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Ontological Disharmony to Soviet Dvoetopia: A Decade of Religious Imagery in the Literary Production of Andrei Platonov 1920-1930
Ontological Disharmony to Soviet Dvoetopia: A Decade of Religious Imagery in the Literary ...
Ontological Disharmony to Soviet Dvoetopia: A Decade of Religious Imagery in the Literary Production of Andrei Platonov 1920-1930

Detailed Information

자료유형  
 학위논문 서양
최종처리일시  
20250211152027
ISBN  
9798384096955
DDC  
891
저자명  
Rodgers, Cyrus.
서명/저자  
Ontological Disharmony to Soviet Dvoetopia: A Decade of Religious Imagery in the Literary Production of Andrei Platonov 1920-1930
발행사항  
[Sl] : University of Washington, 2024
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2024
형태사항  
317 p
주기사항  
Source: Dissertations Abstracts International, Volume: 86-04, Section: A.
주기사항  
Advisor: Diment, Galya.
학위논문주기  
Thesis (Ph.D.)--University of Washington, 2024.
초록/해제  
요약My dissertation examines the relationship between religion in art and politics in the work of Andrei Platonov during the first decade under the Communist regime of the USSR. I concentrate my analysis on the intertextual relationship between Platonov's work and its biblical referents across a 10-year period (1920-1930) demonstrating a shift from his early work in which he uses religious imagery as an instrument to attack prerevolutionary institutions towards his later orientation that uses religious imagery to subvert the Soviet utopian building project. Platonov purposefully interweaves biblical themes into his work and in doing so he either comments on, supports, challenges, or subverts the growing anti-religious orthodoxy in the State controlled production of art. This engagement with religious themes in Soviet art is significant because assumptions are often made that the Soviet Union and 20th century socialism intentionally broke with the religious inclinations of the past, however, my work illustrates that religious themes, in fact, frequently formed the countervailing underpinnings of both Communist propaganda and artists' attempts to critique new forms of politicization and socialization. I argue that Platonov uses biblical imagery to underscore the similarities between Soviet Communism and Christianity in their mutual failings to deliver on the promise of redemption for human society. This is not to say that Platonov lost faith in the perfectibility of humanity and society, but only in the ability of the Party as it was then constituted to achieve this end. I aim to demonstrate a turn in Platonov's thinking in relation to the evolving Soviet cultural context in its movement from the policies of the early years of the Revolution and War Communism towards the first Five-Year Plan and high Stalinism and his treatment of religious themes across this period. I divide my study on Platonov into three sections; analysis of select stories, articles, and poetry from Platonov's early work (the Voronezh years 1920-1925), a section each on Chevengur (1928) and "Kotlovan" (1930). I analyze Judeo-Christian imagery in Platonov's body of work as he develops as an artist, paying special attention to direct references and conceptual allusions across the following themes 1) rhetorical features and verbal choices that resemble the language of the Bible, 2) apocalypse, 3) eschatology, and 4) resurrection.
일반주제명  
Slavic literature
일반주제명  
Religion
일반주제명  
Literature
일반주제명  
Slavic studies
키워드  
Communism
키워드  
Platonov, Andrei
키워드  
Russian
키워드  
Soviet
키워드  
Religious imagery
기타저자  
University of Washington Slavic Languages and Literatures
기본자료저록  
Dissertations Abstracts International. 86-04A.
전자적 위치 및 접속  
로그인 후 원문을 볼 수 있습니다.

MARC

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■1001  ▼aRodgers,  Cyrus.
■24510▼aOntological  Disharmony  to  Soviet  Dvoetopia:  A  Decade  of  Religious  Imagery  in  the  Literary  Production  of  Andrei  Platonov  1920-1930
■260    ▼a[Sl]▼bUniversity  of  Washington▼c2024
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2024
■300    ▼a317  p
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  86-04,  Section:  A.
■500    ▼aAdvisor:  Diment,  Galya.
■5021  ▼aThesis  (Ph.D.)--University  of  Washington,  2024.
■520    ▼aMy  dissertation  examines  the  relationship  between  religion  in  art  and  politics  in  the  work  of  Andrei  Platonov  during  the  first  decade  under  the  Communist  regime  of  the  USSR.  I  concentrate  my  analysis  on  the  intertextual  relationship  between  Platonov's  work  and  its  biblical  referents  across  a  10-year  period  (1920-1930)  demonstrating  a  shift  from  his  early  work  in  which  he  uses  religious  imagery  as  an  instrument  to  attack  prerevolutionary  institutions  towards  his  later  orientation  that  uses  religious  imagery  to  subvert  the  Soviet  utopian  building  project.  Platonov  purposefully  interweaves  biblical  themes  into  his  work  and  in  doing  so  he  either  comments  on,  supports,  challenges,  or  subverts  the  growing  anti-religious  orthodoxy  in  the  State  controlled  production  of  art.  This  engagement  with  religious  themes  in  Soviet  art  is  significant  because  assumptions  are  often  made  that  the  Soviet  Union  and  20th  century  socialism  intentionally  broke  with  the  religious  inclinations  of  the  past,  however,  my  work  illustrates  that  religious  themes,  in  fact,  frequently  formed  the  countervailing  underpinnings  of  both  Communist  propaganda  and  artists'  attempts  to  critique  new  forms  of  politicization  and  socialization.  I  argue  that  Platonov  uses  biblical  imagery  to  underscore  the  similarities  between  Soviet  Communism  and  Christianity  in  their  mutual  failings  to  deliver  on  the  promise  of  redemption  for  human  society.  This  is  not  to  say  that  Platonov  lost  faith  in  the  perfectibility  of  humanity  and  society,  but  only  in  the  ability  of  the  Party  as  it  was  then  constituted  to  achieve  this  end.  I  aim  to  demonstrate  a  turn  in  Platonov's  thinking  in  relation  to  the  evolving  Soviet  cultural  context  in  its  movement  from  the  policies  of  the  early  years  of  the  Revolution  and  War  Communism  towards  the  first  Five-Year  Plan  and  high  Stalinism  and  his  treatment  of  religious  themes  across  this  period.  I  divide  my  study  on  Platonov  into  three  sections;  analysis  of  select  stories,  articles,  and  poetry  from  Platonov's  early  work  (the  Voronezh  years  1920-1925),  a  section  each  on  Chevengur  (1928)  and  "Kotlovan"  (1930).  I  analyze  Judeo-Christian  imagery  in  Platonov's  body  of  work  as  he  develops  as  an  artist,  paying  special  attention  to  direct  references  and  conceptual  allusions  across  the  following  themes  1)  rhetorical  features  and  verbal  choices  that  resemble  the  language  of  the  Bible,  2)  apocalypse,  3)  eschatology,  and  4)  resurrection.
■590    ▼aSchool  code:  0250.
■650  4▼aSlavic  literature
■650  4▼aReligion
■650  4▼aLiterature
■650  4▼aSlavic  studies
■653    ▼aCommunism
■653    ▼aPlatonov,  Andrei
■653    ▼aRussian
■653    ▼aSoviet
■653    ▼aReligious  imagery
■690    ▼a0314
■690    ▼a0401
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■690    ▼a0318
■71020▼aUniversity  of  Washington▼bSlavic  Languages  and  Literatures.
■7730  ▼tDissertations  Abstracts  International▼g86-04A.
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■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17162568▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

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