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The Role of Self-Efficacy Beliefs in the Development of Jazz Improvisation Among Secondary Level Instrumental Music Students
The Role of Self-Efficacy Beliefs in the Development of Jazz Improvisation Among Secondary...
The Role of Self-Efficacy Beliefs in the Development of Jazz Improvisation Among Secondary Level Instrumental Music Students

상세정보

자료유형  
 학위논문 서양
최종처리일시  
20250211151341
ISBN  
9798382319551
DDC  
780.7
저자명  
Adame, Esteban.
서명/저자  
The Role of Self-Efficacy Beliefs in the Development of Jazz Improvisation Among Secondary Level Instrumental Music Students
발행사항  
[Sl] : Boston University, 2024
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2024
형태사항  
160 p
주기사항  
Source: Dissertations Abstracts International, Volume: 85-10, Section: A.
주기사항  
Advisor: Goodrich, Andrew.
학위논문주기  
Thesis (D.M.A.)--Boston University, 2024.
초록/해제  
요약Many secondary level jazz ensembles are based on the big band model, where students focus on reading music (e.g., Bernard & Stringham, 2016). This focus on reading music has created learning environments where students are hesitant to improvise. Framed in self-efficacy theory (Bandura, 1977), the purpose of this study is to investigate how students' perspectives of their ability to improvise affect their ability to learn how to improvise. I sought to understand the beliefs of secondary level students in this study about their jazz improvisation abilities and how they were influenced by enactive mastery experience, vicarious experience, verbal/social persuasion, physiological and affective states, and personal and contextual factors. In addition, I investigated the role of social interactions in learning how to improvise, and how social interactions impacted the students' perspectives on their abilities as jazz improvisors.To understand the self-efficacy beliefs of a group of secondary level students, I distributed the Jazz Improvisation Self-Efficacy Survey (adapted from Zelenak, 2011) to the students of the top big band at the high school that met the selection criteria for this study. Using data from the survey, I selected three students who reported high, medium, and low self-efficacy belief toward their ability to improvise. The participants completed the initial interview based on a priori themes (four sources of self-efficacy) and then I conducted a follow up interview to explore personal and contextual factors such as gender, environment, and teacher-student relationships. Finally, the participants completed a journal entry with three prompts that documented performance experiences in three different settings (lessons, practice, and performance) and how these experiences may have influenced their self-efficacy beliefs about improvising.Participants reported an increase in self-efficacy belief with every performance (enactive mastery experience). Furthermore, participants described practicing improvisation during classroom rehearsals as helpful, and that these rehearsals gave them a boost in their jazz improvisation self-efficacy belief. Students also reported learning from more experienced student players in their ensemble (vicarious experience) and described how interactions with these players helped in their development as jazz improvisors. Feedback from their teacher (verbal/social persuasion), and in some cases from peers, was reported to have a positive influence upon participants' perceptions of their jazz improvisation abilities. Participants reported detractors to self-efficacy belief, including feeling overwhelmed, feeling tense during performances, and an inability to mentally recover from mistakes during performances (physiological and affective states). Participants reported, however, that positive learning environments and good teacher rapport resulted in an increase in learning and in student self-efficacy belief. Finally, I offer recommendations for music educators on how they might support students to improve their self-efficacy beliefs as they develop as jazz soloists. 
일반주제명  
Music education
일반주제명  
Music
일반주제명  
Music theory
키워드  
Self-efficacy theory
키워드  
Jazz improvisation
키워드  
Secondary level students
키워드  
Music educators
기타저자  
Boston University Music Education CFA
기본자료저록  
Dissertations Abstracts International. 85-10A.
전자적 위치 및 접속  
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MARC

