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"Strange and Inexplicable": Musical Shape in Karlheinz Stockhausen's Gesang Der Junglinge
"Strange and Inexplicable": Musical Shape in Karlheinz Stockhausen's Gesang Der Junglinge
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211152808
- ISBN
- 9798384013631
- DDC
- 781
- 저자명
- Brodack, Cory.
- 서명/저자
- Strange and Inexplicable: Musical Shape in Karlheinz Stockhausens Gesang Der Junglinge
- 발행사항
- [Sl] : University of Rochester, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 96 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-02, Section: A.
- 주기사항
- Includes supplementary digital materials.
- 주기사항
- Advisor: Kuehn, Mikel;Zohn-Muldoon, Ricardo.
- 학위논문주기
- Thesis (Ph.D.)--University of Rochester, 2024.
- 초록/해제
- 요약Several scholars such as Schaeffer (1966), Chion (1983), Bregman (1990), and Godoy (1997, 2017) have written about the importance of perceiving musical gesture and shape in understanding music as a listener, but some such as Wishart (1996) have rightfully illustrated the potential downfalls of trying to formalize a codex of morphological shapes for this purpose. In the realm of acoustic music, tools have been developed to deal with shape and gesture in a formalized way, but when pitch and pitch-direction start to become obscured in denser and noisier textures such as those found prominently in electroacoustic music, a different way of listening to shape and analyzing the listening experience is needed. My approach focuses on describing the listening experience through musical content and shape using spectromorphology, a tool created by Denis Smalley (1997) for this purpose. While this method can describe a possible perceptual experience for a listener, it is also a compositional tool and listening aid, which is supported using "diffusion scores" and similar verbal and visual metaphors to represent different structural levels, functions, and processes in the music. I argue this is a useful approach for describing the listening experience of Gesang der Junglinge. In this dissertation, I approach Gesang der Junglinge using the tools developed by Denis Smalley, focusing on the overall time and spectral features of sound-shapes. I base this work on gestural features of the music, continuing the work of Schaeffer (1966), Bregman (1990), Huron (2006), and Smalley (1997).
- 일반주제명
- Musical composition
- 일반주제명
- Music theory
- 일반주제명
- Music
- 키워드
- Diffusion score
- 키워드
- Electronic music
- 키워드
- Spatialization
- 키워드
- Stockhausen
- 기타저자
- University of Rochester Eastman School of Music
- 기본자료저록
- Dissertations Abstracts International. 86-02A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■006m o d
■007cr#unu||||||||
■020 ▼a9798384013631
■035 ▼a(MiAaPQ)AAI31557389
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a781
■1001 ▼aBrodack, Cory.▼0(orcid)0009-0001-2055-0945
■24510▼a"Strange and Inexplicable": Musical Shape in Karlheinz Stockhausen's Gesang Der Junglinge
■260 ▼a[Sl]▼bUniversity of Rochester▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a96 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-02, Section: A.
■500 ▼aIncludes supplementary digital materials.
■500 ▼aAdvisor: Kuehn, Mikel;Zohn-Muldoon, Ricardo.
■5021 ▼aThesis (Ph.D.)--University of Rochester, 2024.
■520 ▼aSeveral scholars such as Schaeffer (1966), Chion (1983), Bregman (1990), and Godoy (1997, 2017) have written about the importance of perceiving musical gesture and shape in understanding music as a listener, but some such as Wishart (1996) have rightfully illustrated the potential downfalls of trying to formalize a codex of morphological shapes for this purpose. In the realm of acoustic music, tools have been developed to deal with shape and gesture in a formalized way, but when pitch and pitch-direction start to become obscured in denser and noisier textures such as those found prominently in electroacoustic music, a different way of listening to shape and analyzing the listening experience is needed. My approach focuses on describing the listening experience through musical content and shape using spectromorphology, a tool created by Denis Smalley (1997) for this purpose. While this method can describe a possible perceptual experience for a listener, it is also a compositional tool and listening aid, which is supported using "diffusion scores" and similar verbal and visual metaphors to represent different structural levels, functions, and processes in the music. I argue this is a useful approach for describing the listening experience of Gesang der Junglinge. In this dissertation, I approach Gesang der Junglinge using the tools developed by Denis Smalley, focusing on the overall time and spectral features of sound-shapes. I base this work on gestural features of the music, continuing the work of Schaeffer (1966), Bregman (1990), Huron (2006), and Smalley (1997).
■590 ▼aSchool code: 0188.
■650 4▼aMusical composition
■650 4▼aMusic theory
■650 4▼aMusic
■653 ▼aDiffusion score
■653 ▼aElectroacoustic music
■653 ▼aElectronic music
■653 ▼aSpatialization
■653 ▼aSpectromorphology
■653 ▼aStockhausen
■690 ▼a0214
■690 ▼a0221
■690 ▼a0413
■71020▼aUniversity of Rochester▼bEastman School of Music.
■7730 ▼tDissertations Abstracts International▼g86-02A.
■790 ▼a0188
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17163907▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
