The Evolution of the Texas Tenor: A History of How Texan Saxophonists Have Pioneered Music From Free Jazz to Aretha Franklin to Snarky Puppy
The Evolution of the Texas Tenor: A History of How Texan Saxophonists Have Pioneered Music From Free Jazz to Aretha Franklin to Snarky Puppy
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211151327
- ISBN
- 9798382332802
- DDC
- 780
- 서명/저자
- The Evolution of the Texas Tenor: A History of How Texan Saxophonists Have Pioneered Music From Free Jazz to Aretha Franklin to Snarky Puppy
- 발행사항
- [Sl] : University of Miami, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 102 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 85-11, Section: A.
- 주기사항
- Advisor: Bergeron, Charles.
- 학위논문주기
- Thesis (D.M.A.)--University of Miami, 2024.
- 초록/해제
- 요약In this study I examine the musical contributions and influences of four underappreciated Texan Tenor saxophonists Dewey Redman, King Curtis, Shelley Carrol, and Quamon Fowler. The purpose of this study is to examine the careers of each saxophonist, all part of the Texas Tenor lineage, and how their musical environments during their upbringing in Dallas/Fort Worth and Houston helped shape forms of African American music such as blues, jazz, bebop, free jazz, R&B, rock-n-roll, and soul. This study will frame a historical perspective of African American-influenced Texan music based on interviews with Texas Tenors and scholarly works pertaining to the Texas Tenor style. This study also attempts to define the Texas Tenor style, particularly its origins, how scholars view it historically, and how it is still prevalent today.
- 일반주제명
- Music
- 일반주제명
- Musical composition
- 일반주제명
- Musical performances
- 키워드
- Fowler, Quamon
- 키워드
- Snarky Puppy
- 키워드
- Texas Jazz
- 키워드
- Texas Tenors
- 기타저자
- University of Miami Studio Music and Jazz (Music)
- 기본자료저록
- Dissertations Abstracts International. 85-11A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■035 ▼a(MiAaPQ)AAI31240312
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a780
■1001 ▼aHenderson, Ian Andrew Prescott.
■24510▼aThe Evolution of the Texas Tenor: A History of How Texan Saxophonists Have Pioneered Music From Free Jazz to Aretha Franklin to Snarky Puppy
■260 ▼a[Sl]▼bUniversity of Miami▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a102 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 85-11, Section: A.
■500 ▼aAdvisor: Bergeron, Charles.
■5021 ▼aThesis (D.M.A.)--University of Miami, 2024.
■520 ▼aIn this study I examine the musical contributions and influences of four underappreciated Texan Tenor saxophonists Dewey Redman, King Curtis, Shelley Carrol, and Quamon Fowler. The purpose of this study is to examine the careers of each saxophonist, all part of the Texas Tenor lineage, and how their musical environments during their upbringing in Dallas/Fort Worth and Houston helped shape forms of African American music such as blues, jazz, bebop, free jazz, R&B, rock-n-roll, and soul. This study will frame a historical perspective of African American-influenced Texan music based on interviews with Texas Tenors and scholarly works pertaining to the Texas Tenor style. This study also attempts to define the Texas Tenor style, particularly its origins, how scholars view it historically, and how it is still prevalent today.
■590 ▼aSchool code: 0125.
■650 4▼aMusic
■650 4▼aMusical composition
■650 4▼aMusical performances
■653 ▼aFowler, Quamon
■653 ▼aSnarky Puppy
■653 ▼aTexas Jazz
■653 ▼aTexas Tenors
■653 ▼aMusical environments
■690 ▼a0413
■690 ▼a0214
■690 ▼a0943
■71020▼aUniversity of Miami▼bStudio Music and Jazz (Music).
■7730 ▼tDissertations Abstracts International▼g85-11A.
■790 ▼a0125
■791 ▼aD.M.A.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17161229▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
