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The Baroque Aesthetics of Exhaustion
The Baroque Aesthetics of Exhaustion
The Baroque Aesthetics of Exhaustion

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자료유형  
 학위논문 서양
최종처리일시  
20250211151401
ISBN  
9798384452508
DDC  
800
저자명  
Patino Romero, Jose Luis.
서명/저자  
The Baroque Aesthetics of Exhaustion
발행사항  
[Sl] : University of California, Berkeley, 2024
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2024
형태사항  
122 p
주기사항  
Source: Dissertations Abstracts International, Volume: 86-03, Section: A.
주기사항  
Advisor: Bergmann, Emilie;Navarrete, Ignacio.
학위논문주기  
Thesis (Ph.D.)--University of California, Berkeley, 2024.
초록/해제  
요약This dissertation re-examines three canonical works: Cervantes's romance/adventure novel Persiles (1617), Gongora's long, unclassifiable poem Soledades (1613), and Sor Juana's long, philosophical poem Primero sueno (1692). This study builds on the baroque paradigm of excessive self-invention as satirized in Don Quixote's imitation of outdated chivalric figures in his effort to become a knight errant. I elucidate the possibility of participating in the voluntaristic culture implied in this satire without identifying with it-an approach I refer to as the "aesthetics of exhaustion." This negative self-fashioning entails resituating and reconfiguring available modes of self-cultivation to evade the emergent society of control. I focus on how my selection of texts models an emergent modern subjectivity that aestheticizes failure by redeploying mystic figures of "humility" as exemplified in the metaphor of garden cultivation as a spiritual exercise in Teresa of Avila's Vita and Fray Luis de Leon's poem "Vida retirada." Through three case studies that thematize new tendencies in Counter-Reformation marriage, imperial navigation, and natural philosophy, I analyze the reconfiguration of institutionalized, compulsory desires.Instead of displacing an exhausted desire with another iteration of "greed" within the libidinal economy, the main characters in these texts reiterate exhaustion itself as a relatively autonomous identity. I develop this understanding of exhaustion by adapting Deleuze's figure of the exhausted, by which desire becomes the endless playing with the possibilities of the same habitual, limited situation without asserting any preference. I analyze plots that dramatize how similar figures emerge in baroque literature. In Persiles, I focus on Auristela's performance of escape from arranged marriage through identification with Marian figures from the Bible, early modern painting, and theological debates on the immaculate conception. The novel critiques the free will to marry by comparing it to sacrificial scenes evoking colonial chronicles and minorities evoking picaresque literature and other Cervantine works. In Soledades, I focus on the pilgrim's material and emotional "shipwreck" in dialogue with the tradition of Petrarchan masculine desire as eroticized and elaborated in early modern Spain by Garcilaso de la Vega and Francisco de Quevedo. In Primero sueno, the soul's renunciation of its flight toward impossible absolute knowledge, inspired by St. Teresa's double bind of humility, redeploys the trope of the mystical unknowability of the divine as a gendered iteration of Icarus and Phaeton against sexual and epistemic violence.If the Renaissance paganized Christianity and emphasized individual passions, I identify a Baroque tendency to reconfigure mystical desire as care of the self without a religious community. This displacement shows that the baroque anticipates and satirizes, in its thematization of the failure of desire, the neoliberal instrumentalization of "care of the self" as Foucauldian human capital. In my conclusion, I foreground how my dissertation has established that baroque desire does not aim at modeling self-control but rather at theorizing complex degrees of community identification and exclusion. The differential accessibility to alternative narratives of self-exhaustion depending on social categories leads to a consideration of how the baroque questions the capacity of established genres-the picaresque, the pastoral, colonial chronicles, and encyclopedism-to represent new social needs. I demonstrate that the aesthetics of exhaustion in baroque literature, while situated in the upper classes, mirrors the survival strategies of characters excluded from the baroque economy of desire, such as the picaros, picaras, Jews, Muslims, and the so-called barbarian worlds. I end up proposing ways of complementing the synchronic baroque approach to exhaustion in this dissertation by focusing on those identities only considered in these texts through exclusive inclusion. By way of the mediating concepts of mestizaje, black performance, and generalized prostitution, I suggest how this project can be supplemented by genealogical approaches situated on specific exhausted identities. In turn, these approaches situated in marginal identities are supplemented by the perspectives baroque approach to exhaustion within the field of the libidinal economy.
일반주제명  
Literature
일반주제명  
European history
일반주제명  
Latin American history
키워드  
Cervantes's romance
키워드  
Colonialism
키워드  
Mysticism
키워드  
Philosophical poem
기타저자  
University of California, Berkeley Hispanic Languages & Literatures
기본자료저록  
Dissertations Abstracts International. 86-03A.
전자적 위치 및 접속  
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MARC

