A Summary of Three Dissertation Recitals
A Summary of Three Dissertation Recitals
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211152740
- ISBN
- 9798382953540
- DDC
- 780
- 저자명
- Johnson, Daniel.
- 서명/저자
- A Summary of Three Dissertation Recitals
- 발행사항
- [Sl] : University of Michigan, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 204 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-01, Section: A.
- 주기사항
- Advisor: Haithcock, Michael.
- 학위논문주기
- Thesis (D.Mus.A.)--University of Michigan, 2024.
- 초록/해제
- 요약The repertoire in the following dissertation recitals features music written for winds from the Baroque through the 21st Century. Works for both large and chamber ensembles were performed, and each recital celebrates a variety of compositional perspectives.The first recital was collated from performances with the University of Michigan Symphony Band, Concert Band, and Symphony Band Chamber Winds across the 2022-2023 academic year. The recital included Ba Yin by Chen Yi; Out in the Sun, op. 88 by Karl Henning; The Last Hive Mind by Shuying Li; Passage by Scott Lindroth; and En Mi, Familia by Ivette Herryman Rodriguez. A lecture entitled "Time Leaves its Shadow" revealed how each composer's interactions with their personal and musical histories manifest in their works.The second was a collection of performances with the University of Michigan Symphony Band, Concert Band, and Symphony Band Chamber Winds during the Winter and Fall terms of 2023. The recital included Serenade by Katahj Copley; Twist by Jodie Blackshaw; Lied et Scherzo by Florent Schmitt; Octet by Igor Stravinsky; and Funeral Music for Queen Mary (after Purcell) by Steven Stucky. A lecture entitled "Simple Ingredients" examined each composer's unique use of fundamental elements including form, rhythm, harmony, texture, and melody.The third recital was a combination of performances which took place on January 23, 2024 with an ad hoc ensemble, January 28, 2024 with the University of Michigan Symphony Band Chamber Winds, and February 2, 2024 with the University of Michigan Symphony Band. The recital featured selections from Don Giovanni by Wolfgang Amadeus Mozart, arranged by Josef Triebensee; Serenade in D minor, op. 44 by Antonin Dvorak; the world premiere of Bass Clarinet Concerto by Ryan Lindveit; and Emblems by Aaron Copland. A lecture entitled "Cultivate the Roots" illustrated how specific musical characteristics of each composition creates an aural image in the listener.
- 일반주제명
- Music
- 일반주제명
- Musical performances
- 일반주제명
- Music education
- 키워드
- Summary
- 키워드
- Yi, Chen
- 키워드
- Stucky, Steven
- 키워드
- Copland, Aaron
- 기타저자
- University of Michigan Music: Conducting
- 기본자료저록
- Dissertations Abstracts International. 86-01A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
008250123s2024 us c eng d■001000017163681
■00520250211152740
■006m o d
■007cr#unu||||||||
■020 ▼a9798382953540
■035 ▼a(MiAaPQ)AAI31496328
■035 ▼a(MiAaPQ)umichrackham005394
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a780
■1001 ▼aJohnson, Daniel.
■24512▼aA Summary of Three Dissertation Recitals
■260 ▼a[Sl]▼bUniversity of Michigan▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a204 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-01, Section: A.
■500 ▼aAdvisor: Haithcock, Michael.
■5021 ▼aThesis (D.Mus.A.)--University of Michigan, 2024.
■520 ▼aThe repertoire in the following dissertation recitals features music written for winds from the Baroque through the 21st Century. Works for both large and chamber ensembles were performed, and each recital celebrates a variety of compositional perspectives.The first recital was collated from performances with the University of Michigan Symphony Band, Concert Band, and Symphony Band Chamber Winds across the 2022-2023 academic year. The recital included Ba Yin by Chen Yi; Out in the Sun, op. 88 by Karl Henning; The Last Hive Mind by Shuying Li; Passage by Scott Lindroth; and En Mi, Familia by Ivette Herryman Rodriguez. A lecture entitled "Time Leaves its Shadow" revealed how each composer's interactions with their personal and musical histories manifest in their works.The second was a collection of performances with the University of Michigan Symphony Band, Concert Band, and Symphony Band Chamber Winds during the Winter and Fall terms of 2023. The recital included Serenade by Katahj Copley; Twist by Jodie Blackshaw; Lied et Scherzo by Florent Schmitt; Octet by Igor Stravinsky; and Funeral Music for Queen Mary (after Purcell) by Steven Stucky. A lecture entitled "Simple Ingredients" examined each composer's unique use of fundamental elements including form, rhythm, harmony, texture, and melody.The third recital was a combination of performances which took place on January 23, 2024 with an ad hoc ensemble, January 28, 2024 with the University of Michigan Symphony Band Chamber Winds, and February 2, 2024 with the University of Michigan Symphony Band. The recital featured selections from Don Giovanni by Wolfgang Amadeus Mozart, arranged by Josef Triebensee; Serenade in D minor, op. 44 by Antonin Dvorak; the world premiere of Bass Clarinet Concerto by Ryan Lindveit; and Emblems by Aaron Copland. A lecture entitled "Cultivate the Roots" illustrated how specific musical characteristics of each composition creates an aural image in the listener.
■590 ▼aSchool code: 0127.
■650 4▼aMusic
■650 4▼aMusical performances
■650 4▼aMusic education
■653 ▼aSummary
■653 ▼aYi, Chen
■653 ▼aStucky, Steven
■653 ▼aCopland, Aaron
■653 ▼aRecitals features music
■690 ▼a0413
■690 ▼a0522
■690 ▼a0943
■71020▼aUniversity of Michigan▼bMusic: Conducting.
■7730 ▼tDissertations Abstracts International▼g86-01A.
■790 ▼a0127
■791 ▼aD.Mus.A.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17163681▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
