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Dissolving Sound: An Analysis of the Use of Ephemerality as a Metaphor in magnolias in bloom and Weavings
Dissolving Sound: An Analysis of the Use of Ephemerality as a Metaphor in magnolias in bloom and Weavings
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211151158
- ISBN
- 9798382756981
- DDC
- 780
- 서명/저자
- Dissolving Sound: An Analysis of the Use of Ephemerality as a Metaphor in magnolias in bloom and Weavings
- 발행사항
- [Sl] : Columbia University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 76 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 85-11, Section: A.
- 주기사항
- Includes supplementary digital materials.
- 주기사항
- Advisor: Garton, Brad;Cluett, Seth.
- 학위논문주기
- Thesis (D.M.A.)--Columbia University, 2024.
- 초록/해제
- 요약This dissertation is an analysis and critical framing of my recent compositional work, magnolias in bloom (2022) and Weavings (2023), both of which utilize ephemerality as a sonic and physical property to illustrate the content and narrative of the compositions. I give an overview of the last five years of installations, performances, and compositions and highlight ideas of grief, identity, and queerness within my recent work. I investigate how my composition magnolias in bloom uses the ephemeral nature of unfired clay and amplifies the sound it makes when immersed in water as a metaphor for loss and grief. I also look at how the unstable nature of analog modular synthesis, nonlinear modulation, and timbral fluidity contribute to themes of queer theory and identity politics. Through these works, ephemera is left behind in the form of clay and patch cables. At the end of each chapter I examine works that have both influenced and informed my practice and throughout the dissertation, I highlight the writings of Jose Esteban Munoz, Pauline Oliveros, and bell hooks to relate their work to my own practice. My analysis of magnolias in bloom and Weavings through a lens of ephemerality draws a connecting thread between the two vastly different compositions.
- 일반주제명
- Music
- 일반주제명
- Musical composition
- 일반주제명
- Music theory
- 키워드
- Ephemerality
- 키워드
- Grief
- 키워드
- Serge
- 키워드
- Synthesizer
- 기타저자
- Columbia University Music
- 기본자료저록
- Dissertations Abstracts International. 85-11A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■006m o d
■007cr#unu||||||||
■020 ▼a9798382756981
■035 ▼a(MiAaPQ)AAI31236745
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a780
■1001 ▼aDobkin, Danielle Reidy.
■24510▼aDissolving Sound: An Analysis of the Use of Ephemerality as a Metaphor in magnolias in bloom and Weavings
■260 ▼a[Sl]▼bColumbia University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a76 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 85-11, Section: A.
■500 ▼aIncludes supplementary digital materials.
■500 ▼aAdvisor: Garton, Brad;Cluett, Seth.
■5021 ▼aThesis (D.M.A.)--Columbia University, 2024.
■520 ▼aThis dissertation is an analysis and critical framing of my recent compositional work, magnolias in bloom (2022) and Weavings (2023), both of which utilize ephemerality as a sonic and physical property to illustrate the content and narrative of the compositions. I give an overview of the last five years of installations, performances, and compositions and highlight ideas of grief, identity, and queerness within my recent work. I investigate how my composition magnolias in bloom uses the ephemeral nature of unfired clay and amplifies the sound it makes when immersed in water as a metaphor for loss and grief. I also look at how the unstable nature of analog modular synthesis, nonlinear modulation, and timbral fluidity contribute to themes of queer theory and identity politics. Through these works, ephemera is left behind in the form of clay and patch cables. At the end of each chapter I examine works that have both influenced and informed my practice and throughout the dissertation, I highlight the writings of Jose Esteban Munoz, Pauline Oliveros, and bell hooks to relate their work to my own practice. My analysis of magnolias in bloom and Weavings through a lens of ephemerality draws a connecting thread between the two vastly different compositions.
■590 ▼aSchool code: 0054.
■650 4▼aMusic
■650 4▼aMusical composition
■650 4▼aMusic theory
■653 ▼aEphemerality
■653 ▼aGrief
■653 ▼aSerge
■653 ▼aSynthesizer
■690 ▼a0413
■690 ▼a0214
■690 ▼a0221
■71020▼aColumbia University▼bMusic.
■7730 ▼tDissertations Abstracts International▼g85-11A.
■790 ▼a0054
■791 ▼aD.M.A.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17161071▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
