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Nishkulanand, Premanand, and the Musical Formation of the Swaminarayan Sampraday
Nishkulanand, Premanand, and the Musical Formation of the Swaminarayan Sampraday
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211153030
- ISBN
- 9798342764940
- DDC
- 200
- 서명/저자
- Nishkulanand, Premanand, and the Musical Formation of the Swaminarayan Sampraday
- 발행사항
- [Sl] : Columbia University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 406 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-05, Section: A.
- 주기사항
- Advisor: Hawley, John Stratton.
- 학위논문주기
- Thesis (Ph.D.)--Columbia University, 2024.
- 초록/해제
- 요약Central to the formation and development of the Swaminarayan Sampraday over the past 200 years is the role played by a small group of poet-musicians who gathered around the founder, Swaminarayan (1781-1830) in Gujarat. In this dissertation, I analyze the musical compositions of two prominent poet-musicians, Nishkulanand (1766-1848) and Premanand (1784-1855), and the way in which the community has received both their songs and their own life stories. The purpose of this thesis is twofold: to show, through two paradigmatic examples, 1) how such a nexus of musical verse, performance, and word came into being, and 2) how this religious community formed around bodies of songs and the identities-in memory and history-of their creators and performers. I approach this study with a combination of textual studies, ethnographic and musicological analyses, and research in manuscript archives. My own experiences as a bhakti music and katha (didactic homily) exponent within the community also play a role.
- 일반주제명
- Religion
- 일반주제명
- South Asian studies
- 일반주제명
- History
- 일반주제명
- Music
- 키워드
- Bhakti
- 키워드
- Gujarat
- 키워드
- Nishkulanand
- 키워드
- Premanand
- 키워드
- Swaminarayan
- 기타저자
- Columbia University Religion
- 기본자료저록
- Dissertations Abstracts International. 86-05A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■007cr#unu||||||||
■020 ▼a9798342764940
■035 ▼a(MiAaPQ)AAI31635489
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a200
■1001 ▼aTrivedi, Yogendra Yogi.
■24510▼aNishkulanand, Premanand, and the Musical Formation of the Swaminarayan Sampraday
■260 ▼a[Sl]▼bColumbia University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a406 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-05, Section: A.
■500 ▼aAdvisor: Hawley, John Stratton.
■5021 ▼aThesis (Ph.D.)--Columbia University, 2024.
■520 ▼aCentral to the formation and development of the Swaminarayan Sampraday over the past 200 years is the role played by a small group of poet-musicians who gathered around the founder, Swaminarayan (1781-1830) in Gujarat. In this dissertation, I analyze the musical compositions of two prominent poet-musicians, Nishkulanand (1766-1848) and Premanand (1784-1855), and the way in which the community has received both their songs and their own life stories. The purpose of this thesis is twofold: to show, through two paradigmatic examples, 1) how such a nexus of musical verse, performance, and word came into being, and 2) how this religious community formed around bodies of songs and the identities-in memory and history-of their creators and performers. I approach this study with a combination of textual studies, ethnographic and musicological analyses, and research in manuscript archives. My own experiences as a bhakti music and katha (didactic homily) exponent within the community also play a role.
■590 ▼aSchool code: 0054.
■650 4▼aReligion
■650 4▼aSouth Asian studies
■650 4▼aHistory
■650 4▼aMusic
■653 ▼aBhakti
■653 ▼aGujarat
■653 ▼aNishkulanand
■653 ▼aPremanand
■653 ▼aSwaminarayan
■690 ▼a0318
■690 ▼a0638
■690 ▼a0578
■690 ▼a0413
■71020▼aColumbia University▼bReligion.
■7730 ▼tDissertations Abstracts International▼g86-05A.
■790 ▼a0054
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17164675▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
