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The Secondary Sonata: Sonata Form in Late-Twentieth-Century Symphonic Repertoire
The Secondary Sonata: Sonata Form in Late-Twentieth-Century Symphonic Repertoire
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211153102
- ISBN
- 9798384087946
- DDC
- 780
- 저자명
- Delfin, Anne.
- 서명/저자
- The Secondary Sonata: Sonata Form in Late-Twentieth-Century Symphonic Repertoire
- 발행사항
- [Sl] : University of Cincinnati, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 314 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-04, Section: A.
- 주기사항
- Advisor: Segall, Christopher.
- 학위논문주기
- Thesis (Ph.D.)--University of Cincinnati, 2024.
- 초록/해제
- 요약This dissertation develops an analytical tool called "the secondary-parameter network" that uses secondary parameters to define sonata form in late-twentieth-century symphonic repertoire. Instead of relying upon tonal inheritance or themes to define sonata form in the symphonies of late-century composers such as Edison Denisov, Lowell Liebermann, Einojuhani Rautavaara, Christopher Rouse, and Isang Yun, the secondary-parameter network uses changes of instrumentation, rhythms, time signature, dynamics, contrapuntal texture, and tempo to identify formal junctures. Essentially, most or all secondary parameters change at formal boundaries. The method developed here differs from those of other scholars of twentieth-century sonata-form repertoire, such as Lofthouse, Perry, and Tarrant, who employ Sonata Theory to account for the works of, respectively, Shostakovich, Prokofiev, and Nielsen. While their recalibration of Sonata Theory accounts for this mid-century repertoire well, first movements of multimovement symphonies by late-twentieth-century composers require a different approach because the idea of rotation is no longer relevant. The secondary-parameter network offers a new reading of sonata form through a ground-up construction of sonata form based on significant changes to secondary parameters.
- 일반주제명
- Music
- 일반주제명
- Musical composition
- 일반주제명
- Music theory
- 키워드
- Sonata form
- 키워드
- Sonata Theory
- 키워드
- Formal functions
- 기타저자
- University of Cincinnati College-Conservatory of Music: Theory
- 기본자료저록
- Dissertations Abstracts International. 86-04A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■1001 ▼aDelfin, Anne.
■24510▼aThe Secondary Sonata: Sonata Form in Late-Twentieth-Century Symphonic Repertoire
■260 ▼a[Sl]▼bUniversity of Cincinnati▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a314 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-04, Section: A.
■500 ▼aAdvisor: Segall, Christopher.
■5021 ▼aThesis (Ph.D.)--University of Cincinnati, 2024.
■520 ▼aThis dissertation develops an analytical tool called "the secondary-parameter network" that uses secondary parameters to define sonata form in late-twentieth-century symphonic repertoire. Instead of relying upon tonal inheritance or themes to define sonata form in the symphonies of late-century composers such as Edison Denisov, Lowell Liebermann, Einojuhani Rautavaara, Christopher Rouse, and Isang Yun, the secondary-parameter network uses changes of instrumentation, rhythms, time signature, dynamics, contrapuntal texture, and tempo to identify formal junctures. Essentially, most or all secondary parameters change at formal boundaries. The method developed here differs from those of other scholars of twentieth-century sonata-form repertoire, such as Lofthouse, Perry, and Tarrant, who employ Sonata Theory to account for the works of, respectively, Shostakovich, Prokofiev, and Nielsen. While their recalibration of Sonata Theory accounts for this mid-century repertoire well, first movements of multimovement symphonies by late-twentieth-century composers require a different approach because the idea of rotation is no longer relevant. The secondary-parameter network offers a new reading of sonata form through a ground-up construction of sonata form based on significant changes to secondary parameters.
■590 ▼aSchool code: 0045.
■650 4▼aMusic
■650 4▼aMusical composition
■650 4▼aMusic theory
■653 ▼aSecondary parameters
■653 ▼aSonata form
■653 ▼aLate twentieth century
■653 ▼aSonata Theory
■653 ▼aFormal functions
■690 ▼a0413
■690 ▼a0214
■690 ▼a0221
■71020▼aUniversity of Cincinnati▼bCollege-Conservatory of Music: Theory.
■7730 ▼tDissertations Abstracts International▼g86-04A.
■790 ▼a0045
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17164917▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
