Escenas domesticas inquietantes en las intervenciones artisticas de Ana Teresa Barboza, Maria Elena Alvarado, Vacide Erda y Natalia Iguiniz
Escenas domesticas inquietantes en las intervenciones artisticas de Ana Teresa Barboza, Maria Elena Alvarado, Vacide Erda y Natalia Iguiniz
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211152138
- ISBN
- 9798384016021
- DDC
- 300
- 서명/저자
- Escenas domesticas inquietantes en las intervenciones artisticas de Ana Teresa Barboza, Maria Elena Alvarado, Vacide Erda y Natalia Iguiniz
- 발행사항
- [Sl] : Northwestern University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 283 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-02, Section: A.
- 주기사항
- Advisor: Coronado, Jorge.
- 학위논문주기
- Thesis (Ph.D.)--Northwestern University, 2024.
- 초록/해제
- 요약This dissertation analyses artistic interventions in the Peruvian contemporary art scene, specifically, works by contemporary Peruvian artists Maria Elena Alvarado, Ana Teresa Barboza, Vacide Erda and Natalia Iguiniz. These interventions, created after the year 2000, combine a wide range of techniques, from drawing to photography to sewing in order to create conceptual apparatuses that put forward domestic spaces that activate the construction of desire. I argue these interventions show housework and caregiving - work I refer to as life-sustaining labor - as enabling creation/creativity beyond the sole reproduction of the home and as intended for the subjects' own selves. I thus show how they turn a familiar space into something unrecognizable: the viewer who expected to find comfort, refuge, grace and discretion - quintessential qualities of the traditional domestic space -, finds themselves now trying to give meaning to familiar objects and actions that have been re-purposed. There, a sense of discomfort arises that is nevertheless captivating, giving way to a feeling of disquiet which pertains to the uncanny. The disquiet, I propose, can push the viewer to incorporate a new set of images, in this case of domestic spaces and life-sustaining work. The new images redefine domestic spaces as sites of constant negotiation, transformation and creativity capable of activating processes of subjectivation and constructing complex, dynamic identities.
- 일반주제명
- Latin American studies
- 일반주제명
- Art criticism
- 일반주제명
- Gender studies
- 키워드
- Contemporary
- 키워드
- Cultural studies
- 키워드
- Latin America
- 키워드
- Peru
- 키워드
- Visual arts
- 기타저자
- Northwestern University Spanish and Portuguese
- 기본자료저록
- Dissertations Abstracts International. 86-02A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■1001 ▼aBarreto Avila, Mariana.
■24510▼aEscenas domesticas inquietantes en las intervenciones artisticas de Ana Teresa Barboza, Maria Elena Alvarado, Vacide Erda y Natalia Iguiniz
■260 ▼a[Sl]▼bNorthwestern University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a283 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-02, Section: A.
■500 ▼aAdvisor: Coronado, Jorge.
■5021 ▼aThesis (Ph.D.)--Northwestern University, 2024.
■520 ▼aThis dissertation analyses artistic interventions in the Peruvian contemporary art scene, specifically, works by contemporary Peruvian artists Maria Elena Alvarado, Ana Teresa Barboza, Vacide Erda and Natalia Iguiniz. These interventions, created after the year 2000, combine a wide range of techniques, from drawing to photography to sewing in order to create conceptual apparatuses that put forward domestic spaces that activate the construction of desire. I argue these interventions show housework and caregiving - work I refer to as life-sustaining labor - as enabling creation/creativity beyond the sole reproduction of the home and as intended for the subjects' own selves. I thus show how they turn a familiar space into something unrecognizable: the viewer who expected to find comfort, refuge, grace and discretion - quintessential qualities of the traditional domestic space -, finds themselves now trying to give meaning to familiar objects and actions that have been re-purposed. There, a sense of discomfort arises that is nevertheless captivating, giving way to a feeling of disquiet which pertains to the uncanny. The disquiet, I propose, can push the viewer to incorporate a new set of images, in this case of domestic spaces and life-sustaining work. The new images redefine domestic spaces as sites of constant negotiation, transformation and creativity capable of activating processes of subjectivation and constructing complex, dynamic identities.
■590 ▼aSchool code: 0163.
■650 4▼aLatin American studies
■650 4▼aArt criticism
■650 4▼aGender studies
■653 ▼aContemporary
■653 ▼aCultural studies
■653 ▼aLatin America
■653 ▼aPeru
■653 ▼aVisual arts
■690 ▼a0550
■690 ▼a0365
■690 ▼a0733
■71020▼aNorthwestern University▼bSpanish and Portuguese.
■7730 ▼tDissertations Abstracts International▼g86-02A.
■790 ▼a0163
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aSpanish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17163127▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.


