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An American Original: Anthony Philip Heinrich and His Piano Works With Native American Titles
An American Original: Anthony Philip Heinrich and His Piano Works With Native American Titles
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211153034
- ISBN
- 9798346737551
- DDC
- 780
- 서명/저자
- An American Original: Anthony Philip Heinrich and His Piano Works With Native American Titles
- 발행사항
- [Sl] : Arizona State University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 129 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-05, Section: A.
- 주기사항
- Advisor: Meir, Baruch.
- 학위논문주기
- Thesis (D.M.A.)--Arizona State University, 2024.
- 초록/해제
- 요약Anthony Philip Heinrich (1781-1861) was a significant nineteenth-century composer in America, though he is all but forgotten by modern audiences. His life story is remarkable, especially the circuitous path he took to becoming a respected composer in his later life. This paper gives a summary of Heinrich's biography and reception of his work, both from Heinrich's contemporaries as well as more recent scholars. Heinrich strived to define himself as an American musician and composer. He wrote a large quantity of pieces with titles specific to the people and places in nineteenth-century America.Specifically, this paper explores Heinrich's five solo piano works which feature Native American titles. The pieces are examined from the point of view of a twenty-first century performer, who may be looking for unconventional music to add to a program. Heinrich's five pieces are stylistically typical of Western European piano music from his time. He did not use any authentic Native American musical themes in his music. Nevertheless, Heinrich was one of the first composers to depict Native American people and stories in music. Two of the pieces are dance movements with Native American titles, while the other three works are fantasy-like compositions which depict stories through music. This paper argues that Heinrich's pieces are worthy of further study and performance.
- 일반주제명
- Music
- 일반주제명
- Musical composition
- 일반주제명
- Native American studies
- 일반주제명
- Musical performances
- 키워드
- Piano
- 기타저자
- Arizona State University Music
- 기본자료저록
- Dissertations Abstracts International. 86-05A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■020 ▼a9798346737551
■035 ▼a(MiAaPQ)AAI31637291
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a780
■1001 ▼aDahlgren, Cynthia.
■24513▼aAn American Original: Anthony Philip Heinrich and His Piano Works With Native American Titles
■260 ▼a[Sl]▼bArizona State University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a129 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-05, Section: A.
■500 ▼aAdvisor: Meir, Baruch.
■5021 ▼aThesis (D.M.A.)--Arizona State University, 2024.
■520 ▼aAnthony Philip Heinrich (1781-1861) was a significant nineteenth-century composer in America, though he is all but forgotten by modern audiences. His life story is remarkable, especially the circuitous path he took to becoming a respected composer in his later life. This paper gives a summary of Heinrich's biography and reception of his work, both from Heinrich's contemporaries as well as more recent scholars. Heinrich strived to define himself as an American musician and composer. He wrote a large quantity of pieces with titles specific to the people and places in nineteenth-century America.Specifically, this paper explores Heinrich's five solo piano works which feature Native American titles. The pieces are examined from the point of view of a twenty-first century performer, who may be looking for unconventional music to add to a program. Heinrich's five pieces are stylistically typical of Western European piano music from his time. He did not use any authentic Native American musical themes in his music. Nevertheless, Heinrich was one of the first composers to depict Native American people and stories in music. Two of the pieces are dance movements with Native American titles, while the other three works are fantasy-like compositions which depict stories through music. This paper argues that Heinrich's pieces are worthy of further study and performance.
■590 ▼aSchool code: 0010.
■650 4▼aMusic
■650 4▼aMusical composition
■650 4▼aNative American studies
■650 4▼aMusical performances
■653 ▼aAmerican composer
■653 ▼aPiano
■653 ▼aPhilip Heinrich, Anthony
■653 ▼aNative American titles
■690 ▼a0413
■690 ▼a0214
■690 ▼a0740
■690 ▼a0943
■71020▼aArizona State University▼bMusic.
■7730 ▼tDissertations Abstracts International▼g86-05A.
■790 ▼a0010
■791 ▼aD.M.A.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17164709▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
