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Crack-Up: Narrowcasting Satire and Right-Wing Populism
Crack-Up: Narrowcasting Satire and Right-Wing Populism
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211152657
- ISBN
- 9798384016335
- DDC
- 384
- 서명/저자
- Crack-Up: Narrowcasting Satire and Right-Wing Populism
- 발행사항
- [Sl] : Northwestern University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 227 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-02, Section: A.
- 주기사항
- Advisor: Sconce, Jeffrey.
- 학위논문주기
- Thesis (Ph.D.)--Northwestern University, 2024.
- 초록/해제
- 요약This dissertation examines the works of satirical comedians within legacy media institutions such as broadcasting and cable television in the United States and public service radio in Denmark during the latter half of the 2010s, which roughly coincides with the Trump presidency. Studying the evolving dynamics between artistic presumptions, industrial norms, and actual audiences, it argues that various technological and political shifts increasingly rendered these relationships incongruous over time. This incongruity became particularly evident during moments of crisis, such as the election of Donald Trump in 2016, when a 'missed connection' became apparent and a new equilibrium was sought. The study explores how these relationships were constructed, articulated, and amended over time, with a focus on how comedians addressed their imagined audiences within the context of surging right-wing and far-right populism.The dissertation primarily employs a textual analysis approach, engaging political comedy as a mode of rhetoric with an emphasis on framing and social imagination. It documents performers' attempts to navigate the right-wing populist surge by using varying levels of reflexivity and comedic techniques to delineate communities that gradually recognized their limited and distinct existence within the nation, emphasizing discontinuity and difference. Additionally, it explores the comedians' efforts to reconcile two industrial conceptions of political comedy: one rooted in nation-serving broadcasting that combines entertainment and critique for a broad audience, and the other viewing political comedy as a genre targeting specific demographic clusters.Moreover, the theme of internationalism is examined, with comedians framing their perspectives to transcend, decenter, or historicize the nation, promoting an international outlook that resonated most when defending a diverse understanding of national identity. This approach distinguished them from nationalist populist movements and influenced the production strategies of globally integrated American networks, which increasingly hired comedians of multinational backgrounds to attract cosmopolitan viewers in the U.S. and abroad.
- 일반주제명
- Communication
- 일반주제명
- Modern history
- 일반주제명
- Film studies
- 키워드
- Globalization
- 키워드
- Humor
- 키워드
- Media studies
- 키워드
- Political comedy
- 키워드
- Satire
- 기타저자
- Northwestern University Screen Cultures
- 기본자료저록
- Dissertations Abstracts International. 86-02A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■00520250211152657
■006m o d
■007cr#unu||||||||
■020 ▼a9798384016335
■035 ▼a(MiAaPQ)AAI31487677
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a384
■1001 ▼aJensen, Peter Kragh.
■24510▼aCrack-Up: Narrowcasting Satire and Right-Wing Populism
■260 ▼a[Sl]▼bNorthwestern University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a227 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-02, Section: A.
■500 ▼aAdvisor: Sconce, Jeffrey.
■5021 ▼aThesis (Ph.D.)--Northwestern University, 2024.
■520 ▼aThis dissertation examines the works of satirical comedians within legacy media institutions such as broadcasting and cable television in the United States and public service radio in Denmark during the latter half of the 2010s, which roughly coincides with the Trump presidency. Studying the evolving dynamics between artistic presumptions, industrial norms, and actual audiences, it argues that various technological and political shifts increasingly rendered these relationships incongruous over time. This incongruity became particularly evident during moments of crisis, such as the election of Donald Trump in 2016, when a 'missed connection' became apparent and a new equilibrium was sought. The study explores how these relationships were constructed, articulated, and amended over time, with a focus on how comedians addressed their imagined audiences within the context of surging right-wing and far-right populism.The dissertation primarily employs a textual analysis approach, engaging political comedy as a mode of rhetoric with an emphasis on framing and social imagination. It documents performers' attempts to navigate the right-wing populist surge by using varying levels of reflexivity and comedic techniques to delineate communities that gradually recognized their limited and distinct existence within the nation, emphasizing discontinuity and difference. Additionally, it explores the comedians' efforts to reconcile two industrial conceptions of political comedy: one rooted in nation-serving broadcasting that combines entertainment and critique for a broad audience, and the other viewing political comedy as a genre targeting specific demographic clusters.Moreover, the theme of internationalism is examined, with comedians framing their perspectives to transcend, decenter, or historicize the nation, promoting an international outlook that resonated most when defending a diverse understanding of national identity. This approach distinguished them from nationalist populist movements and influenced the production strategies of globally integrated American networks, which increasingly hired comedians of multinational backgrounds to attract cosmopolitan viewers in the U.S. and abroad.
■590 ▼aSchool code: 0163.
■650 4▼aCommunication
■650 4▼aModern history
■650 4▼aFilm studies
■653 ▼aGlobalization
■653 ▼aHumor
■653 ▼aMedia studies
■653 ▼aPolitical comedy
■653 ▼aRight-wing populism
■653 ▼aSatire
■690 ▼a0459
■690 ▼a0582
■690 ▼a0900
■71020▼aNorthwestern University▼bScreen Cultures.
■7730 ▼tDissertations Abstracts International▼g86-02A.
■790 ▼a0163
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17163356▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
