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Remembering the Supremes: Crossover Politics, Public Memory, and Fandom
Remembering the Supremes: Crossover Politics, Public Memory, and Fandom
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20250211153113
- ISBN
- 9798384461944
- DDC
- 780
- 서명/저자
- Remembering the Supremes: Crossover Politics, Public Memory, and Fandom
- 발행사항
- [Sl] : The Ohio State University, 2024
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- 형태사항
- 241 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 86-04, Section: A.
- 주기사항
- Advisor: Fosler-Lussier, Danielle.
- 학위논문주기
- Thesis (Ph.D.)--The Ohio State University, 2024.
- 초록/해제
- 요약This dissertation explores how Motown Records' marketing strategies have shaped fans' recollections of 1960s music, and how fan engagement has shaped the legacy of the Supremes and Motown Records' place in popular music history. The Supremes were Motown Records' most successful girl group, and the trio was marketed to mainstream audiences as a model of "young America." Across the Supremes' career, their look, sound, and presentation changed to appeal to consumers across racial and class divides. Motown pushed the Supremes into every corner of public life through television appearances, concerts in high-end nightclubs, and placement in advertisements for popular consumer goods. The group's visibility and respectability attracted the attention of white fans and, by their accounts, started conversations about race, gender, and representation in fans' homes. The Supremes' fandom continues to the present day, long after the group's breakup, and that engagement is still marked by Motown's colorblind presentation of the Supremes. The most intensely engaged fans show deep attachment to the music and to the Supremes themselves, and these fans have taken responsibility for the cultivation and curation of the group's legacy in tangible ways. These fans' histories of their relationship to the group offer a retrospective view of how Motown's marketing affected thinking about race, gender, class, and representation.
- 일반주제명
- Music
- 일반주제명
- History
- 일반주제명
- American history
- 일반주제명
- Gender studies
- 일반주제명
- Modern history
- 일반주제명
- Black history
- 일반주제명
- African American studies
- 키워드
- The Supremes
- 키워드
- Motown Records
- 키워드
- Representation
- 키워드
- White fans
- 키워드
- Music fandom
- 키워드
- Race
- 기타저자
- The Ohio State University Music
- 기본자료저록
- Dissertations Abstracts International. 86-04A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■1001 ▼aCruz-Lopez, Elena.
■24510▼aRemembering the Supremes: Crossover Politics, Public Memory, and Fandom
■260 ▼a[Sl]▼bThe Ohio State University▼c2024
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2024
■300 ▼a241 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 86-04, Section: A.
■500 ▼aAdvisor: Fosler-Lussier, Danielle.
■5021 ▼aThesis (Ph.D.)--The Ohio State University, 2024.
■520 ▼aThis dissertation explores how Motown Records' marketing strategies have shaped fans' recollections of 1960s music, and how fan engagement has shaped the legacy of the Supremes and Motown Records' place in popular music history. The Supremes were Motown Records' most successful girl group, and the trio was marketed to mainstream audiences as a model of "young America." Across the Supremes' career, their look, sound, and presentation changed to appeal to consumers across racial and class divides. Motown pushed the Supremes into every corner of public life through television appearances, concerts in high-end nightclubs, and placement in advertisements for popular consumer goods. The group's visibility and respectability attracted the attention of white fans and, by their accounts, started conversations about race, gender, and representation in fans' homes. The Supremes' fandom continues to the present day, long after the group's breakup, and that engagement is still marked by Motown's colorblind presentation of the Supremes. The most intensely engaged fans show deep attachment to the music and to the Supremes themselves, and these fans have taken responsibility for the cultivation and curation of the group's legacy in tangible ways. These fans' histories of their relationship to the group offer a retrospective view of how Motown's marketing affected thinking about race, gender, class, and representation.
■590 ▼aSchool code: 0168.
■650 4▼aMusic
■650 4▼aHistory
■650 4▼aAmerican history
■650 4▼aGender studies
■650 4▼aModern history
■650 4▼aBlack history
■650 4▼aAfrican American studies
■653 ▼aThe Supremes
■653 ▼aMotown Records
■653 ▼aRepresentation
■653 ▼aWhite fans
■653 ▼aMusic fandom
■653 ▼aRace
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■690 ▼a0733
■690 ▼a0582
■690 ▼a0413
■690 ▼a0578
■690 ▼a0296
■690 ▼a0337
■71020▼aThe Ohio State University▼bMusic.
■7730 ▼tDissertations Abstracts International▼g86-04A.
■790 ▼a0168
■791 ▼aPh.D.
■792 ▼a2024
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17165009▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
