A Modern Antimodern: Yves Bonnefoy's Critique of 20th-Century Art
A Modern Antimodern: Yves Bonnefoy's Critique of 20th-Century Art
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211151329
- ISBN
- 9798382593579
- DDC
- 840
- 서명/저자
- A Modern Antimodern: Yves Bonnefoys Critique of 20th-Century Art
- 발행사항
- [Sl] : Columbia University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 277 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 85-11, Section: A.
- 주기사항
- Advisor: Compagnon, Antoine.
- 학위논문주기
- Thesis (Ph.D.)--Columbia University, 2024.
- 초록/해제
- 요약In this dissertation, I argue that Yves Bonnefoy, a major 20th-century French poet and a heir to French poetic modernity, pursued the dialogue between poetry and painting that has been central to French poetry, and in doing so praised some specific artists in the 20th century in a coherent manner, outlining what I call a counter-history of 20th century art. This counter-history, I argue, reveals his fundamental opposition to modern art. What emerges from the study of his prose writings on 20th-century art is the fact that Bonnefoy continued modernity yet critiqued it. In doing so he was influenced philosophically by Heidegger and poetically by Baudelaire, and also marked by his break with Surrealism and Breton. This leads me to conclude that Bonnefoy was a sort of "antimodern"; and that he laid out the foundations of an "antimodern" vision of 20th-century art. My research reveals a coherent family of artists emerging from Bonnefoy's writings, who saw themselves as part of this alternative art history.
- 일반주제명
- French literature
- 일반주제명
- Art history
- 일반주제명
- Philosophy
- 일반주제명
- Art criticism
- 키워드
- 20th century art
- 키워드
- French poetry
- 키워드
- History of ideas
- 키워드
- Modern art
- 키워드
- Modernity
- 키워드
- Painting
- 기타저자
- Columbia University French and Romance Philology
- 기본자료저록
- Dissertations Abstracts International. 85-11A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■020 ▼a9798382593579
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■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a840
■1001 ▼aOlivennes, Benjamin.
■24512▼aA Modern Antimodern: Yves Bonnefoy's Critique of 20th-Century Art
■260 ▼a[Sl]▼bColumbia University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a277 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 85-11, Section: A.
■500 ▼aAdvisor: Compagnon, Antoine.
■5021 ▼aThesis (Ph.D.)--Columbia University, 2024.
■520 ▼aIn this dissertation, I argue that Yves Bonnefoy, a major 20th-century French poet and a heir to French poetic modernity, pursued the dialogue between poetry and painting that has been central to French poetry, and in doing so praised some specific artists in the 20th century in a coherent manner, outlining what I call a counter-history of 20th century art. This counter-history, I argue, reveals his fundamental opposition to modern art. What emerges from the study of his prose writings on 20th-century art is the fact that Bonnefoy continued modernity yet critiqued it. In doing so he was influenced philosophically by Heidegger and poetically by Baudelaire, and also marked by his break with Surrealism and Breton. This leads me to conclude that Bonnefoy was a sort of "antimodern"; and that he laid out the foundations of an "antimodern" vision of 20th-century art. My research reveals a coherent family of artists emerging from Bonnefoy's writings, who saw themselves as part of this alternative art history.
■590 ▼aSchool code: 0054.
■650 4▼aFrench literature
■650 4▼aArt history
■650 4▼aPhilosophy
■650 4▼aArt criticism
■653 ▼a20th century art
■653 ▼aFrench poetry
■653 ▼aHistory of ideas
■653 ▼aModern art
■653 ▼aModernity
■653 ▼aPainting
■690 ▼a0205
■690 ▼a0377
■690 ▼a0422
■690 ▼a0365
■71020▼aColumbia University▼bFrench and Romance Philology.
■7730 ▼tDissertations Abstracts International▼g85-11A.
■790 ▼a0054
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17161246▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
