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"In Various Planes of Time": Connections Between Time Travel and Narrative Framing in Russian Modernism
"In Various Planes of Time": Connections Between Time Travel and Narrative Framing in Russian Modernism
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211151511
- ISBN
- 9798383057551
- DDC
- 891
- 서명/저자
- In Various Planes of Time: Connections Between Time Travel and Narrative Framing in Russian Modernism
- 발행사항
- [Sl] : Indiana University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 204 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 85-12, Section: A.
- 주기사항
- Advisor: Emery, Jacob.
- 학위논문주기
- Thesis (Ph.D.)--Indiana University, 2024.
- 초록/해제
- 요약The modernist fascination with time travel and temporal experimentation arose as a product of evolving conceptions of time, which were in turn prompted by significant scientific and technological developments surrounding the turn of the twentieth century. In Russia, the synchronized time, film, and quantum physics that swept through the Western world in the late-nineteenth and early-twentieth centuries coincided with the Russian Revolution-an instance of massive upheaval and drastic social and political change that was critically bound up with perceptions and conceptions of time. Consequently, Russian literature of the 1910s and 1920s reflects a unique and expansive amalgamation of time-related influences. Whether for political, ideological, or artistic reasons, a fixation on controlling time predominated in Russia in the early twentieth century, and within such a context, the explicit premise of time travel necessarily takes on amplified significance.This dissertation explores the intersections between the time travel trope and modernist narrative manipulation, in addition to identifying how such modernist time travel works reflect, support, challenge, or otherwise engage with the real-world disruption and modification of time imposed by pre- and post-Revolutionary Soviet administration and culture. With this aim, the dissertation focuses on three Russian and Soviet modernist texts of the 1910s and 1920s that employ the premise of time travel: Sigizmund Krzhizhanovsky's novella Memories of the Future (1927), Velimir Khlebnikov's play Mirskontsa (1912), and Vladimir Mayakovsky's play Banya (1929).
- 일반주제명
- Slavic literature
- 일반주제명
- Modern literature
- 일반주제명
- Russian history
- 일반주제명
- Russian literature
- 키워드
- Avant-garde
- 키워드
- Modernism
- 키워드
- Time travel
- 기타저자
- Indiana University Slavic Languages and Literature
- 기본자료저록
- Dissertations Abstracts International. 85-12A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■020 ▼a9798383057551
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■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a891
■1001 ▼aCravens, Rebecca.
■24510▼a"In Various Planes of Time": Connections Between Time Travel and Narrative Framing in Russian Modernism
■260 ▼a[Sl]▼bIndiana University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a204 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 85-12, Section: A.
■500 ▼aAdvisor: Emery, Jacob.
■5021 ▼aThesis (Ph.D.)--Indiana University, 2024.
■520 ▼aThe modernist fascination with time travel and temporal experimentation arose as a product of evolving conceptions of time, which were in turn prompted by significant scientific and technological developments surrounding the turn of the twentieth century. In Russia, the synchronized time, film, and quantum physics that swept through the Western world in the late-nineteenth and early-twentieth centuries coincided with the Russian Revolution-an instance of massive upheaval and drastic social and political change that was critically bound up with perceptions and conceptions of time. Consequently, Russian literature of the 1910s and 1920s reflects a unique and expansive amalgamation of time-related influences. Whether for political, ideological, or artistic reasons, a fixation on controlling time predominated in Russia in the early twentieth century, and within such a context, the explicit premise of time travel necessarily takes on amplified significance.This dissertation explores the intersections between the time travel trope and modernist narrative manipulation, in addition to identifying how such modernist time travel works reflect, support, challenge, or otherwise engage with the real-world disruption and modification of time imposed by pre- and post-Revolutionary Soviet administration and culture. With this aim, the dissertation focuses on three Russian and Soviet modernist texts of the 1910s and 1920s that employ the premise of time travel: Sigizmund Krzhizhanovsky's novella Memories of the Future (1927), Velimir Khlebnikov's play Mirskontsa (1912), and Vladimir Mayakovsky's play Banya (1929).
■590 ▼aSchool code: 0093.
■650 4▼aSlavic literature
■650 4▼aModern literature
■650 4▼aRussian history
■650 4▼aRussian literature
■653 ▼aAvant-garde
■653 ▼aModernism
■653 ▼aNarrative manipulation
■653 ▼aRussian Revolution
■653 ▼aTime travel
■690 ▼a0314
■690 ▼a0764
■690 ▼a0724
■690 ▼a0298
■71020▼aIndiana University▼bSlavic Languages and Literature.
■7730 ▼tDissertations Abstracts International▼g85-12A.
■790 ▼a0093
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17161987▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
