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Chaotic Blackness, Black Gesture, and Black Posthumanism in Afrofuturist Music
Chaotic Blackness, Black Gesture, and Black Posthumanism in Afrofuturist Music
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211153046
- ISBN
- 9798346809456
- DDC
- 780
- 서명/저자
- Chaotic Blackness, Black Gesture, and Black Posthumanism in Afrofuturist Music
- 발행사항
- [Sl] : Columbia University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 183 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-06, Section: A.
- 주기사항
- Advisor: Lewis, George E.
- 학위논문주기
- Thesis (Ph.D.)--Columbia University, 2024.
- 초록/해제
- 요약This dissertation examines the (chaotic) experiences and perspectives of Afro-diasporic peoples (particularly those living in the United States) through an Afrofuturist lens. In so doing, I neologize and situate the concept of "Chaotic Blackness". To that end, I interrogate the ways in which the legacy of colonization, enslavement, and racial capitalism have collectively contributed to the experience of a racialized chaos for Afro-diasporic peoples and communities. Consisting of a network of patterns, signals, and gestures that are meant to signify, represent, or articulate the experience racial chaos, I offer Chaotic Blackness as a framework for understanding and examining the influence of racialized chaos on Black identity and personhood within the context of Afrofuturist music. In this way, my research calls attention to the ways in which Afrofuturist practitioners articulate and negotiate experiences of a racialized chaos within their music in the endeavor to both communicate or express Black subjectivities or perspectives and to establish critical sites of meaning-making for the community. Further, this dissertation examines the epistemological linkages between Afrofuturist and Black posthumanist strands of thought. I suggest that both frameworks offer new ways of conceptualizing or understanding the Black identity and the (Black) human within the contexts of technomodernity, racial capitalism, and contemporary issues such as climate change. Overall, this dissertation offers an analysis of the ways in which Black individuals navigate and express their experiences of chaos, suggesting that Afrofuturism and Black posthumanism are both key frames though which to understand and (re)define Black identity in the contemporary world.
- 일반주제명
- Music history
- 일반주제명
- African American studies
- 일반주제명
- Black studies
- 키워드
- Afrofuturism
- 기타저자
- Columbia University Music
- 기본자료저록
- Dissertations Abstracts International. 86-06A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■00520250211153046
■006m o d
■007cr#unu||||||||
■020 ▼a9798346809456
■035 ▼a(MiAaPQ)AAI31640901
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a780
■1001 ▼aBernard, Lauren P.
■24510▼aChaotic Blackness, Black Gesture, and Black Posthumanism in Afrofuturist Music
■260 ▼a[Sl]▼bColumbia University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a183 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-06, Section: A.
■500 ▼aAdvisor: Lewis, George E.
■5021 ▼aThesis (Ph.D.)--Columbia University, 2024.
■520 ▼aThis dissertation examines the (chaotic) experiences and perspectives of Afro-diasporic peoples (particularly those living in the United States) through an Afrofuturist lens. In so doing, I neologize and situate the concept of "Chaotic Blackness". To that end, I interrogate the ways in which the legacy of colonization, enslavement, and racial capitalism have collectively contributed to the experience of a racialized chaos for Afro-diasporic peoples and communities. Consisting of a network of patterns, signals, and gestures that are meant to signify, represent, or articulate the experience racial chaos, I offer Chaotic Blackness as a framework for understanding and examining the influence of racialized chaos on Black identity and personhood within the context of Afrofuturist music. In this way, my research calls attention to the ways in which Afrofuturist practitioners articulate and negotiate experiences of a racialized chaos within their music in the endeavor to both communicate or express Black subjectivities or perspectives and to establish critical sites of meaning-making for the community. Further, this dissertation examines the epistemological linkages between Afrofuturist and Black posthumanist strands of thought. I suggest that both frameworks offer new ways of conceptualizing or understanding the Black identity and the (Black) human within the contexts of technomodernity, racial capitalism, and contemporary issues such as climate change. Overall, this dissertation offers an analysis of the ways in which Black individuals navigate and express their experiences of chaos, suggesting that Afrofuturism and Black posthumanism are both key frames though which to understand and (re)define Black identity in the contemporary world.
■590 ▼aSchool code: 0054.
■650 4▼aMusic history
■650 4▼aAfrican American studies
■650 4▼aBlack studies
■653 ▼aAfrofuturism
■653 ▼aAfrofuturist music
■653 ▼aChaotic Blackness
■653 ▼aRacial capitalism
■653 ▼aAfro-diasporic peoples
■690 ▼a0208
■690 ▼a0325
■690 ▼a0296
■71020▼aColumbia University▼bMusic.
■7730 ▼tDissertations Abstracts International▼g86-06A.
■790 ▼a0054
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17164789▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
