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The Eyes of Tomorrow: A Cultural History of Chicago Television
The Eyes of Tomorrow: A Cultural History of Chicago Television
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211152730
- ISBN
- 9798384019411
- DDC
- 791
- 서명/저자
- The Eyes of Tomorrow: A Cultural History of Chicago Television
- 발행사항
- [Sl] : Northwestern University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 187 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-02, Section: A.
- 주기사항
- Advisor: Spigel, Lynn.
- 학위논문주기
- Thesis (Ph.D.)--Northwestern University, 2024.
- 초록/해제
- 요약Chicago has long been a center of experiments in American television broadcasting. This dissertation explores this history of experimentation as indicative of a Chicago-based television production culture. This Chicago Television is primarily recognizable through its emphasis on the unique affordances of television technology, progressive politics, and a self-curating impulse that demonstrates Chicago Television producers' desire to position themselves in this lineage. This dissertation traces the origins of Chicago's broadcast culture and follows that culture through the Chicago School of Television in the 1940s and 1950s, the rise of Guerrilla Media in the 1960s and 1970s, and the changes in broadcast infrastructure through the 1980s and 1990s.Viewing Chicago Television as an internally coherent artistic movement allows for otherwise overlooked works to be rediscovered, outliers to be contextualized, and innovations to be adequately appreciated. Any local television production culture, particularly those in the United States, can be so analyzed to recover alternative cultural narratives. Consequently, the hegemonic power of media to present and enforce oppressive cultural norms of the American late Twentieth Century (particularly white capitalist patriarchal norms as developed after World War II) becomes complicated if not resisted by alternative media structures throughout the country, each with its own unique aesthetic and cultural fingerprint.
- 일반주제명
- Film studies
- 일반주제명
- Web studies
- 기타저자
- Northwestern University Screen Cultures
- 기본자료저록
- Dissertations Abstracts International. 86-02A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■00520250211152730
■006m o d
■007cr#unu||||||||
■020 ▼a9798384019411
■035 ▼a(MiAaPQ)AAI31490751
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a791
■1001 ▼aNebergall, Jason J.
■24510▼aThe Eyes of Tomorrow: A Cultural History of Chicago Television
■260 ▼a[Sl]▼bNorthwestern University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a187 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-02, Section: A.
■500 ▼aAdvisor: Spigel, Lynn.
■5021 ▼aThesis (Ph.D.)--Northwestern University, 2024.
■520 ▼aChicago has long been a center of experiments in American television broadcasting. This dissertation explores this history of experimentation as indicative of a Chicago-based television production culture. This Chicago Television is primarily recognizable through its emphasis on the unique affordances of television technology, progressive politics, and a self-curating impulse that demonstrates Chicago Television producers' desire to position themselves in this lineage. This dissertation traces the origins of Chicago's broadcast culture and follows that culture through the Chicago School of Television in the 1940s and 1950s, the rise of Guerrilla Media in the 1960s and 1970s, and the changes in broadcast infrastructure through the 1980s and 1990s.Viewing Chicago Television as an internally coherent artistic movement allows for otherwise overlooked works to be rediscovered, outliers to be contextualized, and innovations to be adequately appreciated. Any local television production culture, particularly those in the United States, can be so analyzed to recover alternative cultural narratives. Consequently, the hegemonic power of media to present and enforce oppressive cultural norms of the American late Twentieth Century (particularly white capitalist patriarchal norms as developed after World War II) becomes complicated if not resisted by alternative media structures throughout the country, each with its own unique aesthetic and cultural fingerprint.
■590 ▼aSchool code: 0163.
■650 4▼aFilm studies
■650 4▼aWeb studies
■653 ▼aAmerican television broadcasting
■653 ▼aCultural narratives
■653 ▼aChicago television
■690 ▼a0900
■690 ▼a0646
■71020▼aNorthwestern University▼bScreen Cultures.
■7730 ▼tDissertations Abstracts International▼g86-02A.
■790 ▼a0163
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17163606▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
