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Defamiliarizing the Voice: Approaches to Vocal Composition in the Music of Anna Korsun, Charmaine Lee, and Anna-Louise Walton
Defamiliarizing the Voice: Approaches to Vocal Composition in the Music of Anna Korsun, Charmaine Lee, and Anna-Louise Walton
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211153043
- ISBN
- 9798346865056
- DDC
- 781
- 서명/저자
- Defamiliarizing the Voice: Approaches to Vocal Composition in the Music of Anna Korsun, Charmaine Lee, and Anna-Louise Walton
- 발행사항
- [Sl] : Columbia University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 131 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-06, Section: B.
- 주기사항
- Advisor: Di Castri, Zosha.
- 학위논문주기
- Thesis (D.M.A.)--Columbia University, 2024.
- 초록/해제
- 요약The voice is a unique instrument which is integrated into the body and culturally trained from birth. Due to its distinctive identity, many composers have the instinct to obfuscate its humanness in search of an instrument more malleable to their creative pursuits. I present Viktor Shklovsky's concept of defamiliarization, "to increase the difficulty and length of perception," as a framework for this approach to the voice. I posit that making the voice unfamiliar or strange provokes a heightened state of listening. By contemplating whether a sound's source is human or not, the listener perceives the voice anew. I look first to Anna Korsun's piece Ulenflucht for twenty singing and playing performers, which integrates primal vocal techniques with animal calls and bird whistles to create an imagined environment in which the voice is one of many creatures. I then turn to the vocal improvisations of Charmaine Lee, whose intimate integration of her voice with technology blurs the boundaries between human and machine. Finally, I relate the music of Korsun and Lee to one of my pieces, the deep glens where they lived for vocal sextet, which mediates the voice with PVC pipes and close microphone techniques. This music explores the rich and fragile nature of the human voice, and in so doing reframes, reimagines, and redefines it.
- 일반주제명
- Musical composition
- 일반주제명
- Acoustics
- 일반주제명
- Information technology
- 일반주제명
- Music theory
- 키워드
- Composition
- 키워드
- Voice
- 키워드
- Microphones
- 기타저자
- Columbia University Music
- 기본자료저록
- Dissertations Abstracts International. 86-06B.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■020 ▼a9798346865056
■035 ▼a(MiAaPQ)AAI31639533
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a781
■1001 ▼aWalton, Anna-Louise Randolph.
■24510▼aDefamiliarizing the Voice: Approaches to Vocal Composition in the Music of Anna Korsun, Charmaine Lee, and Anna-Louise Walton
■260 ▼a[Sl]▼bColumbia University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a131 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-06, Section: B.
■500 ▼aAdvisor: Di Castri, Zosha.
■5021 ▼aThesis (D.M.A.)--Columbia University, 2024.
■520 ▼aThe voice is a unique instrument which is integrated into the body and culturally trained from birth. Due to its distinctive identity, many composers have the instinct to obfuscate its humanness in search of an instrument more malleable to their creative pursuits. I present Viktor Shklovsky's concept of defamiliarization, "to increase the difficulty and length of perception," as a framework for this approach to the voice. I posit that making the voice unfamiliar or strange provokes a heightened state of listening. By contemplating whether a sound's source is human or not, the listener perceives the voice anew. I look first to Anna Korsun's piece Ulenflucht for twenty singing and playing performers, which integrates primal vocal techniques with animal calls and bird whistles to create an imagined environment in which the voice is one of many creatures. I then turn to the vocal improvisations of Charmaine Lee, whose intimate integration of her voice with technology blurs the boundaries between human and machine. Finally, I relate the music of Korsun and Lee to one of my pieces, the deep glens where they lived for vocal sextet, which mediates the voice with PVC pipes and close microphone techniques. This music explores the rich and fragile nature of the human voice, and in so doing reframes, reimagines, and redefines it.
■590 ▼aSchool code: 0054.
■650 4▼aMusical composition
■650 4▼aAcoustics
■650 4▼aInformation technology
■650 4▼aMusic theory
■653 ▼aComposition
■653 ▼aDefamiliarization
■653 ▼aVoice
■653 ▼aMicrophones
■653 ▼aClose miking techniques
■690 ▼a0214
■690 ▼a0489
■690 ▼a0986
■690 ▼a0221
■71020▼aColumbia University▼bMusic.
■7730 ▼tDissertations Abstracts International▼g86-06B.
■790 ▼a0054
■791 ▼aD.M.A.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17164767▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
