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Sketches of Sea and Spleen in Marguerite Canal's Three Esquisses Mediterraneennes for Piano
Sketches of Sea and Spleen in Marguerite Canal's Three Esquisses Mediterraneennes for Pian...
Sketches of Sea and Spleen in Marguerite Canal's Three Esquisses Mediterraneennes for Piano

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자료유형  
 학위논문 서양
최종처리일시  
20250211151325
ISBN  
9798382455860
DDC  
780
저자명  
Hourez, Jeanne.
서명/저자  
Sketches of Sea and Spleen in Marguerite Canals Three Esquisses Mediterraneennes for Piano
발행사항  
[Sl] : The University of Texas at Austin, 2024
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2024
형태사항  
114 p
주기사항  
Source: Dissertations Abstracts International, Volume: 85-11, Section: A.
주기사항  
Advisor: Nel, Anton;Maggart, Alison.
학위논문주기  
Thesis (D.M.A.)--The University of Texas at Austin, 2024.
초록/해제  
요약French female composer Marguerite Canal was born in Toulouse in 1890. Canal's artistry was forged by her education that took place in Paris, the epicenter of French cultural life in the early 20th century. Deeply influenced by the different artistic movements of that time, her compositions reveal a rich, colorful, and very sensitive personality.Canal grew up in a cultivated art-loving family. Her mother was a piano teacher, and her father was an amateur cellist. The family was versed in literature and poetry, and from her young age, Canal received a complete literary education as well as being immersed in the Parisian salon world. She entered the Paris Conservatoire in 1903 and studied with Paul Vidal. In 1917, she became the first woman to conduct an orchestra in France.In 1920, she was the second woman to be awarded the First Grand Prize of Rome. During her stay at the Villa Medicis, Canal composed her famous Sonata for violin and piano. The three Esquisses Mediterraneennes for piano seem to have been drafted in the same period and published a few years later. These three pieces, "Les Jardins de la Villa Cypris", "Jeux du soleil sur les vagues", and "Spleen", receive a variety of stylistic influences. Besides being rooted in Impressionism and Symbolism, the set explores the various philosophies of time in vogue in the early 20th century and entertains a deep bond with Baudelaire's existentialist concept of spleen.This treatise presents a deep analysis of Canal's Esquisses Mediterraneennes, putting it in perspective with the diverse aesthetics emblematic of the French Impressionist school. The goal of this document is to give more visibility to a set of three captivating pieces and to contribute to the recognition of their author.
일반주제명  
Music
일반주제명  
French literature
일반주제명  
Music education
키워드  
French music
키워드  
Impressionism
키워드  
Marguerite Canal
키워드  
Piano
키워드  
Sketches
키워드  
Symbolism
기타저자  
The University of Texas at Austin Music
기본자료저록  
Dissertations Abstracts International. 85-11A.
전자적 위치 및 접속  
로그인 후 원문을 볼 수 있습니다.

MARC

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■040    ▼aMiAaPQ▼cMiAaPQ
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■1001  ▼aHourez,  Jeanne.
■24510▼aSketches  of  Sea  and  Spleen  in  Marguerite  Canal's  Three  Esquisses  Mediterraneennes  for  Piano
■260    ▼a[Sl]▼bThe  University  of  Texas  at  Austin▼c2024
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2024
■300    ▼a114  p
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  85-11,  Section:  A.
■500    ▼aAdvisor:  Nel,  Anton;Maggart,  Alison.
■5021  ▼aThesis  (D.M.A.)--The  University  of  Texas  at  Austin,  2024.
■520    ▼aFrench  female  composer  Marguerite  Canal  was  born  in  Toulouse  in  1890.  Canal's  artistry  was  forged  by  her  education  that  took  place  in  Paris,  the  epicenter  of  French  cultural  life  in  the  early  20th  century.  Deeply  influenced  by  the  different  artistic  movements  of  that  time,  her  compositions  reveal  a  rich,  colorful,  and  very  sensitive  personality.Canal  grew  up  in  a  cultivated  art-loving  family.  Her  mother  was  a  piano  teacher,  and  her  father  was  an  amateur  cellist.  The  family  was  versed  in  literature  and  poetry,  and  from  her  young  age,  Canal  received  a  complete  literary  education  as  well  as  being  immersed  in  the  Parisian  salon  world.  She  entered  the  Paris  Conservatoire  in  1903  and  studied  with  Paul  Vidal.  In  1917,  she  became  the  first  woman  to  conduct  an  orchestra  in  France.In  1920,  she  was  the  second  woman  to  be  awarded  the  First  Grand  Prize  of  Rome.  During  her  stay  at  the  Villa  Medicis,  Canal  composed  her  famous  Sonata  for  violin  and  piano.  The  three  Esquisses  Mediterraneennes  for  piano  seem  to  have  been  drafted  in  the  same  period  and  published  a  few  years  later.  These  three  pieces,  "Les  Jardins  de  la  Villa  Cypris",  "Jeux  du  soleil  sur  les  vagues",  and  "Spleen",  receive  a  variety  of  stylistic influences.  Besides  being  rooted  in  Impressionism  and  Symbolism,  the  set  explores  the  various  philosophies  of  time  in  vogue  in  the  early  20th  century  and  entertains  a  deep  bond  with  Baudelaire's  existentialist  concept  of  spleen.This  treatise  presents  a  deep  analysis  of  Canal's  Esquisses  Mediterraneennes,  putting  it  in  perspective  with  the  diverse  aesthetics  emblematic  of  the  French  Impressionist  school.  The  goal  of  this  document  is  to  give  more  visibility  to  a  set  of  three  captivating  pieces  and  to  contribute  to  the  recognition  of  their  author.
■590    ▼aSchool  code:  0227.
■650  4▼aMusic
■650  4▼aFrench  literature
■650  4▼aMusic  education
■653    ▼aFrench  music
■653    ▼aImpressionism
■653    ▼aMarguerite  Canal
■653    ▼aPiano
■653    ▼aSketches
■653    ▼aSymbolism
■690    ▼a0413
■690    ▼a0205
■690    ▼a0522
■71020▼aThe  University  of  Texas  at  Austin▼bMusic.
■7730  ▼tDissertations  Abstracts  International▼g85-11A.
■790    ▼a0227
■791    ▼aD.M.A.
■792    ▼a2024
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17161214▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

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