본문

서브메뉴

The Ends of Poetry: Devotional Apocalyptics in Post-Reformation England
The Ends of Poetry: Devotional Apocalyptics in Post-Reformation England
The Ends of Poetry: Devotional Apocalyptics in Post-Reformation England

상세정보

자료유형  
 학위논문 서양
최종처리일시  
20250211152840
ISBN  
9798346759225
DDC  
820
저자명  
Li, Promise.
서명/저자  
The Ends of Poetry: Devotional Apocalyptics in Post-Reformation England
발행사항  
[Sl] : Princeton University, 2024
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2024
형태사항  
279 p
주기사항  
Source: Dissertations Abstracts International, Volume: 86-06, Section: A.
주기사항  
Advisor: Dolven, Jeff.
학위논문주기  
Thesis (Ph.D.)--Princeton University, 2024.
초록/해제  
요약The Ends of Poetry argues that poetry is crucial in shaping a politics centered on preserving existing social relations and institutions in early modernity. The project treats these poems as a substrate of the literature of practical or devotional piety, which was enormously popular in early modern England. Scholarship often considers early modern writings about the apocalypse, usually concerned with imaginative revelations about the end times, an academic genre primarily concerned with the theological niceties of historical eschatology. In reality, apocalyptic discourses prominently feature in practical piety, sharpening the stakes of devotional lessons to cultivate daily habits. Poetry is a key genre in which apocalyptics and practical piety converge to frame political conformity as a dynamic and experiential process through carefully managing embodied acts. What I call 'devotional apocalyptics' enables poets to domesticate the apocalypse to maintain existing social arrangements and relations even under conditions of severe duress.My introduction distinguishes what I see as a devotional genre of apocalyptic writing at the time, and how this impulse for quietist piety through devotion recruits the help of early modern poetic theory to articulate a political horizon of passivity. The first chapter begins by unpacking how Spenserian stanzas in Edmund Spenser's Faerie Queene domesticate apocalyptic paradigms by functioning as rhetorical instruments to discipline the poetic narrative and stabilize readerly habits. Chapter Two centers on how George Herbert's poems about dying accommodate anxieties around dying to help one explore how one can train to obey forces larger than oneself, thus nurturing habits of obedience based on pacifying affections through lyric verses. In the third chapter, I explore how Henry Vaughan and Hester Pulter see the apocalypse as affording imaginative forms and rites for devotion, useful to preserve politically obedient subjects even as traditional churchly institutions were under attack. The final chapter looks at how John Milton's Paradise Lost and Paradise Regained model practices of passivity in conditions of political repression through the use of apocalyptic synchronisms. The coda meditates on the possibility and limits of resistance against political passivity in Milton's Samson Agonistes.
일반주제명  
English literature
일반주제명  
British & Irish literature
일반주제명  
Literature
키워드  
Apocalyptics
키워드  
Poetry
키워드  
Samson Agonistes
기타저자  
Princeton University English
기본자료저록  
Dissertations Abstracts International. 86-06A.
전자적 위치 및 접속  
로그인 후 원문을 볼 수 있습니다.

