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Sin Permiso, Sin Perdon: Rhetorical Studies on Rhetorics of Race, Latinidad, Decoloniality, and Theory
Sin Permiso, Sin Perdon: Rhetorical Studies on Rhetorics of Race, Latinidad, Decoloniality...
Sin Permiso, Sin Perdon: Rhetorical Studies on Rhetorics of Race, Latinidad, Decoloniality, and Theory

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자료유형  
 학위논문 서양
최종처리일시  
20250211151317
ISBN  
9798382346977
DDC  
808
저자명  
Padilla, J. Paul.
서명/저자  
Sin Permiso, Sin Perdon: Rhetorical Studies on Rhetorics of Race, Latinidad, Decoloniality, and Theory
발행사항  
[Sl] : The University of Arizona, 2024
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2024
형태사항  
142 p
주기사항  
Source: Dissertations Abstracts International, Volume: 85-11, Section: A.
주기사항  
Advisor: Miller-Cochran, Susan;Alexander, Jonathan.
학위논문주기  
Thesis (Ph.D.)--The University of Arizona, 2024.
초록/해제  
요약My dissertation addresses the problem of identifying and unlearning the endoxa-that is, the common opinion or "common sense" treated as true knowledge-of racism and coloniality certain rhetoric carries, shaping how race is understood and lived in the United States and within its cultures like Latinidad. This problem holds a simple truth about a complex reality faced by so many people of color like me and my son Ricardo: we need, but don't often find, the space, autonomy, and theories to analyze a racialized world in ways that matter most to our communities now and over generations. Addressing this problem from this premise shifts the antiracism dialogue from the common paradigm of educating White ignorance through an inherent understanding of racism and a duty held by people of color, to a paradigm of unlearning, analysis, empowerment, and invention toward meaningful, practical forms of decoloniality centered on communities of color.In my dissertation, I argue that rhetorics of race serve as the primary means of transmitting and establishing the ideology, knowledge, and practices of racial hierarchy and inequity within languages, cultures, and customs of an epicenter of coloniality. I define epicenter of coloniality as a nation-state in the Americas created through its independence from its respective European imperialism that reflects the evolution of colonialism where racial hierarchy continues as primary system of colonial dominance and oppression despite dominant socio-political narratives of racial democracy through a nation-based cultural identity. As one epicenter of coloniality, the United States employs the dominant socio-political narrative of "the assimilated American," which by law, politics, and society limited certain Europeans to be unhyphenated (White) Americans. Within variations of this narrative, race is framed as natural, biological, and indelible with ethnicity used to deny racial hierarchy and promote assimilation. Concerns of racial inequity are reframed as taboo within a spectrum, with silencing over anti-White racism on one end and claims of generational social progress on the other. Given the absence of critical analysis, race in the United States continues as intellectuals Anibal Quijano and Walter Mignolo theorized: the primary system of dominance and oppression established by colonialism and evolving through coloniality within the nation's structures, institutions, and cultures.Rhetorics of race, complete with its endoxa, maintains racial hierarchy and inequity through the dominant ideology of White superiority within cultural, political, and national identities that informs intersectional discrimination based on gender, sexual orientation, ability, religion, and nationality among others. For different racialized communities of color, critical analysis of race and racial inequity involves a foundational reconceptualization of the ideologies, knowledges, and practices established by rhetorics of race, beginning with internalized colonialism of agency, collective identity, memory, and futurity within individuals that defines the relational racial dynamic of White and Othered. For those communities who identify through Latinidad, addressing internalized colonialism may involve painful realizations about reconciliations of European, Indigenous, and African descendance that contradict dominant narratives of racial democracy through a unifying cultural identity of nationality and that nationality's conception of mestizaje, which is often defined as the inter-racial mixing of European and Indigenous peoples, but not of people of African descent. These realizations become more challenging based on proximity to another epicenter of coloniality: those who identify with Latinidad but who were born, or live, primarily in the United States, where they understand, and live, race first through rhetorics, and endoxa, core to the U.S. relational racial dynamic. My research question for my dissertation is as follows: How can rhetorics of race in the United States and within U.S. Latinidad be criticized, analyzed, and theorized to provide different communities-those who live with racialized as people of color and as White-a structure to understand the evolution of coloniality through race, the problems of endoxa that sustain racial hierarchy within as vested identities of race within epicenters of coloniality, and the means of transforming internalized colonialism into decolonial re-existence on individual and collective levels?I address this question through a series of rhetorical theories for communities of color and allies that critically examines rhetorics of racism on identity, cultural memory, racial democracy, and internalized colonialism within the United States and Latinidad. I posit rhetorical theories of self-identification, rhetorical agency, collective memory, inter-cultural negotiations, fictive kinship, and advocacy to understand racial hierarchies in different epicenters of coloniality across generations and to move communities within the United States, U.S. Latinidad, and higher education toward decoloniality. To conduct my research and analysis, I employ a qualitative research methodology of rhetorical criticism that involves auto-ethnography, ethnography, and critical theory. My dissertation is written as a series of six open letters to my son Ricardo: a prologue and five chapter-length letters. I blend the traditional dissertation writing genre with the rhetorical "open letter" genre used by intellectuals James Baldwin, Audre Lorde, and Ta-Nehisi Coates toward advocacy for transformative social change through agency, rhetoric, and action for communities of color and allies. With this substantive approach to writing style, I seek to create a three-tiered audience toward a dynamic of antiracist dialogue that puts what matters to the communities most impacted by racism first. Thus, I conceive the primary audience of my son literally and metaphorically as a generation of communities struggling to find a space to study, learn, and address racism, the secondary audience being intellectuals of color and allies who seek to address these issues for their communities through community, professional, and academic work, and the tertiary audience being academics in Rhetoric and Composition Studies and higher education who can use Krista Ratcliffe's theory of rhetorical eavesdropping toward cross-cultural learning.
