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The Myth of Raffaella Carra: Female Stardom in Post-1968 Italy
The Myth of Raffaella Carra: Female Stardom in Post-1968 Italy
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211152729
- ISBN
- 9798384016267
- DDC
- 850
- 저자명
- Salmaso, Nicolo.
- 서명/저자
- The Myth of Raffaella Carra: Female Stardom in Post-1968 Italy
- 발행사항
- [Sl] : Indiana University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 299 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-02, Section: A.
- 주기사항
- Advisor: Ryan, Colleen.
- 학위논문주기
- Thesis (Ph.D.)--Indiana University, 2024.
- 초록/해제
- 요약The unexpected death of show-woman Raffaella Carra (1943-2021) has led Italian public opinion to reconsider and re-evaluate, in a more positive light, her contributions, not only to television and music, but also to Italian society at large. This dissertation endeavors to show how Carra has been posthumously identified as the leader of a "soft revolution." This revolution gradually broke and, in some cases, subverted patriarchal paradigms of femininity and womanhood to establish new voices and models for different types of audiences in Italy, Spain, and Latin America. In particular, I aim to demonstrate how, through a deep understanding of the socio-political dynamics of her times, Carra reinterpreted and revised her career in performance, dance, and music. Through an in-depth analysis of some of her most successful television shows (in addition to other relevant TV appearances, music recordings, commercials, newspaper and magazine articles, etc.), I will show how Carra's stardom encouraged unprecedented and compelling embodiments of femininity as well as acceptance by more traditional audiences, still heavily influenced by the Roman Catholic Church. I contextualize my study according to specific ideologies regarding second-wave feminism, the post-1968 sexual revolution, and the years of terrorism to critically explore how Carra's career kept pace with her society for almost five decades. I ask how and why her success was sustainable across this significant span of time. Finally, I examine the way she prompted transformative discussions about public perceptions and media representations of aging women in show business during the last years of her life.
- 일반주제명
- Italian literature
- 일반주제명
- Film studies
- 일반주제명
- Womens studies
- 키워드
- Age studies
- 키워드
- Intermediality
- 키워드
- Pop music
- 키워드
- Stardom
- 키워드
- Celebrity
- 기타저자
- Indiana University Italian
- 기본자료저록
- Dissertations Abstracts International. 86-02A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■00520250211152729
■006m o d
■007cr#unu||||||||
■020 ▼a9798384016267
■035 ▼a(MiAaPQ)AAI31490646
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a850
■1001 ▼aSalmaso, Nicolo.
■24510▼aThe Myth of Raffaella Carra: Female Stardom in Post-1968 Italy
■260 ▼a[Sl]▼bIndiana University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a299 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-02, Section: A.
■500 ▼aAdvisor: Ryan, Colleen.
■5021 ▼aThesis (Ph.D.)--Indiana University, 2024.
■520 ▼aThe unexpected death of show-woman Raffaella Carra (1943-2021) has led Italian public opinion to reconsider and re-evaluate, in a more positive light, her contributions, not only to television and music, but also to Italian society at large. This dissertation endeavors to show how Carra has been posthumously identified as the leader of a "soft revolution." This revolution gradually broke and, in some cases, subverted patriarchal paradigms of femininity and womanhood to establish new voices and models for different types of audiences in Italy, Spain, and Latin America. In particular, I aim to demonstrate how, through a deep understanding of the socio-political dynamics of her times, Carra reinterpreted and revised her career in performance, dance, and music. Through an in-depth analysis of some of her most successful television shows (in addition to other relevant TV appearances, music recordings, commercials, newspaper and magazine articles, etc.), I will show how Carra's stardom encouraged unprecedented and compelling embodiments of femininity as well as acceptance by more traditional audiences, still heavily influenced by the Roman Catholic Church. I contextualize my study according to specific ideologies regarding second-wave feminism, the post-1968 sexual revolution, and the years of terrorism to critically explore how Carra's career kept pace with her society for almost five decades. I ask how and why her success was sustainable across this significant span of time. Finally, I examine the way she prompted transformative discussions about public perceptions and media representations of aging women in show business during the last years of her life.
■590 ▼aSchool code: 0093.
■650 4▼aItalian literature
■650 4▼aFilm studies
■650 4▼aWomens studies
■653 ▼aAge studies
■653 ▼aIntermediality
■653 ▼aItalian television
■653 ▼aPop music
■653 ▼aStardom
■653 ▼aCelebrity
■690 ▼a0220
■690 ▼a0453
■690 ▼a0900
■71020▼aIndiana University▼bItalian.
■7730 ▼tDissertations Abstracts International▼g86-02A.
■790 ▼a0093
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17163600▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
