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Sound Designs for Four Dominant Types of Stages: Thrust, Arena, Proscenium and Immersive
Sound Designs for Four Dominant Types of Stages: Thrust, Arena, Proscenium and Immersive
Detailed Information
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211153101
- ISBN
- 9798384087601
- DDC
- 792
- 서명/저자
- Sound Designs for Four Dominant Types of Stages: Thrust, Arena, Proscenium and Immersive
- 발행사항
- [Sl] : The Ohio State University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 251 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-04, Section: A.
- 주기사항
- Advisor: Constantinidis, Stratos.
- 학위논문주기
- Thesis (Ph.D.)--The Ohio State University, 2024.
- 초록/해제
- 요약This dissertation project uses a phenomenological approach to better understand the aural experience of audiences in theatrical productions and to advance the study of the art of sound design beyond the level of technical manuals. The arrangement of the audience within the theatre space is an often-overlooked variable that affects how the audience listens to and contextualizes the performance. In addition to aural framing, this dissertation explores the concepts of noise, silence, aural intimacy, mediatization, immersive audio, audience reception, and the communal experience of listening in thrust, arena, proscenium, and immersive stages.
- 일반주제명
- Theater
- 일반주제명
- Theater studies
- 일반주제명
- Theater history
- 일반주제명
- Performing arts
- 키워드
- Sound design
- 키워드
- Theatre spaces
- 키워드
- Theatre noise
- 기타저자
- The Ohio State University Theatre
- 기본자료저록
- Dissertations Abstracts International. 86-04A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■020 ▼a9798384087601
■035 ▼a(MiAaPQ)AAI31673901
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a792
■1001 ▼aCantelon, Matthew.
■24510▼aSound Designs for Four Dominant Types of Stages: Thrust, Arena, Proscenium and Immersive
■260 ▼a[Sl]▼bThe Ohio State University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a251 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-04, Section: A.
■500 ▼aAdvisor: Constantinidis, Stratos.
■5021 ▼aThesis (Ph.D.)--The Ohio State University, 2024.
■520 ▼aThis dissertation project uses a phenomenological approach to better understand the aural experience of audiences in theatrical productions and to advance the study of the art of sound design beyond the level of technical manuals. The arrangement of the audience within the theatre space is an often-overlooked variable that affects how the audience listens to and contextualizes the performance. In addition to aural framing, this dissertation explores the concepts of noise, silence, aural intimacy, mediatization, immersive audio, audience reception, and the communal experience of listening in thrust, arena, proscenium, and immersive stages.
■590 ▼aSchool code: 0168.
■650 4▼aTheater
■650 4▼aTheater studies
■650 4▼aTheater history
■650 4▼aPerforming arts
■653 ▼aSound design
■653 ▼aTheatre spaces
■653 ▼aPhenomenology of sound
■653 ▼aTheatre noise
■690 ▼a0644
■690 ▼a0465
■690 ▼a0641
■71020▼aThe Ohio State University▼bTheatre.
■7730 ▼tDissertations Abstracts International▼g86-04A.
■790 ▼a0168
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17164907▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
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