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Wrath of the Rising Sun the Gods of War and Military Rituals in Pre-Modern Japan
Wrath of the Rising Sun the Gods of War and Military Rituals in Pre-Modern Japan
Wrath of the Rising Sun the Gods of War and Military Rituals in Pre-Modern Japan

상세정보

자료유형  
 학위논문 서양
최종처리일시  
20260202105158
ISBN  
9798297617650
DDC  
950
저자명  
Sakai, Komei.
서명/저자  
Wrath of the Rising Sun the Gods of War and Military Rituals in Pre-Modern Japan
발행사항  
[Sl] : Columbia University, 2025
발행사항  
Ann Arbor : ProQuest Dissertations & Theses, 2025
형태사항  
242 p
주기사항  
Source: Dissertations Abstracts International, Volume: 87-04, Section: A.
주기사항  
Advisor: Como, Michael I.;Moerman, D. Max.
학위논문주기  
Thesis (Ph.D.)--Columbia University, 2025.
초록/해제  
요약The decoration of Japanese arms and armor often contains talismanic symbols and images that derive from Onmyodo, an understudied tradition related to Daoism in China, and cannot be explained through the conventional narrative centered on Shinto-Buddhist dichotomy that has hitherto been used to understand Japanese religion. This dissertation argues that, prior to the fall of the last shogunate in 1868, there existed a distinct religious tradition among the members of the samurai class that involved unique rituals and prayers dedicated to the gods of war that were based upon the Chinese principles of yin-yang duality and the Five Phases that also constituted the foundation of Onmyodo. The first chapter presents the key major practices of this military tradition, which the author refers to as the religion of warfare, based on the divination instructions included in the various treatises on military strategy from the Edo period. The second chapter explores the material dimension of the religion of warfare through the diverse ritual manuals passed down in the lineage of the decorum master Ise Sadatake, with a particular focus on those pertaining to the production of military equipment. The third chapter examines how the mainstream Buddhism responded to the non-Buddhist elements that feature prominently in the religion of warfare using the Nichiren School as a case study. To conclude, the author contends that the religious decoration of Japanese arms and armor reflects the deities, rituals, and material culture of the distinctive religion of the samurai class that have been neglected until now.
일반주제명  
Asian history
일반주제명  
Religion
일반주제명  
Southeast Asian studies
키워드  
Arms and armor
키워드  
Buddhism
키워드  
Japanese
키워드  
Nichiren
키워드  
Onmyodo
키워드  
Samurai
기타저자  
Columbia University East Asian Languages and Cultures
기본자료저록  
Dissertations Abstracts International. 87-04A.
전자적 위치 및 접속  
로그인 후 원문을 볼 수 있습니다.

MARC

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■020    ▼a9798297617650
■035    ▼a(MiAaPQ)AAI32243809
■040    ▼aMiAaPQ▼cMiAaPQ
■0820  ▼a950
■1001  ▼aSakai,  Komei.
■24510▼aWrath  of  the  Rising  Sun  the  Gods  of  War  and  Military  Rituals  in  Pre-Modern  Japan
■260    ▼a[Sl]▼bColumbia  University▼c2025
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2025
■300    ▼a242  p
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  87-04,  Section:  A.
■500    ▼aAdvisor:  Como,  Michael  I.;Moerman,  D.  Max.
■5021  ▼aThesis  (Ph.D.)--Columbia  University,  2025.
■520    ▼aThe  decoration  of  Japanese  arms  and  armor  often  contains  talismanic  symbols  and  images  that  derive  from  Onmyodo,  an  understudied  tradition  related  to  Daoism  in  China,  and  cannot  be  explained  through  the  conventional  narrative  centered  on  Shinto-Buddhist  dichotomy  that  has  hitherto  been  used  to  understand  Japanese  religion.  This  dissertation  argues  that,  prior  to  the  fall  of  the  last  shogunate  in  1868,  there  existed  a  distinct  religious  tradition  among  the  members  of  the  samurai  class  that  involved  unique  rituals  and  prayers  dedicated  to  the  gods  of  war  that  were  based  upon  the  Chinese  principles  of  yin-yang  duality  and  the  Five  Phases  that  also  constituted  the  foundation  of  Onmyodo.  The  first  chapter  presents  the  key  major  practices  of  this  military  tradition,  which  the  author  refers  to  as  the  religion  of  warfare,  based  on  the  divination  instructions  included  in  the  various  treatises  on  military  strategy  from  the  Edo  period.  The  second  chapter  explores  the  material  dimension  of  the  religion  of  warfare  through  the  diverse  ritual  manuals  passed  down  in  the  lineage  of  the  decorum  master  Ise  Sadatake,  with  a  particular  focus  on  those  pertaining  to  the  production  of  military  equipment.  The  third  chapter  examines  how  the  mainstream  Buddhism  responded  to  the  non-Buddhist  elements  that  feature  prominently  in  the  religion  of  warfare  using  the  Nichiren  School  as  a  case  study.  To  conclude,  the  author  contends  that  the  religious  decoration  of  Japanese  arms  and  armor  reflects  the  deities,  rituals,  and  material  culture  of  the  distinctive  religion  of  the  samurai  class  that  have  been  neglected  until  now.
■590    ▼aSchool  code:  0054.
■650  4▼aAsian  history
■650  4▼aReligion
■650  4▼aSoutheast  Asian  studies
■653    ▼aArms  and  armor
■653    ▼aBuddhism
■653    ▼aJapanese
■653    ▼aNichiren
■653    ▼aOnmyodo
■653    ▼aSamurai
■690    ▼a0332
■690    ▼a0318
■690    ▼a0222
■71020▼aColumbia  University▼bEast  Asian  Languages  and  Cultures.
■7730  ▼tDissertations  Abstracts  International▼g87-04A.
■790    ▼a0054
■791    ▼aPh.D.
■792    ▼a2025
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T17359686▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.

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