis (D.M.A.)--Arizona State University, 2024.
- 초록/해제
- 요약Arabic music improvisation is relative to American jazz improvisation by proximity of modality and the order in which scale fragments are used. A parallel comparison between makam and jazz improvisation instructions proves that the two functions are analogous to each other. Jazz theorists, such as Stuart Smith, Mark Levine, and Misha Stefanuk outline modal jazz theory, voice leading, and pivot chords. The authors Ruhi Ayangil, Fikret Karakaya, and Jurgen Elsner give a clear translation of makam pentachords, tetrachords and their functions. Though any instrument can improvise, clarinets have a significance in makam taksimi and jazz improvisation due to their nature in sound and technique. Annotations of extended clarinet techniques used to facilitate clarinet improvisation are indicative to clarinet organology. The connection between the progression of clarinet models and extended techniques from the early ages through the 20th century has enriched clarinet improvisation.
- 일반주제명
- Music
- 일반주제명
- Music history
- 일반주제명
- Music theory
- 키워드
- Ottoman music
- 키워드
- Turkish makams
- 키워드
- Jazz theory
- 기타저자
- Arizona State University Music
- 기본자료저록
- Dissertations Abstracts International. 86-02A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■1001 ▼aWhite, LeTriel M.
■24510▼aDerivatives of Ottoman Music, Turkish Makams, in Jazz Modes: Polarities and Commonalities in Cultural Clarinet Improvisation
■260 ▼a[Sl]▼bArizona State University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a81 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-02, Section: A.
■500 ▼aAdvisor: Spring, Robert;Gardner, Joshua.
■5021 ▼aThesis (D.M.A.)--Arizona State University, 2024.
■520 ▼aArabic music improvisation is relative to American jazz improvisation by proximity of modality and the order in which scale fragments are used. A parallel comparison between makam and jazz improvisation instructions proves that the two functions are analogous to each other. Jazz theorists, such as Stuart Smith, Mark Levine, and Misha Stefanuk outline modal jazz theory, voice leading, and pivot chords. The authors Ruhi Ayangil, Fikret Karakaya, and Jurgen Elsner give a clear translation of makam pentachords, tetrachords and their functions. Though any instrument can improvise, clarinets have a significance in makam taksimi and jazz improvisation due to their nature in sound and technique. Annotations of extended clarinet techniques used to facilitate clarinet improvisation are indicative to clarinet organology. The connection between the progression of clarinet models and extended techniques from the early ages through the 20th century has enriched clarinet improvisation.
■590 ▼aSchool code: 0010.
■650 4▼aMusic
■650 4▼aMusic history
■650 4▼aMusic theory
■653 ▼aOttoman music
■653 ▼aTurkish makams
■653 ▼aJazz theory
■653 ▼aClarinet improvisation
■690 ▼a0413
■690 ▼a0208
■690 ▼a0221
■71020▼aArizona State University▼bMusic.
■7730 ▼tDissertations Abstracts International▼g86-02A.
■790 ▼a0010
■791 ▼aD.M.A.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17163223▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
