Rightful Relations: Toward Decolonial Methodologies in Community-Based Art-Making Practices
Rightful Relations: Toward Decolonial Methodologies in Community-Based Art-Making Practices
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211153127
- ISBN
- 9798346861331
- DDC
- 306
- 서명/저자
- Rightful Relations: Toward Decolonial Methodologies in Community-Based Art-Making Practices
- 발행사항
- [Sl] : University of California, Los Angeles, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 266 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-06, Section: A.
- 주기사항
- Advisor: Roberts, Allen Fraleigh;Flynn, Alexander James.
- 학위논문주기
- Thesis (Ph.D.)--University of California, Los Angeles, 2024.
- 초록/해제
- 요약This dissertation takes an emic approach to understanding collaborative processes between Native and Indigenous peoples and neoliberal institutions such as universities, design-studios, and museums using arts-based research and production methods and modalities of expression. Qualitative analysis of four auto-ethnographic examples represents an emergent interdisciplinary phenomenon that can be considered art (Clifford 1986: 3-4). Each chapter includes stories embedded within the auto-ethnographic account which reflects attributes of decolonial de-linking (Mignolo 2007) that Indigenous aesthetics perform through axiological innovations (Bang et al 2015). I analyze the embedded ethnographic data in which I am a participant, collaborator, ally, and interviewer, utilizing a decolonial framework to understand how aesthetics are expressed, understood and transgressed by Indigenous peoples to proclaim past, present and emerging worldviews (Topa & Narvaez 2022). As a critical and reflexive ethnographic methodology, I begin with a feminist standpoint theoretical analysis to account for my position as a Xicana Indigena (Zepeda 2022).Thus, I propose an embodied and distributed ethos for collaborating with Native and Indigenous people that I term rightful relations. Building on the framework defined as rightful presence (Calabrese Barton & Tan 2020) that is a justice-oriented political project, focusing on the processes of reauthoring rights towards making present the lives of those made missing. I emphasize the "rights," that people have to assert themselves as Native and Indigenous peoples through the pursuit of aesthetic sovereignty. It is this pursuit of aesthetic sovereignty and self-determination that bears the potential to be transformative-it is this transformative power that rightful relations illustrate a dynamic within aesthetic systems that is integral to Indigenous peoples' kinship-based worldviews and embodiments.
- 일반주제명
- Cultural anthropology
- 일반주제명
- Museum studies
- 일반주제명
- Native studies
- 일반주제명
- Ethics
- 일반주제명
- Aesthetics
- 키워드
- Art
- 키워드
- Co-creation
- 키워드
- Relationality
- 기타저자
- University of California, Los Angeles Culture & Performance Studies 0378
- 기본자료저록
- Dissertations Abstracts International. 86-06A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■020 ▼a9798346861331
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■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a306
■1001 ▼aAguilar, Lili Flores.
■24510▼aRightful Relations: Toward Decolonial Methodologies in Community-Based Art-Making Practices
■260 ▼a[Sl]▼bUniversity of California, Los Angeles▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a266 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-06, Section: A.
■500 ▼aAdvisor: Roberts, Allen Fraleigh;Flynn, Alexander James.
■5021 ▼aThesis (Ph.D.)--University of California, Los Angeles, 2024.
■520 ▼aThis dissertation takes an emic approach to understanding collaborative processes between Native and Indigenous peoples and neoliberal institutions such as universities, design-studios, and museums using arts-based research and production methods and modalities of expression. Qualitative analysis of four auto-ethnographic examples represents an emergent interdisciplinary phenomenon that can be considered art (Clifford 1986: 3-4). Each chapter includes stories embedded within the auto-ethnographic account which reflects attributes of decolonial de-linking (Mignolo 2007) that Indigenous aesthetics perform through axiological innovations (Bang et al 2015). I analyze the embedded ethnographic data in which I am a participant, collaborator, ally, and interviewer, utilizing a decolonial framework to understand how aesthetics are expressed, understood and transgressed by Indigenous peoples to proclaim past, present and emerging worldviews (Topa & Narvaez 2022). As a critical and reflexive ethnographic methodology, I begin with a feminist standpoint theoretical analysis to account for my position as a Xicana Indigena (Zepeda 2022).Thus, I propose an embodied and distributed ethos for collaborating with Native and Indigenous people that I term rightful relations. Building on the framework defined as rightful presence (Calabrese Barton & Tan 2020) that is a justice-oriented political project, focusing on the processes of reauthoring rights towards making present the lives of those made missing. I emphasize the "rights," that people have to assert themselves as Native and Indigenous peoples through the pursuit of aesthetic sovereignty. It is this pursuit of aesthetic sovereignty and self-determination that bears the potential to be transformative-it is this transformative power that rightful relations illustrate a dynamic within aesthetic systems that is integral to Indigenous peoples' kinship-based worldviews and embodiments.
■590 ▼aSchool code: 0031.
■650 4▼aCultural anthropology
■650 4▼aMuseum studies
■650 4▼aNative studies
■650 4▼aEthics
■650 4▼aAesthetics
■653 ▼aDecolonial de-linking
■653 ▼aArt
■653 ▼aCo-creation
■653 ▼aIndigenous aesthetics
■653 ▼aRelationality
■690 ▼a0326
■690 ▼a0741
■690 ▼a0730
■690 ▼a0650
■690 ▼a0394
■71020▼aUniversity of California, Los Angeles▼bCulture & Performance Studies 0378.
■7730 ▼tDissertations Abstracts International▼g86-06A.
■790 ▼a0031
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17165127▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
