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Feral Narratives: The Multispecies Worlds of Max Aub and Andrei Platonov
Feral Narratives: The Multispecies Worlds of Max Aub and Andrei Platonov
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211152800
- ISBN
- 9798384093909
- DDC
- 809
- 저자명
- Gilbert, Erin.
- 서명/저자
- Feral Narratives: The Multispecies Worlds of Max Aub and Andrei Platonov
- 발행사항
- [Sl] : University of Washington, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 230 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-03, Section: A.
- 주기사항
- Advisor: Diment, Galya;Bean, Jennifer.
- 학위논문주기
- Thesis (Ph.D.)--University of Washington, 2024.
- 초록/해제
- 요약In the twentieth century, the definitions and capacities of language, symbolic reasoning, and representation emerged as central preoccupations in studies of modernity, while modernist literature and art brought radical new perspectives and forms into focus for new audiences. At the same time industrialization, urbanization, and compression of time radically transformed both human interactions and more-than-human relationships. In this dissertation, I investigate parallels between the more-than-human imaginaries revealed by the works of Max Aub and Andrei Platonov. Some of their most formally experimental fiction foregrounds the experiences of nonhuman animals and plants, positioning them as active participants in human history. In so doing, they allude to the more-than-human worldmaking practices running through literary history, while drawing on their own experiences and observations to explore multispecies survivance in the Anthropocene. Consequently, their richly intertextual fictions share a critical preoccupation with definitions of the "human" and "nonhuman," the rhetoric of anthropomorphism and dehumanization, and the intersection between utopian projects, knowledge production, and anthropogenic change. Their inclusion of plant and animal characters in modernist fiction, I argue, connects ancient more-than-human dialogic storytelling to the formal experimentalism of twentieth century literary practice, and in so doing, Aub and Platonov defamiliarize and ultimately resist hegemonic narrative production.
- 일반주제명
- Comparative literature
- 일반주제명
- Slavic literature
- 일반주제명
- Film studies
- 키워드
- Cultural studies
- 키워드
- Dialogism
- 키워드
- Sympoiesis
- 기타저자
- University of Washington Cinema and Media Studies
- 기본자료저록
- Dissertations Abstracts International. 86-03A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■00520250211152800
■006m o d
■007cr#unu||||||||
■020 ▼a9798384093909
■035 ▼a(MiAaPQ)AAI31556492
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a809
■1001 ▼aGilbert, Erin.
■24510▼aFeral Narratives: The Multispecies Worlds of Max Aub and Andrei Platonov
■260 ▼a[Sl]▼bUniversity of Washington▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a230 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-03, Section: A.
■500 ▼aAdvisor: Diment, Galya;Bean, Jennifer.
■5021 ▼aThesis (Ph.D.)--University of Washington, 2024.
■520 ▼aIn the twentieth century, the definitions and capacities of language, symbolic reasoning, and representation emerged as central preoccupations in studies of modernity, while modernist literature and art brought radical new perspectives and forms into focus for new audiences. At the same time industrialization, urbanization, and compression of time radically transformed both human interactions and more-than-human relationships. In this dissertation, I investigate parallels between the more-than-human imaginaries revealed by the works of Max Aub and Andrei Platonov. Some of their most formally experimental fiction foregrounds the experiences of nonhuman animals and plants, positioning them as active participants in human history. In so doing, they allude to the more-than-human worldmaking practices running through literary history, while drawing on their own experiences and observations to explore multispecies survivance in the Anthropocene. Consequently, their richly intertextual fictions share a critical preoccupation with definitions of the "human" and "nonhuman," the rhetoric of anthropomorphism and dehumanization, and the intersection between utopian projects, knowledge production, and anthropogenic change. Their inclusion of plant and animal characters in modernist fiction, I argue, connects ancient more-than-human dialogic storytelling to the formal experimentalism of twentieth century literary practice, and in so doing, Aub and Platonov defamiliarize and ultimately resist hegemonic narrative production.
■590 ▼aSchool code: 0250.
■650 4▼aComparative literature
■650 4▼aLatin American literature
■650 4▼aSlavic literature
■650 4▼aFilm studies
■653 ▼aCultural studies
■653 ▼aDialogism
■653 ▼aEnvironmental humanities
■653 ▼aMexican literature
■653 ▼aSoviet literature
■653 ▼aSympoiesis
■690 ▼a0295
■690 ▼a0312
■690 ▼a0314
■690 ▼a0900
■71020▼aUniversity of Washington▼bCinema and Media Studies.
■7730 ▼tDissertations Abstracts International▼g86-03A.
■790 ▼a0250
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17163846▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
