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A Recording and Performance Guide for Ivan Enrique Rodriguez's Criptico No. 7 and Latency Denouement
A Recording and Performance Guide for Ivan Enrique Rodriguez's Criptico No. 7 and Latency Denouement
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211153037
- ISBN
- 9798346809852
- DDC
- 780
- 서명/저자
- A Recording and Performance Guide for Ivan Enrique Rodriguezs Criptico No. 7 and Latency Denouement
- 발행사항
- [Sl] : Arizona State University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 49 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-06, Section: A.
- 주기사항
- Includes supplementary digital materials.
- 주기사항
- Advisor: Jiang, Danwen.
- 학위논문주기
- Thesis (D.M.A.)--Arizona State University, 2024.
- 초록/해제
- 요약Puerto Rico's unique colonial history has played a pivotal role in shaping its complex cultural identity. The fusion of diverse influences has led to varying expressions determining what constitutes Puerto Rican culture, with ongoing debates determining how to define and represent it. Dr. Ivan Enrique Rodriguez (b. 1990) contributes to this ongoing exploration of Puerto Rican identity in music. He believes the most authentic way to express his Puerto Rican identity is through the reflection of his personal experiences interwoven with folkloric rhythms and motives from Puerto Rican heritage. His two solo violin pieces, Criptico No. 7 and Latency Denouement, capture contrasting perspectives on what it means to be Puerto Rican. Criptico No. 7 (2014) is based on a form that Rodriguez created himself. He first writes a text that he later translates into the score by assigning notes of a selected scale to each letter of the alphabet. Rodriguez destroys the original text, providing the performer the opportunity to engage in an analytical examination of the piece in order to form a deeper, more holistic interpretation. Latency Denouement (2020), composed during the COVID-19 pandemic, addresses Rodriguez's experiences with systemic racism as a minority in the United States, capturing the complex emotions tied to this shared global crisis. As a Puerto Rican violinist, I bring my own insight into interpreting Rodriguez's work, finding that these pieces resonate deeply with my personal and cultural experience. This connection enhances my understanding of how to approach the techniques and emotions in both pieces. Through this paper and recording project, I aim to offer performance tools for Criptico No. 7 and Latency Denouement situating both pieces in broader context.
- 일반주제명
- Music
- 일반주제명
- Performing arts
- 일반주제명
- American studies
- 일반주제명
- Musical performances
- 키워드
- Puerto Rican
- 키워드
- Colonial history
- 기타저자
- Arizona State University Music
- 기본자료저록
- Dissertations Abstracts International. 86-06A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■007cr#unu||||||||
■020 ▼a9798346809852
■035 ▼a(MiAaPQ)AAI31638119
■040 ▼aMiAaPQ▼cMiAaPQ
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■1001 ▼aLastra-Cancela, Paula.
■24512▼aA Recording and Performance Guide for Ivan Enrique Rodriguez's Criptico No. 7 and Latency Denouement
■260 ▼a[Sl]▼bArizona State University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a49 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-06, Section: A.
■500 ▼aIncludes supplementary digital materials.
■500 ▼aAdvisor: Jiang, Danwen.
■5021 ▼aThesis (D.M.A.)--Arizona State University, 2024.
■520 ▼aPuerto Rico's unique colonial history has played a pivotal role in shaping its complex cultural identity. The fusion of diverse influences has led to varying expressions determining what constitutes Puerto Rican culture, with ongoing debates determining how to define and represent it. Dr. Ivan Enrique Rodriguez (b. 1990) contributes to this ongoing exploration of Puerto Rican identity in music. He believes the most authentic way to express his Puerto Rican identity is through the reflection of his personal experiences interwoven with folkloric rhythms and motives from Puerto Rican heritage. His two solo violin pieces, Criptico No. 7 and Latency Denouement, capture contrasting perspectives on what it means to be Puerto Rican. Criptico No. 7 (2014) is based on a form that Rodriguez created himself. He first writes a text that he later translates into the score by assigning notes of a selected scale to each letter of the alphabet. Rodriguez destroys the original text, providing the performer the opportunity to engage in an analytical examination of the piece in order to form a deeper, more holistic interpretation. Latency Denouement (2020), composed during the COVID-19 pandemic, addresses Rodriguez's experiences with systemic racism as a minority in the United States, capturing the complex emotions tied to this shared global crisis. As a Puerto Rican violinist, I bring my own insight into interpreting Rodriguez's work, finding that these pieces resonate deeply with my personal and cultural experience. This connection enhances my understanding of how to approach the techniques and emotions in both pieces. Through this paper and recording project, I aim to offer performance tools for Criptico No. 7 and Latency Denouement situating both pieces in broader context.
■590 ▼aSchool code: 0010.
■650 4▼aMusic
■650 4▼aPerforming arts
■650 4▼aAmerican studies
■650 4▼aMusical performances
■653 ▼aPuerto Rican
■653 ▼aCultural identity
■653 ▼aColonial history
■653 ▼aLatency Denouement
■690 ▼a0413
■690 ▼a0323
■690 ▼a0641
■690 ▼a0943
■71020▼aArizona State University▼bMusic.
■7730 ▼tDissertations Abstracts International▼g86-06A.
■790 ▼a0010
■791 ▼aD.M.A.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17164728▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
