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Escenas domesticas inquietantes en las intervenciones artisticas de Ana Teresa Barboza, Maria Elena Alvarado, Vacide Erda y Natalia Iguiniz
Escenas domesticas inquietantes en las intervenciones artisticas de Ana Teresa Barboza, Ma...
Escenas domesticas inquietantes en las intervenciones artisticas de Ana Teresa Barboza, Maria Elena Alvarado, Vacide Erda y Natalia Iguiniz

상세정보

자료유형  
 학위논문 서양
최종처리일시  
20250211152138
ISBN  
9798384016021
DDC  
300
저자명  
Barreto Avila, Mariana.
서명/저자  
Escenas domesticas inquietantes en las intervenciones artisticas de Ana Teresa Barboza, Maria Elena Alvarado, Vacide Erda y Natalia Iguiniz
발행사항  
[Sl] : Northwestern University, 2024
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2024
형태사항  
283 p
주기사항  
Source: Dissertations Abstracts International, Volume: 86-02, Section: A.
주기사항  
Advisor: Coronado, Jorge.
학위논문주기  
Thesis (Ph.D.)--Northwestern University, 2024.
초록/해제  
요약This dissertation analyses artistic interventions in the Peruvian contemporary art scene, specifically, works by contemporary Peruvian artists Maria Elena Alvarado, Ana Teresa Barboza, Vacide Erda and Natalia Iguiniz. These interventions, created after the year 2000, combine a wide range of techniques, from drawing to photography to sewing in order to create conceptual apparatuses that put forward domestic spaces that activate the construction of desire. I argue these interventions show housework and caregiving - work I refer to as life-sustaining labor - as enabling creation/creativity beyond the sole reproduction of the home and as intended for the subjects' own selves. I thus show how they turn a familiar space into something unrecognizable: the viewer who expected to find comfort, refuge, grace and discretion - quintessential qualities of the traditional domestic space -, finds themselves now trying to give meaning to familiar objects and actions that have been re-purposed. There, a sense of discomfort arises that is nevertheless captivating, giving way to a feeling of disquiet which pertains to the uncanny. The disquiet, I propose, can push the viewer to incorporate a new set of images, in this case of domestic spaces and life-sustaining work. The new images redefine domestic spaces as sites of constant negotiation, transformation and creativity capable of activating processes of subjectivation and constructing complex, dynamic identities.
일반주제명  
Latin American studies
일반주제명  
Art criticism
일반주제명  
Gender studies
키워드  
Contemporary
키워드  
Cultural studies
키워드  
Latin America
키워드  
Peru
키워드  
Visual arts
기타저자  
Northwestern University Spanish and Portuguese
기본자료저록  
Dissertations Abstracts International. 86-02A.
전자적 위치 및 접속  
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MARC

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■020    ▼a9798384016021
■035    ▼a(MiAaPQ)AAI31484463
■040    ▼aMiAaPQ▼cMiAaPQ
■0820  ▼a300
■1001  ▼aBarreto  Avila,  Mariana.
■24510▼aEscenas  domesticas  inquietantes  en  las  intervenciones  artisticas  de  Ana  Teresa  Barboza,  Maria  Elena  Alvarado,  Vacide  Erda  y  Natalia  Iguiniz
■260    ▼a[Sl]▼bNorthwestern  University▼c2024
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2024
■300    ▼a283  p
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  86-02,  Section:  A.
■500    ▼aAdvisor:  Coronado,  Jorge.
■5021  ▼aThesis  (Ph.D.)--Northwestern  University,  2024.
■520    ▼aThis  dissertation  analyses  artistic  interventions  in  the  Peruvian  contemporary  art  scene,  specifically,  works  by  contemporary  Peruvian  artists  Maria  Elena  Alvarado,  Ana  Teresa  Barboza,  Vacide  Erda  and  Natalia  Iguiniz.  These  interventions,  created  after  the  year  2000,  combine  a  wide  range  of  techniques,  from  drawing  to  photography  to  sewing  in  order  to  create  conceptual  apparatuses  that  put  forward  domestic  spaces  that  activate  the  construction  of  desire.  I  argue  these  interventions  show  housework  and  caregiving  -  work  I  refer  to  as  life-sustaining  labor  -  as  enabling  creation/creativity  beyond  the  sole  reproduction  of  the  home  and  as  intended  for  the  subjects'  own  selves.  I  thus  show  how  they  turn  a  familiar  space  into  something  unrecognizable:  the  viewer  who  expected  to  find  comfort,  refuge,  grace  and  discretion  -  quintessential  qualities  of  the  traditional  domestic  space  -,  finds  themselves  now  trying  to  give  meaning  to  familiar  objects  and  actions  that  have  been  re-purposed.  There,  a  sense  of  discomfort  arises  that  is  nevertheless  captivating,  giving  way  to  a  feeling  of  disquiet  which  pertains  to  the  uncanny.  The  disquiet,  I  propose,  can  push  the  viewer  to  incorporate  a  new  set  of  images,  in  this  case  of  domestic  spaces  and  life-sustaining  work.  The  new  images  redefine  domestic  spaces  as  sites  of  constant  negotiation,  transformation  and  creativity  capable  of  activating  processes  of  subjectivation  and  constructing  complex,  dynamic  identities.
■590    ▼aSchool  code:  0163.
■650  4▼aLatin  American  studies
■650  4▼aArt  criticism
■650  4▼aGender  studies
■653    ▼aContemporary
■653    ▼aCultural  studies
■653    ▼aLatin  America
■653    ▼aPeru
■653    ▼aVisual  arts
■690    ▼a0550
■690    ▼a0365
■690    ▼a0733
■71020▼aNorthwestern  University▼bSpanish  and  Portuguese.
■7730  ▼tDissertations  Abstracts  International▼g86-02A.
■790    ▼a0163
■791    ▼aPh.D.
■792    ▼a2024
■793    ▼aSpanish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17163127▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

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