MARC

 008250123s2024        us                              c    eng  d
■001000017164178
■00520250211152840
■006m          o    d                
■007cr#unu||||||||
■020    ▼a9798346759225
■035    ▼a(MiAaPQ)AAI31562566
■040    ▼aMiAaPQ▼cMiAaPQ
■0820  ▼a820
■1001  ▼aLi,  Promise.
■24510▼aThe  Ends  of  Poetry:  Devotional  Apocalyptics  in  Post-Reformation  England
■260    ▼a[Sl]▼bPrinceton  University▼c2024
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2024
■300    ▼a279  p
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  86-06,  Section:  A.
■500    ▼aAdvisor:  Dolven,  Jeff.
■5021  ▼aThesis  (Ph.D.)--Princeton  University,  2024.
■520    ▼aThe  Ends  of  Poetry  argues  that  poetry  is  crucial  in  shaping  a  politics  centered  on  preserving  existing  social  relations  and  institutions  in  early  modernity.  The  project  treats  these  poems  as  a  substrate  of  the  literature  of  practical  or  devotional  piety,  which  was  enormously  popular  in  early  modern  England.  Scholarship  often  considers  early  modern  writings  about  the  apocalypse,  usually  concerned  with  imaginative  revelations  about  the  end  times,  an  academic  genre  primarily  concerned  with  the  theological  niceties  of  historical  eschatology.  In  reality,  apocalyptic  discourses  prominently  feature  in  practical  piety,  sharpening  the  stakes  of  devotional  lessons  to  cultivate  daily  habits.  Poetry  is  a  key  genre  in  which  apocalyptics  and  practical  piety  converge  to  frame  political  conformity  as  a  dynamic  and  experiential  process  through  carefully  managing  embodied  acts.  What  I  call  'devotional  apocalyptics'  enables  poets  to  domesticate  the  apocalypse  to  maintain  existing  social  arrangements  and  relations  even  under  conditions  of  severe  duress.My  introduction  distinguishes  what  I  see  as  a  devotional  genre  of  apocalyptic  writing  at  the  time,  and  how  this  impulse  for  quietist  piety  through  devotion  recruits  the  help  of  early  modern  poetic  theory  to  articulate  a  political  horizon  of  passivity.  The  first  chapter  begins  by  unpacking  how  Spenserian  stanzas  in  Edmund  Spenser's  Faerie  Queene  domesticate  apocalyptic  paradigms  by  functioning  as  rhetorical  instruments  to  discipline  the  poetic  narrative  and  stabilize  readerly  habits.  Chapter  Two  centers  on  how  George  Herbert's  poems  about  dying  accommodate  anxieties  around  dying  to  help  one  explore  how  one  can  train  to  obey  forces  larger  than  oneself,  thus  nurturing  habits  of  obedience  based  on  pacifying  affections  through  lyric  verses.  In  the  third  chapter,  I  explore  how  Henry  Vaughan  and  Hester  Pulter  see  the  apocalypse  as  affording  imaginative  forms  and  rites  for  devotion,  useful  to  preserve  politically  obedient  subjects  even  as  traditional  churchly  institutions  were  under  attack.  The  final  chapter  looks  at  how  John  Milton's  Paradise  Lost  and  Paradise  Regained  model  practices  of  passivity  in  conditions  of  political  repression  through  the  use  of  apocalyptic  synchronisms.  The  coda  meditates  on  the  possibility  and  limits  of  resistance  against  political  passivity  in  Milton's  Samson  Agonistes.
■590    ▼aSchool  code:  0181.
■650  4▼aEnglish  literature
■650  4▼aBritish  &  Irish  literature
■650  4▼aLiterature
■653    ▼aApocalyptics
■653    ▼aPoetry
■653    ▼aSamson  Agonistes
■690    ▼a0593
■690    ▼a0401
■71020▼aPrinceton  University▼bEnglish.
■7730  ▼tDissertations  Abstracts  International▼g86-06A.
■790    ▼a0181
■791    ▼aPh.D.
■792    ▼a2024
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17164178▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

미리보기

내보내기

chatGPT토론

Ai 추천 관련 도서


    신착도서 더보기
    최근 3년간 통계입니다.

    소장정보

    • 예약
    • 소재불명신고
    • 나의폴더
    • 우선정리요청
    • 비도서대출신청
    • 야간 도서대출신청
    소장자료
    등록번호 청구기호 소장처 대출가능여부 대출정보
    TF12389 전자도서 대출가능 마이폴더 부재도서신고 비도서대출신청 야간 도서대출신청

    * 대출중인 자료에 한하여 예약이 가능합니다. 예약을 원하시면 예약버튼을 클릭하십시오.

    해당 도서를 다른 이용자가 함께 대출한 도서

    관련 인기도서

    로그인 후 이용 가능합니다.