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Resounding Returns: Echoes of Vietnam in the 1990s French Nostalgia Film
Resounding Returns: Echoes of Vietnam in the 1990s French Nostalgia Film
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211152010
- ISBN
- 9798382825137
- DDC
- 791
- 서명/저자
- Resounding Returns: Echoes of Vietnam in the 1990s French Nostalgia Film
- 발행사항
- [Sl] : University of California, Los Angeles, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 250 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 85-12, Section: A.
- 주기사항
- Advisor: Murat, Laure;Dutton, George Edson.
- 학위논문주기
- Thesis (Ph.D.)--University of California, Los Angeles, 2024.
- 초록/해제
- 요약"Nostalgia film," also referred to as "colonial nostalgia film" and "heritage film," is a genre that offers audiences a romanticized representation of the French past, including (problematically) its legacy of colonialism. My dissertation, oriented around four case studies - of Regis Wargnier's Indochine, Pierre Schoendoerffer's Diện Bien Phủ, Jean-Jacques Annaud's L'Amant, and Trần Anh Hung's L'Odeur de la papaye verte - interrogates the relationship between sound, music, and "nostalgia" in this specific body of early 1990s French films set in colonial-era Vietnam. It offers a sustained critique of the relationship between the mise-en-bande and the narrative and representational frameworks of these films. It also considers the impact of this relationship in subsequent films, such as Trần's Cyclo (1995) and Việt Linh's Me Thảo, thời vang bong (2002).
- 일반주제명
- Film studies
- 일반주제명
- Music history
- 일반주제명
- Asian history
- 일반주제명
- European studies
- 키워드
- Film music
- 키워드
- Nostalgia film
- 키워드
- Sound studies
- 기타저자
- University of California, Los Angeles French & Francophone Studies 0385
- 기본자료저록
- Dissertations Abstracts International. 85-12A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■00520250211152010
■006m o d
■007cr#unu||||||||
■020 ▼a9798382825137
■035 ▼a(MiAaPQ)AAI31331056
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a791
■1001 ▼aRakonjac, Damjan.
■24510▼aResounding Returns: Echoes of Vietnam in the 1990s French Nostalgia Film
■260 ▼a[Sl]▼bUniversity of California, Los Angeles▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a250 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 85-12, Section: A.
■500 ▼aAdvisor: Murat, Laure;Dutton, George Edson.
■5021 ▼aThesis (Ph.D.)--University of California, Los Angeles, 2024.
■520 ▼a"Nostalgia film," also referred to as "colonial nostalgia film" and "heritage film," is a genre that offers audiences a romanticized representation of the French past, including (problematically) its legacy of colonialism. My dissertation, oriented around four case studies - of Regis Wargnier's Indochine, Pierre Schoendoerffer's Diện Bien Phủ, Jean-Jacques Annaud's L'Amant, and Trần Anh Hung's L'Odeur de la papaye verte - interrogates the relationship between sound, music, and "nostalgia" in this specific body of early 1990s French films set in colonial-era Vietnam. It offers a sustained critique of the relationship between the mise-en-bande and the narrative and representational frameworks of these films. It also considers the impact of this relationship in subsequent films, such as Trần's Cyclo (1995) and Việt Linh's Me Thảo, thời vang bong (2002).
■590 ▼aSchool code: 0031.
■650 4▼aFilm studies
■650 4▼aMusic history
■650 4▼aAsian history
■650 4▼aEuropean studies
■653 ▼aFilm music
■653 ▼aFranco-Vietnamese film
■653 ▼aNostalgia film
■653 ▼aPostcolonial cinema
■653 ▼aSound studies
■690 ▼a0900
■690 ▼a0332
■690 ▼a0208
■690 ▼a0440
■71020▼aUniversity of California, Los Angeles▼bFrench & Francophone Studies 0385.
■7730 ▼tDissertations Abstracts International▼g85-12A.
■790 ▼a0031
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17162420▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