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■1001  ▼aAdame,  Esteban.▼0(orcid)0009-0008-9234-6530
■24510▼aThe  Role  of  Self-Efficacy  Beliefs  in  the  Development  of  Jazz  Improvisation  Among  Secondary  Level  Instrumental  Music  Students
■260    ▼a[Sl]▼bBoston  University▼c2024
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2024
■300    ▼a160  p
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  85-10,  Section:  A.
■500    ▼aAdvisor:  Goodrich,  Andrew.
■5021  ▼aThesis  (D.M.A.)--Boston  University,  2024.
■520    ▼aMany  secondary  level  jazz  ensembles  are  based  on  the  big  band  model,  where  students  focus  on  reading  music  (e.g.,  Bernard  &  Stringham,  2016).  This  focus  on  reading  music  has  created  learning  environments  where  students  are  hesitant  to  improvise.  Framed  in  self-efficacy  theory  (Bandura,  1977),  the  purpose  of  this  study  is  to  investigate  how  students'  perspectives  of  their  ability  to  improvise  affect  their  ability  to  learn  how  to  improvise.  I  sought  to  understand  the  beliefs  of  secondary  level  students  in  this  study  about  their  jazz  improvisation  abilities  and  how  they  were  influenced  by  enactive  mastery  experience,  vicarious  experience,  verbal/social  persuasion,  physiological  and  affective  states,  and  personal  and  contextual  factors.  In  addition,  I  investigated  the  role  of  social  interactions  in  learning  how  to  improvise,  and  how  social  interactions  impacted  the  students'  perspectives  on  their  abilities  as  jazz  improvisors.To  understand  the  self-efficacy  beliefs  of  a  group  of  secondary  level  students,  I  distributed  the  Jazz  Improvisation  Self-Efficacy  Survey  (adapted  from  Zelenak,  2011)  to  the  students  of  the  top  big  band  at  the  high  school  that  met  the  selection  criteria  for  this  study.  Using  data  from  the  survey,  I  selected  three  students  who  reported  high,  medium, and  low  self-efficacy  belief  toward  their  ability  to  improvise.  The  participants  completed  the  initial  interview  based  on  a  priori  themes  (four  sources  of  self-efficacy)  and  then  I  conducted  a  follow  up  interview  to  explore  personal  and  contextual  factors  such  as  gender,  environment,  and  teacher-student  relationships.  Finally,  the  participants  completed  a  journal  entry  with  three  prompts  that  documented  performance  experiences  in  three  different  settings  (lessons,  practice,  and  performance)  and  how  these  experiences  may  have  influenced  their  self-efficacy  beliefs  about  improvising.Participants  reported  an  increase  in  self-efficacy  belief  with  every  performance  (enactive  mastery  experience).  Furthermore,  participants  described  practicing  improvisation  during  classroom  rehearsals  as  helpful,  and  that  these  rehearsals  gave  them  a  boost  in  their  jazz  improvisation  self-efficacy  belief.  Students  also  reported  learning  from  more  experienced  student  players  in  their  ensemble  (vicarious  experience)  and  described  how  interactions  with  these  players  helped  in  their  development  as  jazz  improvisors.  Feedback  from  their  teacher  (verbal/social  persuasion),  and  in  some  cases  from  peers,  was  reported  to  have  a  positive  influence  upon  participants'  perceptions  of  their  jazz  improvisation  abilities.  Participants  reported  detractors  to  self-efficacy  belief,  including  feeling  overwhelmed,  feeling  tense  during  performances,  and  an  inability  to  mentally  recover  from  mistakes  during  performances  (physiological  and  affective  states).  Participants  reported,  however,  that  positive  learning  environments  and  good  teacher  rapport  resulted  in  an  increase  in  learning  and  in  student  self-efficacy  belief.  Finally,  I  offer  recommendations  for  music  educators  on  how  they  might  support  students  to  improve  their  self-efficacy  beliefs  as  they  develop  as  jazz  soloists. 
■590    ▼aSchool  code:  0017.
■650  4▼aMusic  education
■650  4▼aMusic
■650  4▼aMusic  theory
■653    ▼aSelf-efficacy  theory
■653    ▼aJazz  improvisation
■653    ▼aSecondary  level  students
■653    ▼aMusic  educators
■690    ▼a0522
■690    ▼a0413
■690    ▼a0221
■71020▼aBoston  University▼bMusic  Education  CFA.
■7730  ▼tDissertations  Abstracts  International▼g85-10A.
■790    ▼a0017
■791    ▼aD.M.A.
■792    ▼a2024
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17161333▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

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