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Rajzaliteratur - A Journey Across the Shifting Words of Traumatic Narratives
Rajzaliteratur - A Journey Across the Shifting Words of Traumatic Narratives
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211151521
- ISBN
- 9798383226254
- DDC
- 830
- 서명/저자
- Rajzaliteratur - A Journey Across the Shifting Words of Traumatic Narratives
- 발행사항
- [Sl] : University of Washington, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 197 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-01, Section: A.
- 주기사항
- Advisor: Groves, Jason.
- 학위논문주기
- Thesis (Ph.D.)--University of Washington, 2024.
- 초록/해제
- 요약The authors in this dissertation all write against a national narrative in their respective countries that exposes where their communities' experiences are left out or disregarded. They do so by using various strategies and this dissertation will focus on their use of loanwords to fight against nationalistic impulses. As a foreign element within society, loanwords can be an explosive force that represents different perspectives on issues where multiple groups do not see concerns or events the same way. The explosive force of these loanwords also leads them to create profane narratives, which counter national narratives that can take on an almost theological quality. Maja Haderlap activates this force most directly with Rajza and the history of how her grandmother, like other oppressed or resented ethnic Slovenes in Carinthia, was sent to a concentration camp by Austrian authorities under the Nazi government, a role Austria long denied playing. Sasa Stanisic also disrupts nationalist narratives, specifically of former Yugoslavia, in his writing for an audience in Germany where he explains how describing inter-ethnic relations is not as simple as either love or hate between the different groups. Marica Bodrozic critiques a trend in now-independent Croatia to remove loanwords from the language, arguing that the resulting language is artificial and does not help the speaker communicate effectively. The project of Nicol Ljubic's protagonist, Robert, begins when he does not understand the meaning of the loanword bonaca, which his girlfriend, the Bosnian-Serb Ana teaches him. He must translate and deconstruct its German equivalent, Meeresstille, to understand how she is still affected by the trauma of the war.
- 일반주제명
- German literature
- 일반주제명
- Slavic literature
- 일반주제명
- Translation studies
- 일반주제명
- History
- 키워드
- Austria
- 키워드
- BCMS
- 키워드
- Migration
- 키워드
- Yugoslavia
- 기타저자
- University of Washington German Studies
- 기본자료저록
- Dissertations Abstracts International. 86-01A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■006m o d
■007cr#unu||||||||
■020 ▼a9798383226254
■035 ▼a(MiAaPQ)AAI31301520
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a830
■1001 ▼aCarpenter, Aaron.
■24510▼aRajzaliteratur - A Journey Across the Shifting Words of Traumatic Narratives
■260 ▼a[Sl]▼bUniversity of Washington▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a197 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-01, Section: A.
■500 ▼aAdvisor: Groves, Jason.
■5021 ▼aThesis (Ph.D.)--University of Washington, 2024.
■520 ▼aThe authors in this dissertation all write against a national narrative in their respective countries that exposes where their communities' experiences are left out or disregarded. They do so by using various strategies and this dissertation will focus on their use of loanwords to fight against nationalistic impulses. As a foreign element within society, loanwords can be an explosive force that represents different perspectives on issues where multiple groups do not see concerns or events the same way. The explosive force of these loanwords also leads them to create profane narratives, which counter national narratives that can take on an almost theological quality. Maja Haderlap activates this force most directly with Rajza and the history of how her grandmother, like other oppressed or resented ethnic Slovenes in Carinthia, was sent to a concentration camp by Austrian authorities under the Nazi government, a role Austria long denied playing. Sasa Stanisic also disrupts nationalist narratives, specifically of former Yugoslavia, in his writing for an audience in Germany where he explains how describing inter-ethnic relations is not as simple as either love or hate between the different groups. Marica Bodrozic critiques a trend in now-independent Croatia to remove loanwords from the language, arguing that the resulting language is artificial and does not help the speaker communicate effectively. The project of Nicol Ljubic's protagonist, Robert, begins when he does not understand the meaning of the loanword bonaca, which his girlfriend, the Bosnian-Serb Ana teaches him. He must translate and deconstruct its German equivalent, Meeresstille, to understand how she is still affected by the trauma of the war.
■590 ▼aSchool code: 0250.
■650 4▼aGerman literature
■650 4▼aSlavic literature
■650 4▼aTranslation studies
■650 4▼aHistory
■653 ▼aAustria
■653 ▼aBCMS
■653 ▼aMigration
■653 ▼aYugoslavia
■653 ▼aTraumatic narratives
■690 ▼a0311
■690 ▼a0314
■690 ▼a0213
■690 ▼a0578
■71020▼aUniversity of Washington▼bGerman Studies.
■7730 ▼tDissertations Abstracts International▼g86-01A.
■790 ▼a0250
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17162078▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
