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Wrath of the Rising Sun the Gods of War and Military Rituals in Pre-Modern Japan
Wrath of the Rising Sun the Gods of War and Military Rituals in Pre-Modern Japan
상세정보
- 자료유형
- 학위논문 서양
- 최종처리일시
- 20260202105158
- ISBN
- 9798297617650
- DDC
- 950
- 저자명
- Sakai, Komei.
- 서명/저자
- Wrath of the Rising Sun the Gods of War and Military Rituals in Pre-Modern Japan
- 발행사항
- [Sl] : Columbia University, 2025
- 발행사항
- Ann Arbor : ProQuest Dissertations & Theses, 2025
- 형태사항
- 242 p
- 주기사항
- Source: Dissertations Abstracts International, Volume: 87-04, Section: A.
- 주기사항
- Advisor: Como, Michael I.;Moerman, D. Max.
- 학위논문주기
- Thesis (Ph.D.)--Columbia University, 2025.
- 초록/해제
- 요약The decoration of Japanese arms and armor often contains talismanic symbols and images that derive from Onmyodo, an understudied tradition related to Daoism in China, and cannot be explained through the conventional narrative centered on Shinto-Buddhist dichotomy that has hitherto been used to understand Japanese religion. This dissertation argues that, prior to the fall of the last shogunate in 1868, there existed a distinct religious tradition among the members of the samurai class that involved unique rituals and prayers dedicated to the gods of war that were based upon the Chinese principles of yin-yang duality and the Five Phases that also constituted the foundation of Onmyodo. The first chapter presents the key major practices of this military tradition, which the author refers to as the religion of warfare, based on the divination instructions included in the various treatises on military strategy from the Edo period. The second chapter explores the material dimension of the religion of warfare through the diverse ritual manuals passed down in the lineage of the decorum master Ise Sadatake, with a particular focus on those pertaining to the production of military equipment. The third chapter examines how the mainstream Buddhism responded to the non-Buddhist elements that feature prominently in the religion of warfare using the Nichiren School as a case study. To conclude, the author contends that the religious decoration of Japanese arms and armor reflects the deities, rituals, and material culture of the distinctive religion of the samurai class that have been neglected until now.
- 일반주제명
- Asian history
- 일반주제명
- Religion
- 일반주제명
- Southeast Asian studies
- 키워드
- Arms and armor
- 키워드
- Buddhism
- 키워드
- Japanese
- 키워드
- Nichiren
- 키워드
- Onmyodo
- 키워드
- Samurai
- 기타저자
- Columbia University East Asian Languages and Cultures
- 기본자료저록
- Dissertations Abstracts International. 87-04A.
- 전자적 위치 및 접속
- 로그인 후 원문을 볼 수 있습니다.
MARC
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■00520260202105158
■006m o d
■007cr#unu||||||||
■020 ▼a9798297617650
■035 ▼a(MiAaPQ)AAI32243809
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a950
■1001 ▼aSakai, Komei.
■24510▼aWrath of the Rising Sun the Gods of War and Military Rituals in Pre-Modern Japan
■260 ▼a[Sl]▼bColumbia University▼c2025
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2025
■300 ▼a242 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 87-04, Section: A.
■500 ▼aAdvisor: Como, Michael I.;Moerman, D. Max.
■5021 ▼aThesis (Ph.D.)--Columbia University, 2025.
■520 ▼aThe decoration of Japanese arms and armor often contains talismanic symbols and images that derive from Onmyodo, an understudied tradition related to Daoism in China, and cannot be explained through the conventional narrative centered on Shinto-Buddhist dichotomy that has hitherto been used to understand Japanese religion. This dissertation argues that, prior to the fall of the last shogunate in 1868, there existed a distinct religious tradition among the members of the samurai class that involved unique rituals and prayers dedicated to the gods of war that were based upon the Chinese principles of yin-yang duality and the Five Phases that also constituted the foundation of Onmyodo. The first chapter presents the key major practices of this military tradition, which the author refers to as the religion of warfare, based on the divination instructions included in the various treatises on military strategy from the Edo period. The second chapter explores the material dimension of the religion of warfare through the diverse ritual manuals passed down in the lineage of the decorum master Ise Sadatake, with a particular focus on those pertaining to the production of military equipment. The third chapter examines how the mainstream Buddhism responded to the non-Buddhist elements that feature prominently in the religion of warfare using the Nichiren School as a case study. To conclude, the author contends that the religious decoration of Japanese arms and armor reflects the deities, rituals, and material culture of the distinctive religion of the samurai class that have been neglected until now.
■590 ▼aSchool code: 0054.
■650 4▼aAsian history
■650 4▼aReligion
■650 4▼aSoutheast Asian studies
■653 ▼aArms and armor
■653 ▼aBuddhism
■653 ▼aJapanese
■653 ▼aNichiren
■653 ▼aOnmyodo
■653 ▼aSamurai
■690 ▼a0332
■690 ▼a0318
■690 ▼a0222
■71020▼aColumbia University▼bEast Asian Languages and Cultures.
■7730 ▼tDissertations Abstracts International▼g87-04A.
■790 ▼a0054
■791 ▼aPh.D.
■792 ▼a2025
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17359686▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.


