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A Rebuild of History: Anno Hideaki's Shin Godzilla and Evangelion
A Rebuild of History: Anno Hideaki's Shin Godzilla and Evangelion
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211152821
- ISBN
- 9798384098621
- DDC
- 895
- 서명/저자
- A Rebuild of History: Anno Hideakis Shin Godzilla and Evangelion
- 발행사항
- [Sl] : University of Minnesota, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 194 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-03, Section: A.
- 주기사항
- Advisor: Posadas, Baryon Tensor.
- 학위논문주기
- Thesis (Ph.D.)--University of Minnesota, 2024.
- 초록/해제
- 요약After the Great Hanshin Earthquake and Tokyo subway sarin gas attack by Aum Shinrikyo in 1995, Japanese society was thrown into a turmoil as cracks in their postwar social institutions were revealed, and the anxiety and uncertainty arising from these tragedies, along with the long economic recession, manifested in many narratives - with new genres such as sekai kei emerging to indicate a shift toward more inward consciousness. Furthermore, the Great East Japan Earthquake in 2011 once again rocked the nation, and the effectiveness and competency of the government is brought into question as it struggles to deal with the disaster, revealing more flaws in their contemporary systems. In my case study of Anno Hideaki's films, including the original Shin Seiki Evangelion television series in 1995, Shin Godzilla in 2016, and the Rebuild of Evangelion movies from 2007-2021, I intend to illustrate how he reinterprets and rebuilds the historical narratives of Japan after the respective crises, which he pinpoints as historical ruptures. Again, Anno rebuilds historical narratives in the wake of the disaster as an attempt to both tackle the social anxieties that arose, as well as foster a cooperative and community-focused spirit at the grassroots level. Despite Anno's critique of the government and consumerist culture, his "Rebuilds" tend to construct nationalist narratives to promote cooperation and grassroots activities as near utopian alternatives to the aging and outdated social institutions.By tracing the differences in the media Anno Hideaki has produced over the years, I intend to locate historical ruptures emerging out of his work, and demonstrate how his rebuilds are metacommentaries of the process of historical revisionism, as well as the historiography of apocalypticism.
- 일반주제명
- Asian literature
- 일반주제명
- Asian history
- 일반주제명
- Asian studies
- 일반주제명
- Film studies
- 키워드
- Anime series
- 키워드
- Hideaki, Anno
- 키워드
- Evangelion
- 키워드
- Godzilla
- 키워드
- Social media
- 기타저자
- University of Minnesota Asian and Middle Eastern Cultures and Media
- 기본자료저록
- Dissertations Abstracts International. 86-03A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■006m o d
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■020 ▼a9798384098621
■035 ▼a(MiAaPQ)AAI31559365
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a895
■1001 ▼aFong, Tobias Chun Wai.
■24512▼aA Rebuild of History: Anno Hideaki's Shin Godzilla and Evangelion
■260 ▼a[Sl]▼bUniversity of Minnesota▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a194 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-03, Section: A.
■500 ▼aAdvisor: Posadas, Baryon Tensor.
■5021 ▼aThesis (Ph.D.)--University of Minnesota, 2024.
■520 ▼aAfter the Great Hanshin Earthquake and Tokyo subway sarin gas attack by Aum Shinrikyo in 1995, Japanese society was thrown into a turmoil as cracks in their postwar social institutions were revealed, and the anxiety and uncertainty arising from these tragedies, along with the long economic recession, manifested in many narratives - with new genres such as sekai kei emerging to indicate a shift toward more inward consciousness. Furthermore, the Great East Japan Earthquake in 2011 once again rocked the nation, and the effectiveness and competency of the government is brought into question as it struggles to deal with the disaster, revealing more flaws in their contemporary systems. In my case study of Anno Hideaki's films, including the original Shin Seiki Evangelion television series in 1995, Shin Godzilla in 2016, and the Rebuild of Evangelion movies from 2007-2021, I intend to illustrate how he reinterprets and rebuilds the historical narratives of Japan after the respective crises, which he pinpoints as historical ruptures. Again, Anno rebuilds historical narratives in the wake of the disaster as an attempt to both tackle the social anxieties that arose, as well as foster a cooperative and community-focused spirit at the grassroots level. Despite Anno's critique of the government and consumerist culture, his "Rebuilds" tend to construct nationalist narratives to promote cooperation and grassroots activities as near utopian alternatives to the aging and outdated social institutions.By tracing the differences in the media Anno Hideaki has produced over the years, I intend to locate historical ruptures emerging out of his work, and demonstrate how his rebuilds are metacommentaries of the process of historical revisionism, as well as the historiography of apocalypticism.
■590 ▼aSchool code: 0130.
■650 4▼aAsian literature
■650 4▼aAsian history
■650 4▼aAsian studies
■650 4▼aFilm studies
■653 ▼aAnime series
■653 ▼aHideaki, Anno
■653 ▼aEvangelion
■653 ▼aGodzilla
■653 ▼aSocial media
■690 ▼a0305
■690 ▼a0332
■690 ▼a0342
■690 ▼a0900
■71020▼aUniversity of Minnesota▼bAsian and Middle Eastern Cultures and Media.
■7730 ▼tDissertations Abstracts International▼g86-03A.
■790 ▼a0130
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17164014▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
