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Symphonies at the Johanneskirche The Organ Sonatas of Hans Fahrmann
Symphonies at the Johanneskirche The Organ Sonatas of Hans Fahrmann
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211151312
- ISBN
- 9798382325613
- DDC
- 780
- 서명/저자
- Symphonies at the Johanneskirche The Organ Sonatas of Hans Fahrmann
- 발행사항
- [Sl] : Arizona State University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 136 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 85-11, Section: A.
- 주기사항
- Advisor: Marshall, Kimberly.
- 학위논문주기
- Thesis (D.M.A.)--Arizona State University, 2024.
- 초록/해제
- 요약The organ sonatas of Hans Fahrmann are some of the fullest realizations of the orchestral potential of the pipe organ. These works fill a crucial gap in the existing canonic organ repertoire; they allow the organist to engage with the late German Romantic symphonic works of Brahms, Mahler, and Strauss. There is relatively little remaining documentary evidence about Fahrmann's life. This paper provides a biography summarizing what is known about the composer and situates his work historically. Turn-of-the-century Dresden, the so-called "El Dorado on the Elbe," provided an environment where musical conservatism and radical progressivism lived uneasily side-by-side. The evolution of the German Romantic organ and the organ sonata paved the way for Fahrmann's important contributions to the genre. Fahrmann's own musical language situates him between the organ tradition and broader trends in 19th -century German composition, especially Richard Wagner.Although there is little information on the performance practice of Fahrmann's music, it is possible to derive ideas from German Romantic conducting practices. The study compares the rhythmic interpretive decisions of conductors contemporary to Fahrmann with organ-playing in the Straube tradition. The symphonic performance tradition is a better source for organists interpreting Fahrmann because of the stylistic similarities between his organ sonatas and the orchestral repertoire, as opposed to the approach of the Straube school, which was at that time laying the foundation for and engaging with the Orgelbeewgung. To elucidate the registration of Fahrmann's organ sonatas, the author investigates contemporary practices and specification of the Johanneskirche instrument on which Fahrmann spent most of his time. The study concludes with an analysis of his First Sonata, demonstrating the composer's craftsmanship and creation of a narrative arch across the form.
- 일반주제명
- Music
- 일반주제명
- Music history
- 일반주제명
- Music theory
- 일반주제명
- Performing arts
- 일반주제명
- Musical performances
- 키워드
- Dresden
- 키워드
- Fahrmann, Hans
- 키워드
- Organ literature
- 키워드
- Organ sonatas
- 기타저자
- Arizona State University Music
- 기본자료저록
- Dissertations Abstracts International. 85-11A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■020 ▼a9798382325613
■035 ▼a(MiAaPQ)AAI31237411
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a780
■1001 ▼aHalbert, Nicholas.
■24510▼aSymphonies at the Johanneskirche The Organ Sonatas of Hans Fahrmann
■260 ▼a[Sl]▼bArizona State University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a136 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 85-11, Section: A.
■500 ▼aAdvisor: Marshall, Kimberly.
■5021 ▼aThesis (D.M.A.)--Arizona State University, 2024.
■520 ▼aThe organ sonatas of Hans Fahrmann are some of the fullest realizations of the orchestral potential of the pipe organ. These works fill a crucial gap in the existing canonic organ repertoire; they allow the organist to engage with the late German Romantic symphonic works of Brahms, Mahler, and Strauss. There is relatively little remaining documentary evidence about Fahrmann's life. This paper provides a biography summarizing what is known about the composer and situates his work historically. Turn-of-the-century Dresden, the so-called "El Dorado on the Elbe," provided an environment where musical conservatism and radical progressivism lived uneasily side-by-side. The evolution of the German Romantic organ and the organ sonata paved the way for Fahrmann's important contributions to the genre. Fahrmann's own musical language situates him between the organ tradition and broader trends in 19th -century German composition, especially Richard Wagner.Although there is little information on the performance practice of Fahrmann's music, it is possible to derive ideas from German Romantic conducting practices. The study compares the rhythmic interpretive decisions of conductors contemporary to Fahrmann with organ-playing in the Straube tradition. The symphonic performance tradition is a better source for organists interpreting Fahrmann because of the stylistic similarities between his organ sonatas and the orchestral repertoire, as opposed to the approach of the Straube school, which was at that time laying the foundation for and engaging with the Orgelbeewgung. To elucidate the registration of Fahrmann's organ sonatas, the author investigates contemporary practices and specification of the Johanneskirche instrument on which Fahrmann spent most of his time. The study concludes with an analysis of his First Sonata, demonstrating the composer's craftsmanship and creation of a narrative arch across the form.
■590 ▼aSchool code: 0010.
■650 4▼aMusic
■650 4▼aMusic history
■650 4▼aMusic theory
■650 4▼aPerforming arts
■650 4▼aMusical performances
■653 ▼aDresden
■653 ▼aGerman Romantic organ
■653 ▼aFahrmann, Hans
■653 ▼aOrgan literature
■653 ▼aOrgan sonatas
■653 ▼aPerformance practice
■690 ▼a0413
■690 ▼a0208
■690 ▼a0221
■690 ▼a0641
■690 ▼a0943
■71020▼aArizona State University▼bMusic.
■7730 ▼tDissertations Abstracts International▼g85-11A.
■790 ▼a0010
■791 ▼aD.M.A.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17161120▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