일반주제명  
Rhetoric
일반주제명  
Latin American studies
일반주제명  
Ethnic studies
키워드  
Decoloniality
키워드  
Intersectionality
키워드  
Latinidad
키워드  
Race
키워드  
Racism
키워드  
Rhetorical criticism
기타저자  
The University of Arizona English
기본자료저록  
Dissertations Abstracts International. 85-11A.
전자적 위치 및 접속  
로그인 후 원문을 볼 수 있습니다.

MARC

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■1001  ▼aPadilla,  J.  Paul.▼0(orcid)0009-0007-9397-470X
■24510▼aSin  Permiso,  Sin  Perdon:  Rhetorical  Studies  on  Rhetorics  of  Race,  Latinidad,  Decoloniality,  and  Theory
■260    ▼a[Sl]▼bThe  University  of  Arizona▼c2024
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2024
■300    ▼a142  p
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  85-11,  Section:  A.
■500    ▼aAdvisor:  Miller-Cochran,  Susan;Alexander,  Jonathan.
■5021  ▼aThesis  (Ph.D.)--The  University  of  Arizona,  2024.
■520    ▼aMy  dissertation  addresses  the  problem  of  identifying  and  unlearning  the  endoxa-that  is,  the  common  opinion  or  "common  sense"  treated  as  true  knowledge-of  racism  and  coloniality  certain  rhetoric  carries,  shaping  how  race  is  understood  and  lived  in  the  United  States  and  within  its  cultures  like  Latinidad.  This  problem  holds  a  simple  truth  about  a  complex  reality  faced  by  so  many  people  of  color  like  me  and  my  son  Ricardo:  we  need,  but  don't  often  find,  the  space,  autonomy,  and  theories  to  analyze  a  racialized  world  in  ways  that  matter  most  to  our  communities  now  and  over  generations.  Addressing  this  problem  from  this  premise  shifts  the  antiracism  dialogue  from  the  common  paradigm  of  educating  White  ignorance  through  an  inherent  understanding  of  racism  and  a  duty  held  by  people  of  color,  to  a  paradigm  of  unlearning,  analysis,  empowerment,  and  invention  toward  meaningful,  practical  forms  of  decoloniality  centered  on  communities  of  color.In  my  dissertation,  I  argue  that  rhetorics  of  race  serve  as  the  primary  means  of  transmitting  and  establishing  the  ideology,  knowledge,  and  practices  of  racial  hierarchy  and  inequity  within  languages,  cultures,  and  customs  of  an  epicenter  of  coloniality.  I  define  epicenter  of  coloniality  as  a  nation-state  in  the  Americas  created  through  its  independence  from  its  respective  European  imperialism  that  reflects  the  evolution  of  colonialism  where  racial  hierarchy  continues  as  primary  system  of  colonial  dominance  and  oppression  despite  dominant  socio-political  narratives  of  racial  democracy  through  a  nation-based  cultural  identity.  As  one  epicenter  of  coloniality,  the  United  States  employs  the  dominant  socio-political  narrative  of  "the  assimilated  American,"  which  by  law,  politics,  and  society  limited  certain  Europeans  to  be  unhyphenated  (White)  Americans.  Within  variations  of  this  narrative,  race  is  framed  as  natural,  biological,  and  indelible  with  ethnicity  used  to  deny  racial  hierarchy  and  promote  assimilation.  Concerns  of  racial  inequity  are  reframed  as  taboo  within  a  spectrum,  with  silencing  over  anti-White  racism  on  one  end  and  claims  of  generational  social  progress  on  the  other.  Given  the  absence  of  critical  analysis,  race  in  the  United  States  continues  as  intellectuals  Anibal  Quijano  and  Walter  Mignolo  theorized:  the  primary  system  of  dominance  and  oppression  established  by  colonialism  and  evolving  through  coloniality  within  the  nation's  structures,  institutions,  and  cultures.Rhetorics  of  race,  complete  with  its  endoxa,  maintains  racial  hierarchy  and  inequity  through  the  dominant  ideology  of  White  superiority  within  cultural,  political,  and  national  identities  that  informs  intersectional  discrimination  based  on  gender,  sexual  orientation,  ability,  religion,  and  nationality  among  others.  For  different  racialized  communities  of  color,  critical  analysis  of  race  and  racial  inequity  involves  a  foundational  reconceptualization  of  the  ideologies,  knowledges,  and  practices  established  by  rhetorics  of  race,  beginning  with  internalized  colonialism  of  agency,  collective  identity,  memory,  and  futurity  within  individuals  that  defines  the  relational  racial  dynamic  of  White  and  Othered.  