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■1001  ▼aPatino  Romero,  Jose  Luis.
■24510▼aThe  Baroque  Aesthetics  of  Exhaustion
■260    ▼a[Sl]▼bUniversity  of  California,  Berkeley▼c2024
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2024
■300    ▼a122  p
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  86-03,  Section:  A.
■500    ▼aAdvisor:  Bergmann,  Emilie;Navarrete,  Ignacio.
■5021  ▼aThesis  (Ph.D.)--University  of  California,  Berkeley,  2024.
■520    ▼aThis  dissertation  re-examines  three  canonical  works:  Cervantes's  romance/adventure  novel  Persiles  (1617),  Gongora's  long,  unclassifiable  poem  Soledades  (1613),  and  Sor  Juana's  long,  philosophical  poem  Primero  sueno  (1692).  This  study  builds  on  the  baroque  paradigm  of  excessive  self-invention  as  satirized  in  Don  Quixote's  imitation  of  outdated  chivalric  figures  in  his  effort  to  become  a  knight  errant.  I  elucidate  the  possibility  of  participating  in  the  voluntaristic  culture  implied  in  this  satire  without  identifying  with  it-an  approach  I  refer  to  as  the  "aesthetics  of  exhaustion."  This  negative  self-fashioning  entails  resituating  and  reconfiguring  available  modes  of  self-cultivation  to  evade  the  emergent  society  of  control.  I  focus  on  how  my  selection  of  texts  models  an  emergent  modern  subjectivity  that  aestheticizes  failure  by  redeploying  mystic  figures  of  "humility"  as  exemplified  in  the  metaphor  of  garden  cultivation  as  a  spiritual  exercise  in  Teresa  of  Avila's  Vita  and  Fray  Luis  de  Leon's  poem  "Vida  retirada."  Through  three  case  studies  that  thematize  new  tendencies  in  Counter-Reformation  marriage,  imperial  navigation,  and  natural  philosophy,  I  analyze  the  reconfiguration  of  institutionalized,  compulsory  desires.Instead  of  displacing  an  exhausted  desire  with  another  iteration  of  "greed"  within  the  libidinal  economy,  the  main  characters  in  these  texts  reiterate  exhaustion  itself  as  a  relatively  autonomous  identity.  I  develop  this  understanding  of  exhaustion  by  adapting  Deleuze's  figure  of  the  exhausted,  by  which  desire  becomes  the  endless  playing  with  the  possibilities  of  the  same  habitual,  limited  situation  without  asserting  any  preference.  I  analyze  plots  that  dramatize  how  similar  figures  emerge  in  baroque  literature.  In  Persiles,  I  focus  on  Auristela's  performance  of  escape  from  arranged  marriage  through  identification  with  Marian  figures  from  the  Bible,  early  modern  painting,  and  theological  debates  on  the  immaculate  conception.  The  novel  critiques  the  free  will  to  marry  by  comparing  it  to  sacrificial  scenes  evoking  colonial  chronicles  and  minorities  evoking  picaresque  literature  and  other  Cervantine  works.  In  Soledades,  I  focus  on  the  pilgrim's  material  and  emotional  "shipwreck"  in  dialogue  with  the  tradition  of  Petrarchan  masculine  desire  as  eroticized  and  elaborated  in  early  modern  Spain  by  Garcilaso  de  la  Vega  and  Francisco  de  Quevedo.  In  Primero  sueno,  the  soul's  renunciation  of  its  flight  toward  impossible  absolute  knowledge,  inspired  by  St.  Teresa's  double  bind  of  humility,  redeploys  the  trope  of  the  mystical  unknowability  of  the  divine  as  a  gendered  iteration  of  Icarus  and  Phaeton  against  sexual  and  epistemic  violence.If  the  Renaissance  paganized  Christianity  and  emphasized  individual  passions,  I  identify  a  Baroque  tendency  to  reconfigure  mystical  desire  as  care  of  the  self  without  a  religious  community.  This  displacement  shows  that  the  baroque  anticipates  and  satirizes,  in  its  thematization  of  the  failure  of  desire,  the  neoliberal  instrumentalization  of  "care  of  the  self"  as  Foucauldian  human  capital.  In  my  conclusion,  I  foreground  how  my  dissertation  has  established  that  baroque  desire  does  not  aim  at  modeling  self-control  but  rather  at  theorizing  complex  degrees  of  community  identification  and  exclusion.  The  differential  accessibility  to  alternative  narratives  of  self-exhaustion  depending  on  social  categories  leads  to  a  consideration  of  how  the  baroque  questions  the  capacity  of  established  genres-the  picaresque,  the  pastoral,  colonial  chronicles,  and  encyclopedism-to  represent  new  social  needs.  I  demonstrate  that  the  aesthetics  of  exhaustion  in  baroque  literature,  while  situated  in  the  upper  classes,  mirrors  the  survival  strategies  of  characters  excluded  from  the  baroque  economy  of  desire,  such  as  the  picaros,  picaras,  Jews,  Muslims,  and  the  so-called  barbarian  worlds.  I  end  up  proposing  ways  of  complementing  the  synchronic  baroque  approach  to  exhaustion  in  this  dissertation  by  focusing  on  those  identities  only  considered  in  these  texts  through  exclusive  inclusion.  By  way  of  the  mediating  concepts  of  mestizaje,  black  performance,  and  generalized  prostitution,  I  suggest  how  this  project  can  be  supplemented  by  genealogical  approaches  situated  on  specific  exhausted  identities.  In  turn,  these  approaches  situated  in  marginal  identities  are  supplemented  by  the  perspectives  baroque  approach  to  exhaustion  within  the  field  of  the  libidinal  economy.
■590    ▼aSchool  code:  0028.
■650  4▼aLiterature
■650  4▼aEuropean  history
■650  4▼aLatin  American  history
■653    ▼aCervantes's  romance
■653    ▼aColonialism
■653    ▼aMysticism
■653    ▼aPhilosophical  poem
■690    ▼a0401
■690    ▼a0335
■690    ▼a0336
■71020▼aUniversity  of  California,  Berkeley▼bHispanic  Languages  &  Literatures.
■7730  ▼tDissertations  Abstracts  International▼g86-03A.
■790    ▼a0028
■791    ▼aPh.D.
■792    ▼a2024
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17161477▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

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