For  those  communities  who  identify  through  Latinidad,  addressing  internalized  colonialism  may  involve  painful  realizations  about  reconciliations  of  European,  Indigenous,  and  African  descendance  that  contradict  dominant  narratives  of  racial  democracy  through  a  unifying  cultural  identity  of  nationality  and  that  nationality's  conception  of  mestizaje,  which  is  often  defined  as  the  inter-racial  mixing  of  European  and  Indigenous  peoples,  but  not  of  people  of  African  descent.  These  realizations  become  more  challenging  based  on  proximity  to  another  epicenter  of  coloniality:  those  who  identify  with  Latinidad  but  who  were  born,  or  live,  primarily  in  the  United  States,  where  they  understand,  and  live,  race  first  through  rhetorics,  and  endoxa,  core  to  the  U.S.  relational  racial  dynamic. My  research  question  for  my  dissertation  is  as  follows: How  can  rhetorics  of  race  in  the  United  States  and  within  U.S.  Latinidad  be  criticized,  analyzed,  and  theorized  to  provide  different  communities-those  who  live  with  racialized  as  people  of  color  and  as  White-a  structure  to  understand  the  evolution  of  coloniality  through  race,  the  problems  of  endoxa  that  sustain  racial  hierarchy  within  as  vested  identities  of  race  within  epicenters  of  coloniality,  and the  means  of  transforming  internalized  colonialism  into  decolonial  re-existence  on  individual  and  collective  levels?I  address  this  question  through  a  series  of  rhetorical  theories  for  communities  of  color  and  allies  that  critically  examines  rhetorics  of  racism  on  identity,  cultural  memory,  racial  democracy,  and  internalized  colonialism  within  the  United  States  and  Latinidad.  I  posit  rhetorical  theories  of  self-identification,  rhetorical  agency,  collective  memory,  inter-cultural  negotiations,  fictive  kinship,  and  advocacy  to  understand  racial  hierarchies  in  different  epicenters  of  coloniality  across  generations  and  to  move  communities  within  the  United  States,  U.S.  Latinidad,  and  higher  education  toward  decoloniality.  To  conduct  my  research  and  analysis,  I  employ  a  qualitative  research  methodology  of  rhetorical  criticism  that  involves  auto-ethnography,  ethnography,  and  critical  theory. My  dissertation  is  written  as  a  series  of  six  open  letters  to  my  son  Ricardo:  a  prologue  and  five  chapter-length  letters.  I  blend  the  traditional  dissertation  writing  genre  with  the  rhetorical  "open  letter"  genre  used  by  intellectuals  James  Baldwin,  Audre  Lorde,  and  Ta-Nehisi  Coates  toward  advocacy  for  transformative  social  change  through  agency,  rhetoric,  and  action  for  communities  of  color  and  allies.  With  this  substantive  approach  to  writing  style,  I  seek  to  create  a  three-tiered  audience  toward  a  dynamic  of  antiracist  dialogue  that  puts  what  matters  to  the  communities  most  impacted  by  racism  first.  Thus,  I  conceive  the  primary  audience  of  my  son  literally  and  metaphorically  as  a  generation  of  communities  struggling  to  find  a  space  to  study,  learn,  and  address  racism,  the  secondary  audience  being  intellectuals  of  color  and  allies  who  seek  to  address  these  issues  for  their  communities  through  community,  professional,  and  academic  work,  and  the  tertiary  audience  being  academics  in  Rhetoric  and  Composition  Studies  and  higher  education  who  can  use  Krista  Ratcliffe's  theory  of  rhetorical  eavesdropping  toward  cross-cultural  learning.
■590    ▼aSchool  code:  0009.
■650  4▼aRhetoric
■650  4▼aLatin  American  studies
■650  4▼aEthnic  studies
■653    ▼aDecoloniality
■653    ▼aIntersectionality
■653    ▼aLatinidad
■653    ▼aRace
■653    ▼aRacism
■653    ▼aRhetorical  criticism
■690    ▼a0681
■690    ▼a0631
■690    ▼a0550
■71020▼aThe  University  of  Arizona▼bEnglish.
■7730  ▼tDissertations  Abstracts  International▼g85-11A.
■790    ▼a0009
■791    ▼aPh.D.
■792    ▼a2024
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17161155▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

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